Un (bel) homme se présente dans une clinique où lon attend le remplaçant du grand patron. Oui, il est bien le Dr Edwardes. Voire ? À table il a une réaction très étrange lorsque sa voisine t... Tout lireUn (bel) homme se présente dans une clinique où lon attend le remplaçant du grand patron. Oui, il est bien le Dr Edwardes. Voire ? À table il a une réaction très étrange lorsque sa voisine trace machinalement des sillons sur la nappe, avec sa fourchette. (en 255 caractères pour c... Tout lireUn (bel) homme se présente dans une clinique où lon attend le remplaçant du grand patron. Oui, il est bien le Dr Edwardes. Voire ? À table il a une réaction très étrange lorsque sa voisine trace machinalement des sillons sur la nappe, avec sa fourchette. (en 255 caractères pour champ texte)
- Réalisation
- Scénaristes
- Vedettes
- A remporté 1 oscar
- 8 victoires et 7 nominations au total
- Matron
- (uncredited)
- Railway Gateman
- (uncredited)
- Ticket Taker
- (uncredited)
- Gateman
- (uncredited)
Sommaire
Avis en vedette
Terrific! Powerful mystery leads to romance.
An amnesia patient(Gregory Peck)is believed to be a psychotic killer. Bits and pieces of his memory about a childhood accident makes him believe that he is a murderer. Ingrid Bergman plays a young psychiatrist, who helps Peck unravel his past and regain his memory and mental health. During this process, the lovely doctor tries not to fall in love with her needy patient. She takes him to her old professor(Michael Chekhov) for help. He is reluctant to get involved with solving the mystery to clear the patient's name.
Brilliant camera work and being filmed in black & white really helped the story line. There is an eye opening dream sequence designed by Salvador Dali that is down right mystic.
The strong and talented cast also includes: Regis Toomey, Leo G. Carroll and Rhonda Fleming. This film is worth the time to watch again and again.
Spellbinding performances and direction by Hitchcock
It revolves around the head of the Green Manors mental asylum Dr. Murchison, who is retiring to be replaced by Dr. Edwardes, a famous psychiatrist. Edwardes arrives and is immediately attracted to the beautiful but cold Dr. Constance Petersen. However, it soon becomes apparent that Dr. Edwardes is in fact a paranoid amnesiac impostor. He goes on the run with Constance who tries to help his condition and solve the mystery of what happened to the real Dr. Edwardes.
I highly recommended watching it for its timeless plot and brilliant storytelling, especially by Hitchcock but also told through the great performances by Gregory Peck and Ingrid Bergman. Particularly the dream sequence is pure masterclass Hitchcock. Brilliant director's take on psychological inquiry.
You'll be spellbound for Bergman.
As things begin to unravel and the situation becomes public knowledge, Anthony does a runner and Constance leaves the asylum to track him down. The pair reunites and Constance quests to prove the innocence of her new lover.
This movie has suspense written all over it. I'm a big fan of Hitchcock movies, especially the cinematography. I love it when the shot cuts to a new location or landscape - almost in complete silence. It gives a certain eerie 'what's going to happen here?' feel to it. Even in the opening titles with the bare tree branches rattling in the wind - you know you're in for a real treat with that spooky music.
At times Peck's character does come across a bit of wimp during his funny 'spells' where he flashes back to a time when he THINKS he may have committed a crime. You want him to pull himself together and snap out of it, yet it's part of the plot so all is forgiven.
When all the signs point to guilt Constance, in what we can only assume is her own delusion and blindness, refuses to believe that Anthony could ever do something so heinous. Her scepticism rings true towards the end when her psychiatric training comes in handy and we discover what really happened. She calls on the expertise of her former mentor, played by Michael Chekhov, who plays the part of the probing, and rather peculiar, psychoanalyst well.
