Ajouter une intrigue dans votre langueEgyptologist, Dean Lambert (Lloyd), accused of car-theft, skips bail and begins a cross-country trek to join a group in New York headed for Egypt. With the police close on his trail he gets ... Tout lireEgyptologist, Dean Lambert (Lloyd), accused of car-theft, skips bail and begins a cross-country trek to join a group in New York headed for Egypt. With the police close on his trail he gets in and out of scrapes along the way.Egyptologist, Dean Lambert (Lloyd), accused of car-theft, skips bail and begins a cross-country trek to join a group in New York headed for Egypt. With the police close on his trail he gets in and out of scrapes along the way.
Mary Lawrence
- The Bride
- (as Mary Lou Lender)
Arthur Aylesworth
- Gas Station Attendant in Desert
- (uncredited)
Irving Bacon
- Painter
- (uncredited)
Bobby Barber
- Handshaker - Paint-Brush Gag
- (uncredited)
Clara Blandick
- Mrs. Green - Landlady
- (uncredited)
Billy Bletcher
- Shoeshine Customer
- (uncredited)
Ward Bond
- Motorcycle Cop
- (uncredited)
Wade Boteler
- Officer in Court
- (uncredited)
Paul Bryar
- Harry - Radio Patrolman
- (uncredited)
Eddy Chandler
- Construction Camp Boss
- (uncredited)
Avis en vedette
This was Harold Lloyd's final comedy before his first retirement. The 1938 film features Harold as an archaeologist who starts to believe that he may be a reincarnation of an Egyptian pharaoh for whom things did not end up well. Wonderful cast of supporting comedy players (including Raymond Walburn, William Frawley and Lionel Stander) in an intermittently amusing affair with, for me, one hilarious sequence.
There's a scene in which Harold, accompanied by Walburn and Stander, is picked up on the road for a ride by what turns out to be the small town sheriff. Well, Stander has just snatched up a stolen chicken and when he sees the sheriff's badge shoves the chicken onto poor sap Harold who hides it under his jacket.
As they ride along with the sheriff, the chicken starts to make clucking sounds and, as a cover-up, Harold starts pursing his lips like he's imitating a chicken. Of course, the hilarity in the sequence builds as the chicken starts making loud squawking sounds with Harold now trying to convince the increasingly suspicious, albeit dim witted, sheriff that the racket is coming from him.
At one moment there is a camera shot of Harold's legs, as seen from Harold's angle looking down at them, as we see a chicken egg roll down them to the floor of the car. I almost fell out of my chair laughing. This comedy might not be Harold Lloyd at his best but it is well worth a look if you can find a copy somewhere. The not so great box office on this one convinced Harold to retire for about ten years, and the film is ably directed by workman director Elliott Nugent.
This film and "Welcome Danger" are the only two feature films distributed by Paramount that did not wind up in the big box of Lloyd films put out about ten years ago. Welcome Danger has been on Turner Classic Movies a few times, but Professor Beware was never on VHS or DVD and disappeared off the face of the earth since AMC decided that zombies combined with sexual assault were more entertaining than good old fashioned slapstick. Please catch it if you can, it is worth it.
There's a scene in which Harold, accompanied by Walburn and Stander, is picked up on the road for a ride by what turns out to be the small town sheriff. Well, Stander has just snatched up a stolen chicken and when he sees the sheriff's badge shoves the chicken onto poor sap Harold who hides it under his jacket.
As they ride along with the sheriff, the chicken starts to make clucking sounds and, as a cover-up, Harold starts pursing his lips like he's imitating a chicken. Of course, the hilarity in the sequence builds as the chicken starts making loud squawking sounds with Harold now trying to convince the increasingly suspicious, albeit dim witted, sheriff that the racket is coming from him.
At one moment there is a camera shot of Harold's legs, as seen from Harold's angle looking down at them, as we see a chicken egg roll down them to the floor of the car. I almost fell out of my chair laughing. This comedy might not be Harold Lloyd at his best but it is well worth a look if you can find a copy somewhere. The not so great box office on this one convinced Harold to retire for about ten years, and the film is ably directed by workman director Elliott Nugent.
This film and "Welcome Danger" are the only two feature films distributed by Paramount that did not wind up in the big box of Lloyd films put out about ten years ago. Welcome Danger has been on Turner Classic Movies a few times, but Professor Beware was never on VHS or DVD and disappeared off the face of the earth since AMC decided that zombies combined with sexual assault were more entertaining than good old fashioned slapstick. Please catch it if you can, it is worth it.
"Professor Beware," in addition to the amazing Mr. Lloyd, boasts a supporting cast of heavyweights: Lionel Stander, Raymond Walburn, William Frawley, Sterling Holloway, Cora Witherspoon and Thurston Hall. Each of these character actors add immensely to the story, which is a quest in the best sense of the word. Lloyd is a professor of Egyptology who is searching for the final, but lost, tablet that will solve a riddle of the ages. His cross-country journey that ends on a yacht with one of the best comic fight scenes in movie history is fraught with mishaps and odd characters who block Lloyd's frantic attempts to get to New York in order to catch a steamship to Egypt. It is unfortunate that this film is not available in any form (I have a VHS tape from TV I made in the '90s) and not even on Turner Classic Movies. If you have the opportunity to see the film, be sure to do so. A true comic classic.
