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Consolation Marriage

  • 1931
  • Passed
  • 1h 21m
ÉVALUATION IMDb
6,0/10
527
MA NOTE
Consolation Marriage (1931)
Drama

Ajouter une intrigue dans votre langueIn prohibition-era Manhattan, shopkeeper Mary Brown loses Aubrey, her childhood sweetheart, when he marries a rich woman. Reporter Steve "Rollo" Porter has lost his childhood sweetheart Elai... Tout lireIn prohibition-era Manhattan, shopkeeper Mary Brown loses Aubrey, her childhood sweetheart, when he marries a rich woman. Reporter Steve "Rollo" Porter has lost his childhood sweetheart Elaine, who has also married another. Mary and Steve become friends, and make a marriage of co... Tout lireIn prohibition-era Manhattan, shopkeeper Mary Brown loses Aubrey, her childhood sweetheart, when he marries a rich woman. Reporter Steve "Rollo" Porter has lost his childhood sweetheart Elaine, who has also married another. Mary and Steve become friends, and make a marriage of convenience, based on a shared sense of whimsical humor as well as their mutual losses. When... Tout lire

  • Director
    • Paul Sloane
  • Writers
    • Bill Cunningham
    • Humphrey Pearson
  • Stars
    • Irene Dunne
    • Pat O'Brien
    • John Halliday
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,0/10
    527
    MA NOTE
    • Director
      • Paul Sloane
    • Writers
      • Bill Cunningham
      • Humphrey Pearson
    • Stars
      • Irene Dunne
      • Pat O'Brien
      • John Halliday
    • 19Commentaires d'utilisateurs
    • 4Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 3 victoires au total

    Photos16

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    Rôles principaux19

    Modifier
    Irene Dunne
    Irene Dunne
    • Mary Brown Porter
    Pat O'Brien
    Pat O'Brien
    • Steve Porter
    John Halliday
    John Halliday
    • Jeff Hunter
    Myrna Loy
    Myrna Loy
    • Elaine Brandon
    Lester Vail
    Lester Vail
    • Aubrey
    Matt Moore
    Matt Moore
    • The Colonel
    Elmer Ballard
    • Undetermined Role
    • (uncredited)
    Wilson Benge
    Wilson Benge
    • Elaine's Butler
    • (uncredited)
    Edgar Dearing
    Edgar Dearing
    • Mulligan - a Policeman
    • (uncredited)
    Bill Elliott
    Bill Elliott
    • Dog Show Attendee
    • (uncredited)
    Tom Herbert
    • Dog Owner
    • (uncredited)
    Robert Homans
    Robert Homans
    • Justice of the Peace
    • (uncredited)
    Gertrude Howard
    • Kate - Mary's Maid
    • (uncredited)
    Gladden James
    Gladden James
    • Charlie - Newspaper Worker - One of the Boys
    • (uncredited)
    Frank McLure
    Frank McLure
    • Celebrant in Ship's Cabin
    • (uncredited)
    Arthur Millett
    Arthur Millett
    • Traffic Police Officer
    • (uncredited)
    Dave O'Brien
    Dave O'Brien
    • Man Picking Up Stack of Newspapers
    • (uncredited)
    Ronald R. Rondell
    Ronald R. Rondell
    • Dog Show Attendee
    • (uncredited)
    • Director
      • Paul Sloane
    • Writers
      • Bill Cunningham
      • Humphrey Pearson
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs19

    6,0527
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    Avis en vedette

    6Handlinghandel

    The Consolation Here Is That Both Leads Went On To Far Better Things

    Since I first saw "The Awful Truth," Irene Dunne has been one of the few performers whose presence in a movie will make me watch it. No matter what.

    This one is a real case of no matter what.

    (For the record, the others include Jean Harlow, Jean Arthur, and Constance Bennett.)

    This is a women's picture, directed at a snail's pace.

    In it, Ms. Dunne sports an exceptionally unflattering hair design, which makes her virtually unrecognizable as the star of such classics as the above-mentioned "Awful Truth," Theodora Goes Wild," and "Showboat."

    She looks like Edna May Oliver. She looks like Eleanor Roosevelt (my greatest heroine of the past two or three hundred years but hardly a beauty.)

    In this poky tale, Dunne actually leaves her child briefly. The child is indeed pudgy and very unappealing but women must have stalked out of theaters at that point.

    She and Pat O'Brien are not the most likely of couples but they are meant in the plot not to be. They are certainly more believable than Dunne and Spencer Tracy in unendurable "A Guy Named Joe."
    8ronrobinson3

    This is a bizarre concept for a film, but it works!

    I had never heard of this film. The plot is very different and modern for the time.

    Irene Dunne and Pat O'Brien have both been dumped by the loves of their lives. They are both sure they could never love anyone else. After meeting and realizing how much they have in common, they joke about getting married to each other. And then they do! It is all with the agreement that if someone else comes along, they will part ways, wish each other luck, and have no hard feelings. It sounds like an odd setup but as the movie plays out, it all seems to make sense and be a very natural and modern way of viewing their marriage.

