College Swing

This is an oddball, star-studded Paramount musical, frivolously directed by Raoul Walsh, in one of handful of fluffy star vehicles he churned out in the period after his Fox tenure and before he settled at Warners. I saw it because of the music and director Walsh, and I was thoroughly pleased with it.

"College Swing" is one of numerous entertaining musicals set on campus that were popular in the 30s. Including this one, there were also "College Humor"(1933), "College Rhythm"(1934), "Old Man Rhythm" (1935),"College Holiday"(1936), and "Pigskin Parade"(1936) among others. These are feathery, inadvertently escapist froths that are generally characterized by zesty songs, funny one-liners, and implausible boy-meets-girl romance.

I tend to agree with the other users that plot of "College Swing" is inordinately silly and weak; however, that doesn't make it unwatchable. The songs and dance numbers have their own peculiar excitement. The number in the beginning featuring the young, up-and-coming Betty Grable and fellow students dancing at a pub is particularly delightful. I also liked the funny scenes between Bob Hope & Martha Raye. Florence George & John Payne make nice young romantic couple. Gracie Allen & George Burns continue their raucous shenanigans, though their comic acts tend to slow down the plot as much as enliven it.

Worth seeing if you like this sort of fluff.

During the thirties each studio had its musical specialty. Warners was cranking out the Busy Berkeley spectaculars; Fox had Shirley Temple and Alice Faye; Goldwyn had his annual Eddie Cantor extravaganza; RKO had Astaire and Rogers, and MGM was starting a tradition of big budget spectacles. Paramount went a little low brow, bringing out a series of somewhat goofy, utterly charming movies that were more like screwball comedies with music. And some surprisingly good music, too. Don't worry too much about the plot - just let yourself be thoroughly entertained by Bob Hope, Martha Raye, Edward Everett Horton, and Burns and Allen at their very best. As if to emphasize the lightness of the movie, at the end the entire cast waves goodbye to the audience.

COLLEGE SWING (Paramount, 1938), directed by Raoul Walsh, the last of the studio's oddball "College" musicals of the 1930s, follows the tradition of COLLEGE HUMOR (1933), COLLEGE RHYTHM (1934) and COLLEGE HOLIDAY (1936), minus a football game climax. With the exception of "Rhythm," they all featured the comedy team of Burns and Allen. In spite of their names leading the cast, they have little to do together, with Gracie actually going solo this time around. Supporting them are an impressive number of performers: Bob Hope and Martha Raye singing and clowning together: Betty Grable and Jackie Coogan (former top child star of the 1920s) whose appearances are so brief that it would have been better had they not been included at all; and John Payne and Florence George (her movie debut) as the subordinate romantic pair having a couple of duets together, and not much else that would gather much attention

The story, such as it is, begins with a ten minute prologue set in early America, 1738, as a group of choir boys singing, with one suddenly going into swing. The youngster identifies himself as Benny Goodman!!! After that, there's an introduction to the main characters: Hubert Dash (Edward Everett Horton), founder of the the school, handing out diplomas on graduation day to every student but Gracie Alden (Gracie Allen), having been there for nine years and not understanding the answers to the questions. Her grandfather, the squire (Tully Marshall), decides to leave his money as permanent property of the school until such time a future female Alden graduates, leaving 1938 as the deadline. Move forward two hundred years. The school still stands, with new surroundings and hip youngsters such as Betty and Jackie (Betty Grable and Jackie Coogan) gathered together with fellow co-eds at an eatery called The Hangout. Gracie, the decedent of that Alden girl from 1738, having attended college for nine years, must pass her examination in order to graduate and inherit the fortune as required. With the help of Bob Brady (Bob Hope), her private tutor, he writes the answers on a laundry ticket placed on the bench beside her, with Gracie answering all the questions correctly, much to the surprise of George Jonas (George Burns), one of the committee members. After graduating, Gracie inherits the college and becomes the dean of men. Later, Bob encounters Mabel (Martha Raye), disguised as the French woman, Professor "Theresa," The two immediately hit it off and become an item of oddities; while Martin Bates (John Payne) falls in love with Virginia "Ginna" Ashburn (Florence George), the president's daughter after serenading to her dressed up as Cupid (being part of the initiation); Martin's uncle, Hubert Dash (Horton), a decedent of the founder of Alden College, who has a phobia towards women, becomes interested in Gracie to a point of asking her to marry him. When the faculty suspects Gracie hasn't passed her examinations honestly, it's agreed that she must take them again publicly, leaving Bob to think up a new scheme to have Gracie pass the exams or else he'll be out of $25,000.