During the 1920s, Harold Lloyd was box office gold. You might be surprised to hear that his comedies outdrew those of Keaton or Chaplin during that era and he was the most popular silent comedian on the planet. So, with this amazing reputation, it's quite surprising that several of his sound comedies were relative duds....pleasant enough to watch but far less well written than his earlier efforts. A few were really good ("Movie Crazy" is a great sound comedy) but most were contrived and difficult to love. "Mad Wednesday" and "Professor Beware" both are among the difficult to love movies.
The story is about Professor Dean Lambert (Lloyd), a world famous Egyptologist. One night, he comes upon a damsel in distress and unquestioningly helps her....but it really makes no sense. After all, she wants him to change clothes with a drunk guy and wait out in the car....for a woman he just met! Soon, the police arrive and see the Professor in his underwear and they arrest him! Suddenly, he finds himself in the newspapers...and without a job.
Later, the woman he helped returns. Now you'd THINK he'd take her to explain the situation to the judge or prosecutor. Instead, he runs to New York because he is about to go on an expedition to Egypt. So, in other words, he fleas the state and risks a very long prison sentence AND loss of his reputation instead of staying in California to straighten out the problems. And, to get to New York, he soon finds himself bumming rides and riding the rails!! Oh, and did I mention that the Professor just happens to think he is the reincarnation of a 3000 dead Egyptian...and the lady who asked for his help was his lover 3000 years ago?!
Does ANY of this make any sense? Of course not!! Is it funny...sometimes. But at least Lloyd is likable in this film...and there are a few cute moments here and there. But on balance, it's definitely a sub-par Lloyd outing....and this would explain why it was a decade later when he made his next (and final) film.
The story is about Professor Dean Lambert (Lloyd), a world famous Egyptologist. One night, he comes upon a damsel in distress and unquestioningly helps her....but it really makes no sense. After all, she wants him to change clothes with a drunk guy and wait out in the car....for a woman he just met! Soon, the police arrive and see the Professor in his underwear and they arrest him! Suddenly, he finds himself in the newspapers...and without a job.
Later, the woman he helped returns. Now you'd THINK he'd take her to explain the situation to the judge or prosecutor. Instead, he runs to New York because he is about to go on an expedition to Egypt. So, in other words, he fleas the state and risks a very long prison sentence AND loss of his reputation instead of staying in California to straighten out the problems. And, to get to New York, he soon finds himself bumming rides and riding the rails!! Oh, and did I mention that the Professor just happens to think he is the reincarnation of a 3000 dead Egyptian...and the lady who asked for his help was his lover 3000 years ago?!
Does ANY of this make any sense? Of course not!! Is it funny...sometimes. But at least Lloyd is likable in this film...and there are a few cute moments here and there. But on balance, it's definitely a sub-par Lloyd outing....and this would explain why it was a decade later when he made his next (and final) film.
I recall that for many years this was the only one of Harold Lloyd's movies that occasionally turned up on screen in New York City. It is a passably funny film about an archaeologist who falls for the daughter of a tycoon and finds himself fighting the forces of Wall Street and fate itself to get the young lady. Lloyd's character is trying to fight an apparent curse from the tomb that he opened. The film literally goes to it's conclusion before the viewers learn if the curse will or will not work. Lloyd is ably supported in the film by Raymond Walburn, William Frawley, Lionel Stander, and Thurston Hall. Phyllis Welch was the young woman Lloyd pursues. She did nicely in the role, but not spectacularly. Her career soon faded from sight.
Of the sound films made by Lloyd, "Professor Beware" usually is near the bottom. It is better (in my opinion) than "Welcome Danger" or "Feet First", but it falls below the other four sound films. The problem with it is that it lacks any relationship to the type of film identified with Lloyd at his peak. It's situation comedy plot could have been done by most other comedians or leading men of the day. But it is not a total failure, and is worth watching.
Of the sound films made by Lloyd, "Professor Beware" usually is near the bottom. It is better (in my opinion) than "Welcome Danger" or "Feet First", but it falls below the other four sound films. The problem with it is that it lacks any relationship to the type of film identified with Lloyd at his peak. It's situation comedy plot could have been done by most other comedians or leading men of the day. But it is not a total failure, and is worth watching.
Professor, Beware is fun, funny, charming, heart-warming, and an all around great old film. More so, it is a great adventure like an original Indiana Jones movie. More so, it has some concepts that bear thinking about - more than most comedies. This is the kind of film that one gives a satisfied sigh afterwards and says: "They don't make em like that anymore".
Enjoy!
Enjoy!
Le saviez-vous
- AnecdotesOne of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since; its earliest documented telecasts took place in Boston Sunday 2 November 1958 on WBZ (Channel 4), followed by Seattle Tuesday 16 December 1958 on KIRO (Channel 7).
- ConnexionsFeatured in World of Comedy (1962)
- Bandes originalesWedding March
(1842) (uncredited)
from "A Midsummer Night's Dream"
Written by Felix Mendelssohn
Played at the wedding
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Détails
Box-office
- Budget
- 820 000 $ US (estimation)
- Durée1 heure 33 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Professor Beware (1938) officially released in India in English?
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