Ajouter une intrigue dans votre langueA spoiled orphan, raised by a couple of con artists, gets sent to a mercantile marine vocational school for orphaned boys, where he learns about friendship and ethics, and uncovers a new fut... Tout lireA spoiled orphan, raised by a couple of con artists, gets sent to a mercantile marine vocational school for orphaned boys, where he learns about friendship and ethics, and uncovers a new future.A spoiled orphan, raised by a couple of con artists, gets sent to a mercantile marine vocational school for orphaned boys, where he learns about friendship and ethics, and uncovers a new future.
- Prix
- 3 victoires au total
- Milk Cart Driver
- (as Dave Thursby)
Avis en vedette
Mickey Rooney's stardom is rising and would soon overtake Freddie Bartholomew's childstar status. The two actors should switch roles since they fit the other characters better. Freddie is much more the high society straight boy and Mickey is the low class brawler con-man. I can do without all the sailing talk. I don't know anything about any of that. As always, one gets a sense that Mickey holds more interior acting power while Freddie is good at his specific style. This is not the best example of a boys school movie, but it's always great to have these two kids working together.
This film came out the same year as BOYS TOWN and I assume one directly led to the other--as they are essentially the same film with a few changes here and there. Plus, although Mickey Rooney played a different type character, he was in both films--though in LORD JEFF he played a supporting character and Freddie Bartholomew was the lead. Heck, they even had a character in LORD JEFF that was much like Pee Wee, though fortunately, the British version did not have to die to make Freddie see the light! While this is a competent enough film, I was greatly disappointed because Charles Coburn was one of the leading characters BUT he was amazingly conventional. None of his usual pompous but charming persona is present. Apart from that, though, the film is pure late 1930s MGM family fare and is worth a look. But if you've seen BOYS TOWN, then you certainly don't need to see this, as it's just a rehash and predictably formulaic.
Their roles are tailor-made for Mr. Bartholomew's "British upper crust" and Mr. Rooney's "Irish working lad" personas. Bartholomew is perfect as the aristocratically-guised London thief, complaining about the "wretched" hotel service and fainting during opportune moments. Bussed to a a purgatory-type sailor school (not quite a hellish reform school), he immediately clashes with Rooney. The two "child stars" contrast well, and their difficult bonding becomes the film's main source of entertainment. Rooney is much more relaxed in "Lord Jeff" than other "orphaned lad" roles; here, he exudes natural likability. Kilburn's little Albert seems out of place among the older boys, but he performs as well, and gives Bartholomew's character some much-needed appeal. Other story structure, and editing, problems weaken the running time.
Irrelevant, probably, to the film "Lord Jeff" is the status of its two stars. Bartholomew was a very popular "boy star" and Rooney was much more popular as a "teen star"; and, they made several films together. This film catches the Bartholomew near the end of his career, and Rooney beginning his most successful years. With this in mind, don't miss their mid-film fistfight!
****** Lord Jeff (6/17/38) Sam Wood ~ Freddie Bartholomew, Mickey Rooney, Terry Kilburn, Charles Coburn
In the batch of boys arriving with Freddie to the merchant marine training school are Terry Kilburn and a very young Peter Lawford in his second movie! Terry has the cutest character in the movie, with a missing tooth (before it gets fixed, a Cockney accent, and a hopelessly optimistic and loyal personality. Mickey Rooney also takes on an accent-Irish-as he's the experienced student who helps show everyone the ropes. Charles Coburn is the no-nonsense head of the school, and Herbert Mundin is his second-in-command. Keep an eye out for Monty Woolley and Gale Sondergaard, but don't expect too much from anyone. No one's really given very much to do, and besides Terry, no one really succeeds in making the audience like him. You're better off with Boys Town or A Yank at Eton.
Think CAPTAINS COURAGEOUS meets BOYS TOWN, and you have an idea of this good, but unremarkable, little picture. Freddie Bartholomew, coming to the end of his glory days as MGM's reigning child star, is hampered mightily by the fact that his character is so rotten, the audience has an overwhelming desire to loathe him for most of the film. Mickey Rooney, on the other hand, right on the cusp of his tremendous stardom, steals his every scene with his unique & infectious bravado. Notice that the boys get equal billing. That would not happen again. Rooney was the major star from here on out.
The rest of the cast all do a fine job, especially Charles Colburn, Herbert Mundin & Emma Dunn, all memorable as supervisors at the naval school. That's Monty Woolley, soon to be an important character actor, as a London jeweler. Gale Sondergaard (in good disguise) & George Zucco have small roles as the adult thieves, while Terry Kilburn (nicely effective) & Peter Lawford play two of the young fellows.
Movie mavens will recognize Rex Evans as the hotel doorman & Doris Lloyd as the hostess of a party the boys attend.
Le saviez-vous
- AnecdotesThe opening dedication is to the memory of Dr. Thomas John Barnardo (1845-1905) who was the founder of homes for orphans in Great Britain. His charity, founded in 1866 as a school in London's East End to care for and educate children orphaned by a cholera outbreak is still in existence as of 2017 as Bernardo's with 5,000 employees and 17,000 volunteers.
- GaffesIn early close-ups, Albert's (Terry Kilburn) "missing" tooth is obviously blacked out (as some white shows through).
- Citations
Mr. Burke: You want to stand on your own feet when you're a man. To earn your own way and learn a trade so that you can be self-reliant.
Geoffrey Braemer: You teach boys to be tradespeople?
Mr. Burke: Precisely. There are hundreds of our homes - schools, really. And you must select one that you prefer. You can become a farmer, a carpenter, a printer, a baker, almost anything.
Geoffrey Braemer: I don't want to be any of those things. I want to be a gentleman.
Mr. Burke: The first quality in a gentleman, Geoffrey, is to pull his own weight in a boat. I'd rather you make the choice.
Geoffrey Braemer: I wish I'd been sent to jail instead.
Mr. Burke: In time you will be glad you weren't.
- Générique farfeluThis picture is dedicated to the memory of Dr. Thomas John Barnardo
- ConnexionsReferenced in Au revoir, M. Chips (1939)
- Bandes originalesLondon Bridge is Falling Down
Traditional
Played on piano by Doris Lloyd
Meilleurs choix
Détails
- Durée1 heure 25 minutes
- Couleur
- Rapport de forme
- 1.37 : 1