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Road Gang

  • 1936
  • Approved
  • 1h 1m
ÉVALUATION IMDb
6,3/10
200
MA NOTE
Donald Woods in Road Gang (1936)
Drama

Ajouter une intrigue dans votre langueJim Larrabie and Bob Gordon, two reporters, are sent to prison on bogus charges after exposing the corrupt practices of J.W. Moett and Dudley. The two suffer extreme cruelty due to the sadis... Tout lireJim Larrabie and Bob Gordon, two reporters, are sent to prison on bogus charges after exposing the corrupt practices of J.W. Moett and Dudley. The two suffer extreme cruelty due to the sadistic behavior of the warden and guards.Jim Larrabie and Bob Gordon, two reporters, are sent to prison on bogus charges after exposing the corrupt practices of J.W. Moett and Dudley. The two suffer extreme cruelty due to the sadistic behavior of the warden and guards.

  • Director
    • Louis King
  • Writers
    • Abem Finkel
    • Harold Buckley
    • Dalton Trumbo
  • Stars
    • Donald Woods
    • Kay Linaker
    • Carlyle Moore Jr.
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,3/10
    200
    MA NOTE
    • Director
      • Louis King
    • Writers
      • Abem Finkel
      • Harold Buckley
      • Dalton Trumbo
    • Stars
      • Donald Woods
      • Kay Linaker
      • Carlyle Moore Jr.
    • 12Commentaires d'utilisateurs
    • 3Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos4

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    Rôles principaux53

    Modifier
    Donald Woods
    Donald Woods
    • James 'Jim' Larrabie
    Kay Linaker
    Kay Linaker
    • Barbara Winston
    Carlyle Moore Jr.
    Carlyle Moore Jr.
    • Robert 'Bob' Gordon
    Joseph Crehan
    Joseph Crehan
    • Harry Shields
    Henry O'Neill
    Henry O'Neill
    • George Winston
    Joe King
    Joe King
    • J.W. Moett (changed from Metcalfe)
    • (as Joseph King)
    Addison Richards
    Addison Richards
    • Warden Parmenter
    Charles Middleton
    Charles Middleton
    • Mine Warden Grayson
    Olin Howland
    Olin Howland
    • Doctor
    • (as Olin Howlin)
    William B. Davidson
    William B. Davidson
    • Atty. Gen. Marsden
    • (as William Davidson)
    Harry Cording
    Harry Cording
    • Sam Dawson
    Marc Lawrence
    Marc Lawrence
    • Pete
    Eddie Shubert
    Eddie Shubert
    • Buck Draper
    Edward Van Sloan
    Edward Van Sloan
    • Mr. Dudley
    • (as Ed Van Sloan)
    Ben Hendricks Jr.
    • Jake
    • (as Ben Hendricks)
    George Lloyd
    George Lloyd
    • Hymie Seeball (the Gorilla)
    Ernie Adams
    Ernie Adams
    • Jeff - Convict with Bad Leg
    • (uncredited)
    Ted Billings
    • Convict
    • (uncredited)
    • Director
      • Louis King
    • Writers
      • Abem Finkel
      • Harold Buckley
      • Dalton Trumbo
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs12

    6,3200
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    Avis en vedette

    8AlsExGal

    An excellent B film by Warners on political corruption and prison cruelty

    Unlike 1932's "I am a Fugitive From a Chain Gang", this film is shorter, is using Warner's B-list talent, and has to deal with the production code which has the unusual effect of changing the king of political corruption in this movie from Metcalfe to "Moett". I've scoured my books and online sources, and I cannot find a politician from that era named Metcalfe that was considered corrupt, or perhaps one that was not corrupt and did not want to be portrayed as such in this film. Just note that you will clearly hear the name Metcalfe being changed to Moett via audio dropouts throughout the film. What this film does have going for it is a co-writer by the name of Dalton Trumbo - his first credited writing role.

