ÉVALUATION IMDb
7,7/10
10 k
MA NOTE
Ajouter une intrigue dans votre langueA phonetics and diction expert makes a bet that he can teach a cockney flower girl to speak proper English and pass as a lady in high society.A phonetics and diction expert makes a bet that he can teach a cockney flower girl to speak proper English and pass as a lady in high society.A phonetics and diction expert makes a bet that he can teach a cockney flower girl to speak proper English and pass as a lady in high society.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 1 oscar
- 4 victoires et 5 nominations au total
Leueen MacGrath
- Clara Eynsford Hill
- (as Leueen Macgrath)
Irene Browne
- Duchess
- (as Irene Brown)
Cathleen Nesbitt
- A Lady
- (as Kathleen Nesbitt)
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Avis en vedette
not My Fair Lady ...
While My Fair Lady was a tremendous film which is a pleasure to watch and rewatch, Pygmalion is the true cinematic version of Shaw's work and this version is brilliant. While I still have mixed feelings about the Henry-Eliza relationship and the play ending, it has to be said that the two leads here are perfect for their roles. There were not many British actors better than Howard at the time for this type of thing, and Wendy Hiller never disappointed her audience once in her long career. A good film full of detail and feeling. The one sticking point is the weak and feeble Freddie who at least was given a personality in MFL. Here you can't wonder that Eliza is so quick to discard his attentions. A film which should be celebrated and treasured more in the UK than it is.
Good, and definitely not My Fair Lady
After seeing Leslie Howard as Henry Higgins, there is no way I could find Rex Harrison half as appealing, with his chanting/singing, in My Fair Lady. Leslie Howard simply is Henry Higgins, and if he seems unappealing and unlikable, that's because he's supposed to be unappealing and unlikable -- Henry Higgins is not a nice man. Howard does an incredible job with the role, and Wendy Hiller's Eliza puts Audrey Hepburn, as lovely as she is, to shame.
If George Bernard Shaw thought that Howard's interpretation of his play was good, then who are we to argue?
If George Bernard Shaw thought that Howard's interpretation of his play was good, then who are we to argue?
10ted puff
One of the greatest of all British films.
Perfect cinema. That was my reaction when I first saw Pygmalion, the first of 50 viewings and counting, and I still think so. Who could not fall in love with Leslie Howard, one of our greatest actors, so tragically assassinated in the Second World War? Wendy Hiller IS Eliza. The cast is flawless. The script... words fail me, for George Bernard Shaw was a genius, he did not simply adapt his play for the screen, it is so good that it is like it's happening before your eyes. My God, after seeing this is there anyone out there who thinks 'My Fair Lady', the slowest film musical on record, is the best screen version of Shaw? If they do, they are mad.
That film moves me not one jot, everything is so clean, so smug, so unreal. Here we see poverty, but also hope. These are not actors and actresses moving through the sets garbed in Cecil Beaton, but real people, real suffering, but humanity lights every scene like a beacon. The unbearably moving scenes of Eliza capturing society at the ball, the irresistible waltz, watch this with no tears in your eyes, I dare you. Halliwells Film Guide calls this 'one of the most heartening and adult British films of the thirties'. Too right. I cannot fault this film, it is priceless. By the way, I saw 'My Fair Lady' on stage recently, and it's miles better than the film version. Warner Bros really let Shaw down, and it's impossible to put it right. But this...well it is a big compensation. And I don't miss the songs one little bit.
There are so many classic scenes I can't pick any out. Of course viewers will spot that it was 'updated' to 1938, and the original play set in the Edwardians. That doesn't hurt it at all, 'polite' society didn't change much in the intervening years and gives the play an added 'contemporary' edge. Please, please, please see this film. You will be gripped.
That film moves me not one jot, everything is so clean, so smug, so unreal. Here we see poverty, but also hope. These are not actors and actresses moving through the sets garbed in Cecil Beaton, but real people, real suffering, but humanity lights every scene like a beacon. The unbearably moving scenes of Eliza capturing society at the ball, the irresistible waltz, watch this with no tears in your eyes, I dare you. Halliwells Film Guide calls this 'one of the most heartening and adult British films of the thirties'. Too right. I cannot fault this film, it is priceless. By the way, I saw 'My Fair Lady' on stage recently, and it's miles better than the film version. Warner Bros really let Shaw down, and it's impossible to put it right. But this...well it is a big compensation. And I don't miss the songs one little bit.
There are so many classic scenes I can't pick any out. Of course viewers will spot that it was 'updated' to 1938, and the original play set in the Edwardians. That doesn't hurt it at all, 'polite' society didn't change much in the intervening years and gives the play an added 'contemporary' edge. Please, please, please see this film. You will be gripped.
Superb Shaw
Shaw's brilliant play is expertly filmed by Howard and Asquith. Howard is perfectly cast as the snobbish Professor Higgins and is matched by Hiller, in her second film, as Eliza Doolittle. The fine supporting cast includes Sunderland, Lawson, and Lohr, who's terrific as Mrs. Higgins. It is difficult to make a bad film of this work, given Shaw's witty dialog, but film performance is different from stage performance, with film calling for more subtlety. The love-hate relationship between the professor and Eliza works wonderfully because Howard and Hiller provide the right combination of humor and humanity. Howard's role here is in sharp contrast to the wimpy Ashley the following year in "Gone with the Wind."
Leslie Howard
I think that Leslie Howard is one of the most wonderful, spectacular actors that ever lived. He is positively great in this movie, and he won lots of recognition and awards for this role and ultimately carries the whole movie. He is a wonderful actor that will live in my heart forever!
Laura
Laura
Le saviez-vous
- AnecdotesThe scene in which Eliza accidentally swallows a marble while having an elocution lesson does not appear in the original play. During rehearsals for this scene, a pained expression came over Wendy Hiller's face. When she spat out the marbles she had in her mouth, she said, "Leslie, I've swallowed one!" to which Leslie Howard replied, "Never mind, there are plenty more." This caused such amusement among the watching crew that it was added to the movie and to its musical version, My Fair Lady (1964).
- GaffesAfter the ball when Mrs. Pearce serves Professor Higgins his tea, the shadow of the camera can be seen in the bottom left, moving back across his blanket.
- Citations
Eliza Doolittle: Walk? Not bloody likely. I'm going in a taxi.
- Générique farfeluOpening credits prologue: PYGMALION WAS A MYTHOLOGICAL CHARACTER WHO DABBLED IN SCULPTURE. HE MADE A STATUE OF HIS IDEAL WOMAN-GALATEA. IT WAS SO BEAUTIFUL THAT HE PRAYED THE GODS TO GIVE IT LIFE. HIS WISH WAS GRANTED.
BERNARD SHAW IN HIS FAMOUS PLAY GIVES A MODERN INTERPRETATION OF THIS THEME.
- Autres versionsThis film was made a year before the Hays Office gave Clark Gable permission to say "Frankly, my dear, I don't give a damn", so while in the British prints of this film Leslie Howard often utters the word, in the American prints the word "damn" is replaced by either "hang" or "confounded".
- ConnexionsFeatured in Metro-Goldwyn-Mayer's Big Parade of Hits for 1940 (1940)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Pigmalion
- Lieux de tournage
- Pinewood Studios, Iver Heath, Buckinghamshire, Angleterre, Royaume-Uni(studio: made at Pinewood Studios England)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 87 000 £ (estimation)
- Durée
- 1h 36m(96 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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