Bergman and Peck make a terrific pairing. The love their characters have for each other is so convincing, you pray (and hope) that Anthony is innocent and it's all a misunderstanding. Bergman portrays Constance's desperation so well - she is desperate to prove Anthony is a good man despite his multiple admissions of guilt.
An exceptional Hitchcock film concerning a murder blended with Freudian theories.
The movie contains thriller , tension , suspense , romance , intrigue , unlimited excitement and plenty of plot twists , as usual in Hitchcock films . Besides , it has a literately witty dialog with distinctive Hitch's touches and writing credits by Ben Hetch (Billy Wilder's habitual writer). There's also an exciting and famous dream sequence by Salvador Dali . Hitch didn't want the ordinary dream images with fog and cloud but he asked David O'Selznick (the famed Hollywood producer) for hire to prestigious surrealist painter Salvador Dali from Spain . Superb performances from main characters , a gorgeous blonde (Hitch later used Grace Kelly , Kim Novak) Ingrid Bergman (1915-1982) who would work with Hitchcock in various films (Notorious , Under Capricorn) and the elegant and brilliant Gregory Peck (Paradine trial) as the confuse amnesic , both of whom are frankly well . They are well accompanied by a good support cast , such as : Leo G Carroll, Rhonda Fleming and Norman Lloyd , Hitch' s regular. Sensational black and white cinematography by George Barnes . Dramatic, atmospheric and thrilling musical score by Miklos Rozsa , he won an Academy Award for the excellent score . The flick will appeal to Hitchcock enthusiasts as well as Ingrid Bergman/Gregory Peck fans . Rating : Above average , well worth watching.
An Alfred Hitchcock masterpiece
There is also a wonderful performance by Leo G. Carroll, who plays Dr. Murchison. He has also been one of my favorite actors, and he's brilliant in this movie.
So the bottom line is, you should really see this movie, and not just for Gregory Peck's handsome face, or Ingrid Bergman's beauty. I think it's one of Hitch's best suspense movies. By the way, Gregory Peck does look very, very handsome in this movie, so for those girls out there who still think you might not want to see it, it's worth it!
Le saviez-vous
- AnecdotesSir Alfred Hitchcock was disappointed with the limits of Gregory Peck's facial expressions. According to Peck, "I couldn't produce the facial expressions that Hitch wanted turned on. I didn't have that facility. He already had a preconception of what the expression ought to be on your face, he planned that as carefully as the camera angles. Hitchcock was an outside fellow, and I had the Stanislavski training from the Neighborhood Playhouse, which means you work from the inside."
- GaffesThe burn on J.B.'s hand is only visible when Petersen notices it. It disappears in every other scene where his hand is visible (like when he is sitting on the couch with Dr. Brulov).
- Citations
Dr. Alex Brulov: Women make the best psychoanalysts until they fall in love. After that they make the best patients.
- Générique farfeluOpening credits: THE FAULT . . . . . IS NOT IN OUR STARS, BUT IN OURSELVES . . . . . - SHAKESPEARE
Our story deals with psychoanalysis, the method by which modern science treats the emotional problems of the sane.
The analyst seeks only to induce the patient to talk about his hidden problems, to open the locked doors of his mind.
Once the complexes that have been disturbing the patient are uncovered and interpreted, the illness and confusion disappear.....and the devils of unreason are driven from the human soul.
- Autres versionsThe original theatrical version had an Overture and Exit Music by Miklós Rózsa, to a total running time of 118m09s. It was suppressed from distribution until the 1999 restoration based on the negatives of Selznick library (that came to be owned by Walt Disney Company via ABC-TV) and two DVD editions.
- ConnexionsEdited into The Clock (2010)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Cuéntame tu vida
- Lieux de tournage
- Penn Station, Manhattan, Ville de New York, New York, États-Unis(establishing shot of the first train station)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 696 377 $ US (estimation)
- Brut – à l'échelle mondiale
- 19 288 $ US
- Durée
- 1h 51m(111 min)
- Couleur
- Rapport de forme
- 1.37 : 1







