Murder with Pictures

Part of the Treeline/Reel Media 50-Movie Mystery Classics Collection from 2003, the sound quality is a little shaky, which probably explains why we NEVER see this one on Turner Classic Movies. Director Charles Barton had helped on a couple of silent movies, but had only been directing for 2 years when he did "Murder with Pictures". Given some quick one- liners by the writers, Lew Ayres stars as photographer Kent Murdock, trying to navigate around everyone involved with the trial he is covering. The part is quite generic, and anyone, like Bogey or William Powell could have played it. Co-stars Gail Patrick and Paul Kelly. Pretty short, at 69 minutes, it was probably considered quality at the time, since Edith Head did the costumes. Lots of cops- and- gangster type threats, guesses, and intrigue, and the bodies start piling up. Lots of car chases and the usual murder mystery antics, but pretty good. Liked Ayres better in "Holiday", which he would make two years later with K Hepburn and C Grant.

After racketeer Onslow Stevens is acquitted on murder, Gail Patrick pops up amidst a bunch of reporters, with a perfect motive for killing Onslow's putative victim...and other people start dying. News photographer Lew Ayres doesn't believe she did it, even though she keeps lying to him.

It's not a Universal picture, it's from Paramount, but it's definitely not one of their better ones. It's very watchable, but it depends mostly on Ayres playing the snappy-pattering reporter, and his rivalry with news writer Paul Kelly, who is very good. Other than that, it's a matter of standard cinematography by Ted Tetzlaff, a murder method that I figured out from the get-go and a murderer whom I identified at the 40-minute mark, by the way he behaved, even though there was no sign of why he had done it for another fifteen minutes.

It looks like B director Charles Barton was given a mediocre script, and did a job that didn't much exceed his undoubted competence. It's worth watching for the actors, but not much else.

Lew Ayres and Gail Patrick both give good performances, and the two of them plus a fast-paced story make this an enjoyable B-feature. The crime/mystery story is often implausible, but it provides some interesting developments and it creates some good action.

Ayres and Patrick were both pretty talented performers, and their roles offer each of them some good material. Ayres plays an easygoing news photographer who gets involved in a murder case, in which Patrick's strong-minded character plays an uncertain role. It's good to see Patrick get a more prominent role than usual, even in a low-budget feature, and her elegance fits in well.

The story uses a number of offbeat details to keep things moving, and this helps to hold your interest in the story as well as in masking some of the low production values. This is not bad at all for a movie of its kind, and it provides an hour or so of good light entertainment.

This is a B-movie from Paramount. How it has lapsed into the public domain, I have no idea--but regardless it's available for download from the link on its IMDb page.

The film stars a young Lew Ayers as a smart-mouthed newspaper photographer (as bit of a cliché). When a murder occurs, a lady who is the police suspect (Gail Patrick) asks Ayers to hide her. This is one of the oldest and worst clichés of murder mystery films as in real life no one would shelter a murder suspect no questions asked! And, if they were dumb enough to do this, then the murder suspect would most likely kill them for their trouble! But, in B-movie fashion, you know she CAN'T be the killer. The rest of the film, Ayers investigates and proves that the handsome hero is ALWAYS smarter than the stupid cops (yet another familiar cliché)--led by Joe Sawyer as the investigator (a rather familiar role for him). And how does he intend to do this? Yep, one of the oldest plot ideas--with a supposed photo that will prove who the murderer is! As you can tell from my description, the film abounds with clichés--the sort that fans of classic films will quickly recognize. Because of this, the film is not exactly original act. However, the acting and overall polish of the movie are nice--making it at least a tolerable time-passer.

MURDER WITH PICTURES (Paramount, 1936), directed by Charles T. Barton, is a quaint little newspaper story and murder mystery from the studio's second feature unit. Starring Lew Ayres, who, by this time, was an ordinary actor who hasn't had a solid blockbuster since the Academy Award winning production of ALL QUIET ON THE WESTERN FRONT (Universal, 1930). Before his career was awarded a new and successful chapter with his "Doctor Kildare" hospital series for Metro-Goldwyn-Mayer (1938-1942), MURDER WITH PICTURES is a prime example to the many routine programmers Ayres was doing by this time. Based on the story by George Harmon Coze, the finished product does offer some twist and turns normally found in murder mysteries, but nothing quite suspenseful as anything directed by Alfred Hitchcock.

The plot begins at a trial of crime boss, Nate Girard (Onslow Stevens) for the murder of his partner, Joe Cuslick. As I. B. McGoogin (Paul Kelly) and Phil Doane (Benny Baker) reporter and photographer of the Daily Post await for both verdict and the arrival of crack photographer, Kent Murdock, the jury enters the courtroom with a "Not Guilty" verdict. After Girard, Stanley Redfield (Ernest Cossart his defense attorney, along with his associates leave the courtroom to return to his place of residence, Girard is approached in the elevator by Meg Archer (Gail Patrick), a mystery woman who wants to talk to him privately, and Kent Murdock (Lew Ayres) stepping in through a trap door from above to take some pictures. As everyone heads to the apartment, Redfield invites Murdock and the press to stop over later in the evening to attend Girard's celebration victory party. While there, Murdock interviews Meg Archer, and is caught kissing her by Hester Boone (Joyce Compton), a bubble dancer and his jealous fiancee, who happens to be there on an invite by McGoogin so he can get a scoop from the mystery woman himself. After Murdock and Bubbles leave, a photograph is then being taken at the very same time Redfield keels over and dies. Because of the mysterious disappearance of Meg, she becomes the prime suspect of Redfield's murder. Murdock unwittingly acquires a picture plate that might be the clue to the murder, especially after finding his apartment was searched and offered $5,000 for the negative by a mysterious caller over the telephone. As another reporter, having acquired the dangerous photo, is murdered while developing the photo plate in the dark room, further convinces the police Meg Archer connected to these crimes. Murdock, accompanied by Johnny Mercer (Anthony Nace), his new assistant, believes otherwise and tries tries to clear Meg's name, unaware of the danger that awaits him.

Featuring the supporting cast of Joseph Sawyer (Inspector Bacon); Don Rowan (Siki); Frank Sheridan (The Police Chief); Irving Bacon (Keogh); and Purnell B. Pratt (George, the Newspaper Editor). With Platt and Sheridan properly placed in their typical roles, it's interesting finding movie gangster-type, Joe Sawyer, on the right side of the law, and Ernest Cossart, usually cast as a butler, playing a lawyer instead.

MURDER WITH PICTURES is routinely produced 71 minute mystery that improves with its second or third viewing after knowing the final results. Commonly presented on late show television in the 1960s and 70s, MURDER WITH PICTURES had been out or circulation for quite some time, especially in the New York City area where it was last shown on television's WPIX, Channel 11 in 1972. Later available on video cassette and DVD format, MURDER WITH PICTURES is no masterpiece by any means, but satisfactory programmer from the early years of young Lew Ayres before his most famous role as "Doctor Kildare," and Best Actor nominee in JOHNNY BELINDA (Warner Brothers, 1948), for which he is best noted. (** flashbulbs)