    They enjoy the relaxed relationship and each others companionship. However, neither one of them can completely forgot their first loves. They even talk about them openly. No secrets. They even have a child and it is all taken in stride.

    The real plot comes along when, almost at the same time, the old loves come back into their lives. Each one is unsure what to do and unsure of what the other one is going to do. It sounds like the story for a comedy or farce, but this is not played for laughs. It is acted out as a real believable story and it actually works.

    Irene Dunne is perfect in her part and Pat O'Brien is boyish and charming. Myrna Loy plays O'Brien's first love. Her part is moderate (only really seen in the beginning and then the end of the film), but I have never seen Myrna Loy looking more stunning!!

    The ending is satisfying and, overall, it is a good film worth watching. It is not too heavy nor too tedious. It is just the right film to watch when you are not sure what you are in the mood for. This will be a perfect choice.

    Check out this classy classic.
    4wes-connors

    Looking for Fire and Finding Milk

    Shopkeeper Irene Dunne (as Mary Brown) is in love with pianist Lester Vail (as Aubrey). Sports writer Pat O'Brien (as Steve Porter) expects to marry his high school "Juliet" Myrna Loy (as Elaine). Alas, Ms. Dunne and Mr. O'Brien lose their lovers to more well-heeled partners. Then, Dunne and O'Brien meet, get drunk, and bond in friendship as a cut-rate "Bonnie and Clyde" during a wild evening. Thinking any reconciliation with their true loves is impossible, Dunne and O'Brien decide to get married. Their "Consolation Marriage" is agreed to be an "open" one, but a child keeps O'Brien home and sober more often. Then, the marriages of Mr. Vail and Ms. Loy end - and, they want Dunne and O'Brien back... Predictable and unattractive, with some emphasis on the latter.

    **** Consolation Marriage (10/13/31) Paul Sloane ~ Irene Dunne, Pat O'Brien, John Halliday, Myrna Loy
    5marcslope

    An odd one

    Pat O'Brien and Irene Dunne seem distinctly not made for each other in this odd romance, where she, a coffee shop proprietress, and he, a sports writer, are jilted by their respective fiances, meet cute, get a nice friendship going, and decide to get married. The open-marriage conceit feels daringly modern for 1931, but the dialog's pat and the plot coincidences are hard to swallow. Their respective true loves, Myrna Loy and Lester Vail, each come back from failed marriages at about the same time, and Dunne and O'Brien each leaves his/her spouse to pick up the pieces. It's hard to see why, when Loy is playing such a vain bore, and Vail such a needy weakling, and Dunne has an uncomfortable speech where she says goodbye to her baby daughter--her baby daughter!--to run off with an old lover. We all know the leads are going to discover they really love each other, but it's done so perfunctorily, with O'Brien just remarking to Loy, "Wouldn't it be funny if we turned out to be just friends?" and bolting upstairs to Dunne just in time for the happy fadeout. That's another thing--she can't make a great deal of money running a coffee shop, and he's unemployed more often than not, yet they have a gorgeous New York townhouse. Dunne's skill is somewhat evident, and O'Brien's fast talk is always entertaining, but he's not an ideal romantic lead, and this is not a credible romance.
    6SnoopyStyle

    romantic drama

    New York reporter Steve "Rollo" Porter (Pat O'Brien) returns to find his longtime girlfriend Elaine had married someone else. Shopkeeper Mary Brown (Irene Dunne) is heartbroken with her beloved marrying a rich woman. The two left-behind souls encounter each other in a restaurant.

    The meet-cute needs to be cuter. Getting arrested is actually a pretty good turn. They get to bond over some fun banter. The other two don't have enough screen time to matter to the audience. The movie is trying for a love quadrangle. Those are hard to pull off at the best of movies. I do like Steve and Mary together. The romance gets bumpy and I am disagreeing with them as much as agreeing. I really don't like the pulling apart after they had the baby. It's hard to pick sides in this one.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In August of 1931 entertainment columns reported that Robert Williams had been injured in fall, requiring the recasting of his role in the film; Matt Moore took his place.
    • Gaffes
      As the camera follows Mary and Steve to their taxi after their wedding, crew and equipment, including a stepladder, can be seen reflected in the limo's left rear window, which is partially rolled down, and, as is the case in many films, the limo's polished finish has been dulled to matte to prevent reflections.
    • Connexions
      Referenced in Max Steiner: Maestro of Movie Music (2019)
    • Bandes originales
      Devotion
      (1931) (uncredited)

      Music by Max Steiner

      Lyrics by Myles Connolly

      Played on piano and sung by Irene Dunne

      Reprised on piano later by Lester Vail

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    Détails

    Modifier
    • Date de sortie
      • 21 novembre 1931 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Married in Haste
    • Lieux de tournage
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • société de production
      • RKO Radio Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 21 minutes
    • Couleur
      • Black and White

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