Mountain Justice

In Mountain Justice Hollywood displays its early contempt for southern hill folk that remains in one form or another unabated to this day. Portrayed en masse as ill bred, bad tempered, poor mannered ignoramuses one is surprised not to see them living in caves and grunting.

Country doc Barnard dreams of bringing a health center to his backwoods community but is met with skepticism by the coarse locals. Local girl and assistant Ruth Harkins shares his dream but is prevented by her father who views improvement and progress as disrespecting tradition. He responds brutally to his daughter and her "crazy notions" but she remains undaunted in her effort to help a community that in large part despises her.

Director Michael Curtiz offers up a share of tense moments that raises the tenor of storyline at times and there's a wonderful confident turn of a disheveled country lawyer played by Robert McWade but the treatment and interpretation of the Hillbilly community throughout the film remains rife with a bias that for the wrong reason would hold any interest today.

Good-looking melodrama about a backwoods girl (Josephine Hutchinson) who dreams of opening medical clinics for hillbillies, but most contend with abusive father (Robert Barrat). Outrageous at times with some ridiculous caricatures in place of real characters. But still it's entertaining and moves along nicely, helped by an able cast. George Brent plays the Northern lawyer in love with Hutchinson. I believe he was the only character who actually said the word hillbilly in the film. But he said it often and with such disdain each time I couldn't help but chuckle. Guy Kibbee and Margaret Hamilton are the lovable old couple that help show the audience the hill people aren't all as evil as Barrat.

Apparently based on a real case, according to the Trivia, this court trial film has some big hollywood names -- George Brent, Guy Kibbee, Mona Barrie, and even Margaret Hamilton (a couple years before Wizard of Oz !) Josephine Hutchins is Ruth Harkins, violently abused by her father. it's a little uneven, but does its best to tell the story of a daughter, determined to make her own way and marry who she wants to marry. it's pretty good. purports to show the ways of the appalachian mountain folk. Directed by Michael Curtiz, who made some pretty big films in his day, and won the oscar for Casablanca.

A superb film and important cautionary tale about mob justice and the danger of ignorance in a rural community. Josephine Hutchinson gives a powerful performance as the victim of a male dominated society that does not truly recognize her as an equal or even as a human being. Treated as a slave and abused by a sociopathic father, she is defended by a New York lawyer played by George Brent with sensitivity and skill. The character of the hill society is blown wide open as this tremendous story unfolds and the viewer will make inevitable comparisons to the current authoritarian regime in Washington in the year 2019. A profound message to our own generation that the sins of the past are being repeated unless Americans fight for the rule of law and not let a demagogic sociopath in the Oval Office destroy those who disagree with him. This is an example of Hollywood films of the 1930s tackling important issues with courage and intelligence. Issues confronted in this film include the vital need for education, an honest law enforcement and judiciary, respect for women as equal citizens, and a proper system of medical care. Most significant is how essential the rule of law is to a free and just society, an issue that touches all our lives and the future of our children today.

In spite of its faults, I was really impressed by this movie. Warner made a number of social justice flicks during the thirties, and I thought this was one of the best. Strong performances, tight script and lots of action.

Some people have complained about certain plot points, and it's true that the writers could have made things more believable. And while some of the mountain folk are portrayed sympathetically, over all the script does not paint a flattering picture of the townspeople. My biggest problem with the script is the ending. For most of the film the main character is determined to become a nurse so that she can help her community. At the end she decides to dump all that and become a housewife. I didn't buy it.

Still, this movie really pulled me in, and the tension keeps building right up to the climax. Writers Norman Reilly Raine and Luci Ward do a good job with the characters and situations. Josephine Hutchinson is excellent, and most of the cast is strong. Michael Curtiz keeps the pace brisk. The scenes where the young woman confronts her father are intense and harrowing. I think this movie is one of Curtiz' high points from the thirties, and it's a shame it's not better known.