    Donald Woods plays James Larrabie, whose first expose on Moett's ties to political corruption has Moett trying to corrupt Larrabie himself by offering him a job in return for dropping this series of exposes. Larrabie refuses. Then he does a rather dumb thing - he tells Moett where he is going (Chicago) and how he is getting there. While Larrabie and his assistant Bob Gordon are on the road they are intercepted by the state police for suspicion of a robbery. So far, it is assumed this delay is set up by Moett, but what happens next is not. A criminal kills the local sheriff as he is putting Larrabie and Gordon in jail, and now Moett can't believe his luck, he now has the journalists up for murder. He conspires with a corrupt attorney to get them to plead guilty. The actual jail breaker is dead, so nobody can say they were not part of it. The corrupt attorney therefore tells them to plead guilty to the jail break and they'll get a suspended sentence. He knows the judge, although not corrupt, is a "hanging judge", and instead they get five years hard labor.

    This is where the brutal prison scenes begin, with there even being a mine where prisoners who are sent there are destined to die a slow death of black lung disease due to a lack of any protective gear. What does Larrabie have going for him? His editor as well as his girlfriend are working on the outside to get him freed by appealing to the Attorney General. What is not going for him? His girlfriend's stepfather is one of Moett's henchmen. How will this all work out? Watch and find out.

    Warner Brothers doesn't have quite the courage of their convictions here, since the corrupt state and prison system is unnamed. How did the prison system get to be so bad, presumably in the south? Originally, the big prison farms were a product of Reconstruction and a substitute for slavery. Largely, at first, blacks were sent to these prison farms, maybe or maybe not guilty of what they were convicted. But the state got free labor out of them, often renting them out to planters who no longer had access to true slaves. The brutality came from what had been done in the past to keep field slaves in line on the big plantations. Eventually, over decades, this just became the prison system for the entire south and for all races.

    Well, enough of the history lesson. But I really highly recommend this fast paced little film as probably the best thing I ever saw Donald Woods in, helped by a tight script and good direction.
    8planktonrules

    One of the best B-movies I can recall having seen.

    This film was made by the B-movie unit at First National/Warner Brothers. Because it's a B, it only lasts about an hour and stars a relative unknown, Donald Woods. However, although many folks normally assume that a B-movie is synonymous with a 'bad movie', this is DEFINITELY not the case with this movie. Thanks to exceptional writing and direction, the film sure satisfies.

    This film is from the social reform era in Hollywood. Many films were made by this studio which questioned the penal system--such as "I Am a Fugitive From a Chain Gang", "Mayor of Hell", "20,000 Years in Sing Sing" and "Angels With Dirty Faces". In this same tradition is "Road Gang"--a film not just about government corruption but corruption in the chain gang system.

    A crusading reporter has gotten on the wrong side of a bunch of crooked politicians. They try to bribe him to keep his mouth shut but he vows to bring down the corrupt officials. So, shortly after this meeting with the crooks, this reporter (Woods) is convicted on trumped up charges along with his friend. They are sent to a brutal chain gang--one that is run by people working for the same crooked machine. The plan is to work the two to death so that they never can have a chance to publish anything. And, when the newspaper man tries to smuggle out a story about the brutality, he's sent to an even worse place--a place where they have no intention of allowing anyone to see him again. What's next? See the film.

    This film works on so many levels. The dialog is great, the plot works very well and the film really gets its point across. On top of that, it has a really good ending. This film has it all--and is better than you'd ever expect from a tiny-budgeted movie.
    dougdoepke

    Good Touches but Lacks Needed Intensity

    A reporter uncovers a network of corruption that extends to the penthouses and prisons of a southern state.

    MGM may have gussied up the Depression era with glamorous escapism, but not so Warner Bros. WB liked to say their stories were ripped from the headlines of the day. Their writers operated from street level and not the penthouse top, as this programmer clearly shows. Prison conditions could be abominable at a time when tax monies had dried up along with businesses. Thus prison movies like the best known one, I Am a Fugitive From a Chain Gang (932), were popular with straitened audiences of the day.