With songs by Frank Loesser, Burton Lane, Hoagy Carmichael and Manning Sherwin, the motion picture soundtrack includes: "Ding Dong," (sung by Boy Choir); "College Swing" (Betty Grable and Skinney Ennis); "What Did Romeo Say to Juliet?" (John Payne and Florence George); "I'm Tired" (comedy act performed by The Slate Brothers); "How 'Ja Like to Love Me?" (sung by Martha Raye and Bob Hope); "Please?" (Jerry Colonna); "I Fall in Love With You Every Day" (Florence George and John Payne); "You're a Natural" (sung by Gracie Allen); "Irish Jig" (danced by Gracie Allen); "What a Rumba to Romance" (sung by Martha Raye, with Ben Blue); and "College Swing" (finale/ cast). With Raye hogging most of the songs, Gracie comes off best with her pleasing vocalization, even in character, and dancing wonderfully for no apparent reason.

In between the flimsy storyline are song and dance numbers with an assortment of characters whose roles are not fully developed. There's doses of comedy acts including the Slate Brothers (a cross between the Three Stooges and the Ritz Brothers) as slapstick waiters. In the tradition of the Three Stooges, there's eye-poking involved by the Slates, Martha Raye giving one to Bob Hope and Ben Blue (the latter in his usual interpretation of a confused individual). Jerry Colonna, the one with the large mustache and big round eyes, does one of his scream song signatures impersonating Bing Crosby. Look fast for Robert Cummings in a bit as a radio announcer; band-leader Skinney Ennis singing and dancing with Betty Grable; and Cecil Cunningham as Dean Sleet.

Of the "College" Paramount musicals, only COLLEGE SWING made it to video cassette in 1993 and later DVD as part of the "Bob Hope Signature Collection," double featured with Hope's feature debut, THE BIG BROADCAST OF 1938. (COLLEGE SWING did have a Turner Classic Movies broadcast (TCM premiere: October 4, 2018)). Both musicals have one thing in common, each containing a plot without a plot, relying mostly on old-fashioned vaudeville routines inter-wined with songs passing as a story. While not the best of its kind, COLLEGE SWING is good enough entertainment to pass along the time of 87 minutes, redeemed by familiar faces and future stars in so-so material and fine songs. A pity Burns and Allen didn't get to interact more together with their familiar routines. "Good Night, Gracie." .(**1/2)

If this movie was being reviewed as a "movie" the rating would not be very high. As a movie with a story it is quite weak. However (and this is a BIG however) it is a very good vehicle for the studio's stars. In a sense it is a 90 minute variety show from 1938. It has very good singing (one forgets how multi-talented many of the early stars of movies were), good dancing sequences, and some very funny slapstick sketches. Gracie Allen's skill at using language and to turn conversations upside down is very well showcased. She really was very good. And, she could sing well and could also dance. All three skills are shown during the movie. All of this makes the movie one to see and enjoy.

College Swing is a minor musical comedy that stars Gracie Allen and George Burns in their followup to their underrated A Damsel in Distress with Fred Astaire. Screwy plot involves Gracie needing to pass a college exam and employing Bob Hope to help her. Martha Raye joins the faculty as professor of romance. The storyline makes no sense at all but with these 4 comedy giants, it's hard to resist. Throw into this zany pot Betty Grable, Edward Everett Horton, Ben Blue, Jackie Coogan (then married to Grable), John Payne, Robert Cummings, Richard Denny, Florence George, and the wonderful Cecil Cunningham and you have a spirited but aimless film. Raye displays her good singing voice and cracks up Hope in a few scenes. Burns comes off worst. Worth a look.