Tower of Terror

Tower of Terror is directed by Lawrence Huntington and written by John Argyle and John Reinhardt. It stars Wilfrid Lawson, Michael Rennie and Movita. Music is by Eddie Benson and cinematography by Walter Harvey and Ronald Anscombe.

A lighthouse keeper gets bent out of shape when a woman who looks like his dead wife seeks refuge.

3 miles off the German coast - Westerrode Lighthouse - lonely outpost of the North Sea.

Keep Your Chin Up!

Hee. OK, we are in a movie that has British actors playing pesky Germans, so get past that and there's a most intriguing picture to be enjoyed here. Core of the story is two-fold, one part is a macabre thread where Wolfe Kristan (Lawson) is clearly unhinged and unhealthily thinks Concentration Camp escapee Marie Durand (Movita) is his dead wife. The other thread involves spies, fronted by a straight backed Rennie, and the search by the Germans to locate something important in his grasp. Naturally the play unfolds at the titular lighthouse of the title.

And so we have shoot-outs, awesome mano-mano fight (Kristan has a hook for his right hand), some nifty model work destruction, period flavours (large square kettle - hooray) and lots of shadowy photography. There's even an absolute peach of a left hook thrown that looks real! While the finale excites and has a touch of horror about it. This be no earth mover in thriller terms, but it's gloriously old fashioned and entertaining while it's on. 6/10

Another atmospheric potboiler from Lawrence Huntington (warmly recalled by James Mason in his memoirs), enhanced by good design and location photography, cooping up a once-in-a-lifetime cast comprising Klaatu and the future Mrs Marlon Brando on a remote lighthouse run by an even more remote Wilfrid Lawson.

You know they're in trouble when he finally smiles about halfway into it. But it does get rather slow and talky as it progresses.

Two great popular British eccentrics of the '30s of stage & screen were Ernest Thesiger & Wilfrid Lawson who was also a passable baritone. In this British wartime second feature, a suspenseful espionage thriller set in a remote lighthouse off the Dutch coast commanded by Lawson with a fearsome hook for a right hand, a young saboteur(Movita) is rescued from the sea having thrown herself in following a pursuit by some Gestapo officers. Rescued by Michael Rennie an undercover British agent taken on as Lawson's assistant she soon falls prey to the latter's growing obsession because of her close resemblance to his dead wife buried at the bottom of the tower. There ensues a gripping cat-and-mouse situation with Rennie desperately plotting their escape before Lawson, his suspicions growing with his madness to recreate his wife in Movita virtually a prisoner, kills him following one lucky escape. After a hand to hand struggle,Rennie becomes trapped in one of the rooms while the now totally nutty Lawson drags his prisoner down to where his wife's remains are buried and frantically unearths her skeleton. Meanwhile a warship alerted by a signal from Rennie has successfully found the tower and opens fire.... A few years earlier, in his first Hollywood film noir, Peter Lorre had a similar problem with Frances Drake and a pair of someone else's hands.

Satwalker99 Kent UK

In the days when this was made there were no thoughts of the days when this film would be shown on TV.As a result some of the scenes ,shot in almost pitch darkness cannot be viewed.Even when i turned the room lights off i couldn't see what was happening.Lawson plays an insane lighthouse keeper!Nothing like typecasting is there.He has a hook instead of a right hand.As the film progresses as he becomes as mad as a march hare.Michael Rennie opposite him gives a good impression of an oak tree.Rennie is a British agent trying to escape from Germany.Lawson believes that Movita is the reincarnation of his late wife who is buried at the bottom of the lighthouse/The plot is silly but watching Lawson go mad is always an enjoyable experience.watch out for the lorry being driven on the left hand side of the road in wartime Germany.

An escapee from a concentration camp, Movita (Marie Durand), is rescued by Wilfrid Lawson (Kristan) at the lighthouse where he works just off the German mainland. He is German but isn't as patriotic as he is fixated on this woman who has turned up at his lighthouse and who resembles his wife who apparently drowned several years ago. At the same time a British spy, Michael Rennie (Anthony), fools Wilfrid into thinking that he is his co-worker who he is expecting to come and work with him. Rennie is really biding his time before he can make his getaway to England on an expected passing ship. Can Rennie make his getaway before he is revealed as an impostor and can Movita escape her German captors and more importantly, the desires of the complete madman that is Wilfrid Lawson......?

There is an interesting premise to this film as it is set on an island with a lighthouse. It gives 100% credence to the notion that lighthouse keepers are complete freaks. Wilfrid Lawson is excellent as an oddball lighthouse keeper with a hook for a hand who is afraid of no-one, rude to everyone and definitely very scary to live with. Check out what he keeps in his basement! At the end of the film, he just goes to another planet called planet INSANE and you really don't want to be there with him, especially if you are female. Whilst the story is entertaining, I thought that there could have been a better way of signifying who the Germans were. Still, it is a different story and I'll be keeping it to watch again.