San Demetrio London

Just amazed this film has never been remade. It's true story, certainly as seen in this low budget British wartime production, seems a perfect fit to get the 21st century, much bigger budget treatment. In the right hands, it could be a terrific cinematic spectacle as the story behind the film has really got it all. Merchant naval convoys and battles, heroism demonstrated not just on the part of the crew of the San Demetrio, but that of other ships too, especially the Jervis Bay, North Atlantic tempests, humour, pathos and in general a wonderfully marine-based, collective survival story.

In the interim, I guess we'll have to be satisfied with this low key instalment featuring a very young Gordon Jackson (as the mess boy would you believe) and regular Welsh mainstay character actor of British 40's and 50's films, Mervyn Johns (father of Glynis), playing the stoic, ill-fated, but delightfully named Greaser Boyle, who demonstrates on more than one occasion, that he was always prepared to take one for his fellow crew mates without complaint.

A very well made (especially for the period) war film. Though i'm not really gonna talk about how the film was made, other than it isn't flashy or fancy, just does a good job of telling a wonderful story. Based on the true story of how a Merchant Navy petrol tanker was abandoned and then re-boarded by some of her own crew.

Also this is one of very few war films about the Merchant Navy (which suffered higher casualty and fatality rates than all the armed services), but it equally could be in peace time as only at the very start do you see Germans. Maybe thats why so few films were made about the Merchant Navy, whats a war film without some nasty Nazis in armbands with submachine guns running about and a few achtung minen signposts?

Quite possibly the best thing I can say about this film is that after seeing this as a kid I wanted to join the Merchant Navy, and I did, and I'm training to be an Engineer Officer, as these film clearly shows engineers are brilliant and deckies useless.

Engineers - 1, Deckies - 0.

Paul.

The tale of tanker on a return trip to Galviston, Texas. It has a bit of a run in with a "Jerry" boat and the remainder of the film depicts the courage of the crew trying to keep things afloat. As the film was made during World War II the sentiments are entirely predictable/understandable.

Gordon Jackson looks worryingly young and the Britishness of the movie is summed up when the Captain risks blowing up the boat for the sake of giving the crew a hot cup of tea.

Don't expect anything too spectacular but enjoy a feelgood movie 1943 style.

San Demetrio, London gives an interesting account of a British Oil Tanker which was attacked and abandoned by her crew, only to find the ship stayed afloat. Good performances and an interesting perspective, as the film was released during WW2.

Made during the pre-Ealing comedy era, when the studio was turning out a slew of propagandist dramas with a documentary feel (others included WENT THE DAY WELL? (1942), and THE FOREMAN WENT TO France (also 1942)), SAN DEMETRIO London tells the story of a British merchant ship blown up in 1940. The crew spend some time marooned in a life-boat, but eventually return to the stricken ship and manage to patrol it back to safety in the United Kingdom.

Co-directed by Charles Frend and Robert Hamer, the film has its roots in documentary, ranging from the use of stock footage to the way in which it examines the lives of ordinary sailors coping with extraordinary situations. The plight of Greaser John Boyle (Mervyn Johns) is sensitively handled, as he quite literally works himself to death and passes away at sea, dreaming of the nylon stockings he has bought for his wife as a present. He is given a funeral with full naval honors. Likewise Messboy John Jamieson's (Gordon Jackson's) transition from callow youth into mature deckhand is cleverly depicted, as some of his suggestions - initially dismissed as impractical by Chief Engineer Pollard (Walter Fitzgerald) turn out to be inspired, helping the crew survive their ordeal.

The film as a whole extols the value of community, of human beings setting aside their regional and national differences and learning how to pull together in times of extreme stress. "Yank" Preston (played by the Canadian Robert Beatty), an American passing for a Canadian, begins the film as something of a rebel, preferring the bottle to the responsibility of hard work, but soon proves to be an invaluable member of the crew. It is he who provides the Bible so that Boyle can be given an appropriate send-off to the other world. Even though the bombing of British cities had largely ceased by 1943 - the time of the film's release - it was important that people on the Home Front bonded together to aid the war effort, and SAN DEMETRIO London fulfilled an important purpose in communicating this message.

As befits a studio relying mostly on performances and directorial cunning rather than elaborate special effects, the film concentrates on characterization rather than incident. Some of the action sequences might seem a little rudimentary now - especially with the use of back-projections - but we have to remember that the film was produced under difficult conditions with a limited budget. Directors Frend and Hamer make skillful use of such constraints to produce a film that is at once surprisingly touching as well as stirring in its impact.