    There are many good touches in Road Gang—the pin-pricked message, the tumbling coal stope, the artful safe-cracker. Note too, how the scheme reporter Larrabee (Woods) uncovers goes all the way to the top. I'm sure audiences of the day enjoyed indicting the rich and powerful. Nonetheless, the movie lacks the fire needed to lift it from the merely routine. Woods is sturdy and likable, but lacks the intensity needed to drive the plot in a memorable way. Also, that superb villain Charles Middleton (mine boss) curiously underplays his key role, such that no sparks are lit there, either. My guess is that director King was not much engaged with the material. His story direction is competent, but nothing more. Thus the narrative unfolds in interesting but not gripping fashion, which I suspect is why it's omitted from Maltin's film guide. Too bad WB didn't get Cagney for the lead role or Mike Curtiz to direct it.
    10Ron Oliver

    Taut, Tight Little Film Packs A Punch

    Framed for crimes they did not commit, two young men are sentenced to five years at hard labor on a Southern prison's brutal ROAD GANG.

    Here is a fine example of the type of crime film which Warner Bros. produced so well. Although there are no big stars in the film, the acting is generally good, the stifling atmosphere is well maintained and the production values - especially in the prison camp/mine sequences - are of a high standard.

    Donald Woods makes a sturdy, stalwart hero; made to endure various humiliations & punishments, he never wavers in his fight for justice. This is quite typical of the fine performances Woods gave during his career. Kay Linaker is enjoyable as his courageous fiancée.

    The film is sparked by a handful of noteworthy performances among the large cast: Carlyle Moore Jr. as Woods faithful, tragic buddy; Henry O'Neill as a slick, utterly corrupt politician; Edward Van Sloan as a shyster lawyer; Olin Howlin as the lethargic prison doctor; and Charles Middleton as the Blackfoot Mine's vile warden.

    ROAD GANG was a partial re-make of Warner's' hit film from four years earlier, I AM A FUGITIVE FROM A CHAIN GANG (1932), starring Paul Muni. In the days of the studio factory system, when churning out one picture after another in an almost endless supply was vitally important, it was not at all unusual to recycle the plots of successful A movies. The B pictures department would change elements here & there (ROAD GANG has a much happier ending than the Muni film), and release an entirely new picture, hoping for another winner. This was the first film scripted by the young Dalton Trumbo, destined to be famous for more than just his celebrated screenwriting abilities.
    searchanddestroy-1

    I am an inmate in the road gang

    This is a pretty rough, tough, gritty drama exposing the road gang conditions. Of course, the movie buffs will compare it with Mervyn Le Roy's I WAS A FUGITIVE FROM A CHAIN GANG; not exactly the same story but at least the same realistic depiction of what prison camps were in those times. Louis King was a pretty good director but maybe lacked ambition to be the the equal of his brother Henry. This is not a crime film, despite the prison, road gang scheme, but a solid drama that should not be despised, because of being a B movie. This is a pure little gem, don't make the mistake to underestimate it.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The character played by Joe King is shown in the opening credits as Moett. On the TCM print every time this character is mentioned it's clear the actors are saying Metcalf even though the sound drops out as if being censored.
    • Gaffes
      Although his name is spelled throughout as "Larrabie," he signs a hand-written letter as "Larabee."
    • Citations

      Robert 'Bob' Gordon: It's funny... darkies can always find something to sing about.

    • Connexions
      Referenced in Bullets or Ballots (1936)
    • Bandes originales
      Lullaby of Broadway
      (uncredited)

      Music by Harry Warren

      Lyrics by Al Dubin

      Hummed by Donald Woods and Carlyle Moore Jr.

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    Détails

    Modifier
    • Date de sortie
      • 28 mars 1936 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Prison Farm
    • Lieux de tournage
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Californie, États-Unis(Studio)
    • société de production
      • Warner Bros.
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 1 minute
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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    Donald Woods in Road Gang (1936)
    Lacune principale
    By what name was Road Gang (1936) officially released in Canada in English?
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