Fog Island

I would have voted 6, but had to subtract one for the grizzly, bouncy print, even the DVD print purchased from DeepdiscountDVD was wretched (not their fault.) But, the price was right, under $5.00 on sale. The actors were wonderful in their scenery chewing portrayals of the various greedy characters. Many of them were quite well known actors in the 40s. The only truly bad acting was by the two actors portraying the young lovers, whose characters added no value to the story anyway. The other reviews pretty well cover the story and need not be repeated here. The story was adapted from the play "Angel Island". What was fun about the movie presentation is that it doesn't stray far from the stage play form. The scenes don't change often and the action is concentrated in one spot. This helps maintain the continuity of the story, which in low budget presentations can quite often get lost. If you like stories like "Ten Little Indians", you'll like this.

Leo Granger, falsely framed for embezzlement and living on Fog Island with his stepdaughter, invites the 4 persons who framed him and one of which is responsible for the murder of Granger's wife. The only reason for the 4 to go to the former pirate hideaway, is that they, along w/ Granger's former cellmate, believe that somewhere in the house is a stash of money, Granger accumulated. One of the four, Kingsley, is the son of the recently deceased person who framed Granger, and is only there for Gail, the step-daughter. At the island, Granger gives each a clue to ultimately get "what's coming to them", and he waits to see how the group's greed will get the best of them. The film has the right atmosphere and a good cast, but that's all to recommend it. Obviously with a PRC budget, you might have had a style similar to Clair's And Then There Were None. Morse's direction is uneven, very often breaking the tension. Still a good production from the studio. Rating, 5.

First time of watching: entertaining low budget spooky house mystery with Zucco and Atwill at their eye-popping peaks. Terrible print - the negative must look transparent, so I would definitely recommend switching the lights off (or a cinema) for optimum viewing.

It's a PRC stagey mix of And Then There Were None (in this case, Two) and The Cat And The Canary, with a few extra twists, but with only nine characters. The butler was a short-lived oddball however, quickly dispatched with gusto from the plot to the cynical amusement of Zucco. To my cynical amusement it's at that moment that Zucco is reminded that he "blew his top" when he was in prison - not hard to imagine!

The male romantic lead was even more wooden, impetuous and prescient than the rest of the cast (Jerome Cowan was wasted yet again), but overall I enjoyed the film, nice atmosphere when the print allowed and an almost believable nasty-revenge storyline.

Watching this reminded me of staying up late at night in the early 50s after mom and dad went to bed. Cheaply made, mediocre acting, and a spooky soundtrack.

It was interesting to hear the Theme from "The Whistler" radio show in the first few moments after the opening credits. But there is no other mention of a conn3ction to the radio show in the film.

Wow, Atwill and Zucco together at last. I was expecting crackling transformers, electrical arcs, and monsters galore. No such luck. They do have one minor face-off, but I don't think the producers knew what sinister potential they had in these two veteran madmen.

It's a typical PRC cheap budget— a big drawing room, some secret passages, and an underground room that becomes a swimming pool at inconvenient times. And that's about it. The plot's supposed to be about an island host (Zucco) using a ruse to get people who wronged him onto his island as guests so he can get revenge. Maybe the premise is not very original, but it does have potential. Trouble is there's very little development producing either suspense or mystery. Mostly, it's scattered dialog and playing hide and seek in semi-darkness. In short, the narrative's a series of individual occurrences that fail to build beyond themselves. Thus, we're left with a few interesting set-ups but little more. Too bad.

Oh yes, mustn't forget not just one spider woman, but two—Borg and DeWit. Both are tall, forceful, and attractive. Like Zucco & Atwill, they do have one minor face-off, but I guess I was hoping for an all-out catfight, or more aptly a lioness fight. Now that would have been memorable. Anyway, the film does have its moments, but fails to cohere into anything more.