Side Show

SIDE SHOW (Warner Brothers, 1931), directed by Roy Del Ruth, is vintage circus comedy featuring the antics of comedienne Winnie Lightner. A plump size performer better known for her rowdiness and outburst singing style, SIDE SHOW finds Lightner slimmer, restrained and in glamorous fashion. Aside from that, she's still in character for which she is famous. Sharing equal billing is the droll Charles Butterworth, who's quips and responses appear to be taken from tried and true material acquired from old vaudeville routines. Overall, the major asset for this 64 minute production is Lightner playing the self sacrificing woman always doing something for somebody else, and getting hurt in the process.

Forward: "The special train of Colonel Gowdy's big city shows rambles through the night - a city on wheels - a world in itself." The story begins with Colonel "Pop" Gowdy (Guy Kibbee), a good-natured circus owner, leading his circus troupe by train to the next town. Pat (Winnie Lightner), a circus gal since childhood, assumes many responsibilities in the side show. Aside from ticket booth collector, she takes time assisting Gowdy to bed after one of his many drunken binges. Because Gowdy owes back salary, Tom Whalen (Matthew Betz), the newest member of the troupe, stirs up trouble by talking others to leave the show, and having Pat to either get them back or go on in their place. Pat is madly in love with Joe Palmer (Donald Cook), circus barker and compulsive gambler who takes her for granted. Sidney (Charles Butterworth), a philosopher, loves Pat, but gets the same treatment as Pat gets from Joe. Later, Irene (Evalyn Knapp), Pat's kid sister, having dropped out of school, and leaving both her boyfriend, Jimmy (Edward Morgan), and Aunt Sara (Lucille Ward) behind, decides she wants to join the circus and be near Pat again. All goes well until Joe starts giving Irene his undivided attention.

The plot element of having two sisters loving the same man, causing a strain on their relationship, is nothing new considering a similar theme was previously used for the Academy Award winning backstage musical, "The Broadway Melody" (MGM, 1929). One can very well see some similarities of Lightner, Knapp and Cook in the roles originally played by Melody stars of Bessie Love, Anita Page and Charles King, with the exception of King's character being more sincere than Cook's. Though not an intentional remake, both films do include one crucial moment where the self-sacrificing sister has her face slapped by younger sibling followed by an "I hate you!" outburst. As much as "The Broadway Melody" has its share of now classic songs, SIDE SHOW features only one tune, a likable tune, "What Do You Think of Me Now?" wonderfully sung by Lightner.

In between Lightner's character keeping the carnival from falling apart and some dramatic moments involving her sister, she does provide some side show antics of her own, such as dressing up as a male side show barker; being Princess Mauna, a Hawaiian hula dancer; a female figure posing inside a picture frame while trying to keep her posture; and that of a wild black-face cannibal from Borneo involved in a riot. Lightner's best scene comes where she substitutes for high diver, The Great Santini (Vince Barnett), and getting up the nerve to dive 110 feet through circular fire and into a tank with four feet of water. Lightner's diver disguise, from pencil drawn mustache and wide grin smile, is often hilarious, especially when her face resembles that of comedian, Groucho Marx. On screen, Lightner does everything except flying on a trapeze or getting shot out of a cannon. She may do some clowning, but never gets to play a clown. A pity none of these was considered for additional comedy material. Even Butterworth's participation in Lightner's antics helps make them better than anticipated.

While SIDE SHOW was never remade, one can imagine slapstick queens as Martha Raye or Betty Hutton assuming the role originated by Lightner in a product produced in or about the 1940s with added songs and Technicolor. As for other Lightner comedies made between 1930-33, they're as forgotten as Lightner herself. Many of them can be seen and rediscovered whenever shown again on on Turner Classic Movies cable network. "Hey Rube!" (**)

This is not a distinguished or interesting movie, but Charles Butterworth is always worth seeing. He seems to be doing some deadpan vaudeville routine all the time, and I guess you would either think it's funny or you don't, and I do. Plus, the hat gags, especially the one with an elephant and his keeper, are good.

Winnie Lightner seems very game. She looks like someone who'd be a lot of fun. She's likable and seems up to pretty much any task. But she doesn't come across as someone who could carry a movie -- though she's called to here.

Donald Cook, on the other hand, seems very modern as her shiftless boyfriend. He was an interesting leading man who never really made it big. One wonders why.

The rest of the cast includes many character performers such as Guy Kibbee who worked in Hollywood for decades. I think I a caught a glimpse of the straying husband from "Freaks" (a totally different and infinitely better movie also with a circus theme.)

Guy Kibbee runs a traveling circus that barely makes any money. Since Kibbee is usually drunk, the whole show is really run by versatile circus assistant Winnie Lightner, who fills in wherever needed, including doing the flaming high dive into a shallow pool when the regular diver is out sick.

Lightner has an understanding with long time boyfriend Donald Woods, who works as a barker. Fellow circus employee Charles Butterworth has the hots for Lightner himself, although she considers him strictly low comic relief.

The action really starts when Lightner's kid sister Evelyn Knapp shows up and is immediately drawn to dangerously attractive Woods. Will Woods take advantage of her youthful crush? Or stay true to his devoted girl Winnie?

The plot isn't that great but at least the picture doesn't take itself too seriously. Butterworth has a few funny lines but his humorous moments are mainly rather tame bits like appearing in his nightgown while still wearing his hat. Woods is manly, Knapp is very cute, Kibbee is blustery as the boss who is generally overruled.

Winnie Lightner is clearly our heroine, the talented and dedicated woman holding the whole show together - and while she does fine, neither the plot nor the dialog really give her much to work with.

Mildly entertaining but mostly interesting for the cast.

Side Show (1931)

** (out of 4)

Decent melodrama from Warner has Winnie Lightner playing Pat, a jack-of-all-trades working in a traveling circus whose life falls apart when the man she (Donald Cook) loves runs off with her younger sister (Evalyn Knapp). While all of that is going on Winnie is also having to worry about the circus itself falling apart as its owner (Guy Kibbee) can't afford to pay the workers. SIDE SHOW is a pretty bizarre little movie that's story is way too weak and predictable to work but thankfully the cast are so good that they make the film worth sitting through and especially at such a short running time (64-minutes). I think the best thing that can be said about the film is that the performances are exceptionally good with each cast member coming off very believable in their part. Lightner plays a very tough, head strong woman and she makes you believe that this is the way she is. I thought he handled some of the lighter comedy just fine but she also did a good job once the drama starts. Cook delivers a fine performance as the dirty two-timer and Knapp beings a certain naive quality to the role and you can see why she'd fall for her sister's man. Charles Butterworth gets a lot of screen time but most of it has him looking straight at the camera and delivering his type of humor. It seems more people are torn on the comic ability of Butterworth but I've always found him rather entertaining and I think he gets to shout off a few good jokes here. Kibbee plays the lovable drunk like only he could. One other good thing is that you really do get a good, intimate feel of what a traveling circus must have felt like. With all of that said, there's no question that the film is way too predictable for its own good and the entire love triangle just isn't believable. What's even worse is the horrid ending, which is just so bad that you can't help but think the studio must have gotten a hold of it. SIDE SHOW is certainly minor entertainment but fans of the cast will want to check it out.