Wife, Husband and Friend

Wife, Husband and Friend (1939)

*** (out of 4)

This is a rather bizarre comedy from Fox, which has Loretta Young playing the wife, a woman who thinks she has a great voice and would make a terrific star but she doesn't realize that she's rather mediocre. Warner Baxter is the husband who hates music until one day he realizes that he's got a great voice and goes out on tour behind the wife's back. The friend (Binnie Barnes) brings on all sorts of problems with her greed and jealousy. WIFE, HUSBAND AND FRIEND is a good movie thanks in large part to a terrific cast but I honestly can't remember a comedy from this era that had more unlikeable characters. In fact, I'd say all of the characters here were quite ugly all around leading with the wife. She's so self-centered, rude and spoiled that you can't help but not like her and especially after a breakdown scene she has towards the end. Baxter's character really isn't much better and there's no question that the Barnes diva is annoying and a real jerk. The shocking thing is that all three actors are simply wonderful with their performances and especially Young during that breakdown scene I mentioned. Baxter really gets to shine with some of the comedy early on and we get strong work from Cesar Romero, George Barbier and Eugene Palette. The film isn't as funny as one would have liked but there are enough laughs to keep it going and there's no question that the cast is in fine form.

This is a forgettable movie about a wife who dreams of being an opera singer, though she hasn't got the talent, and her husband, who when he discovers that he does have a great voice starts to dream of a career as a singer as well. The collapse of his career results from a performance of an opera called Arlesiana. I figured it would be Cilea's work, but in fact it is evidently like the Salammbo in Citizen Kane: a work written for the movie. It's sung in Italian, but the music is definitely not Cilea's, and the sets and costumes suggest some Renaissance tale rather than Daudet's simple farmers in late nineteenth-century southern France.

There's really nothing to recommend this movie.

Warner Baxter, Loretta Young, and Binnie Barnes star in "Wife, Husband, and Friend," a 1939 comedy remade some years later as "Everybody Does It" with Paul Douglas, Celeste Holm, and Linda Darnell.

It's the story of a society woman (Young) who dreams, as her mother did, of a career in singing but just doesn't have the vocal chops. It turns out that her husband (Baxter) has an incredible voice. A diva (Barnes) falls for him and takes him along on tour with her, finally arranging for him to star with her in an opera.

The problem I had with this film is that it's exactly like "Everybody Does It" right up until the last half hour, and then it leaves out the best parts of the story. The opera scene in this film can't touch the opera performance in "Everybody Does It" - nor does it give an explanation for the behavior of the Baxter character, which we get in the later film.

My other problem is a singing one - the dubbing of Loretta Young's voice is too good. Celeste Holm did her own singing in "Everybody Does It," and it's pleasant, but not of operatic caliber, making the story more believable.

Nevertheless, in its own right, "Wife, Husband, and Friend" is cute, with some good performances. Baxter is very funny as the husband, and there's wonderful support from George Barbier and Helen Westley, who play Young's parents. Young is gorgeous and very effective.

Extremely enjoyable, but if you get a chance, see "Everybody Does It" for some extra comedy and to fill an important plot hole!

I caught about 3/4 of this movie last night on Turner Classics and I wish I had seen it from the beginning. I was so taken with Warner Baxter's performance - he is so cute when he performs on stage the first time, scratching and looking uncomfortable. Later when he reluctantly stars with Miss Barnes in an opera, dressed in this Renaissance type outfit complete with fake beard, he is just a delight to watch. I actually laughed out loud. The dialog is crisp and funny, Loretta Young is very appealing and the supporting actors are real characters. I would buy this movie and skip the music, except for the last song they do on the train.

"The Thin Man meets Opera" is the best way I can describe the character of this romantic comedy, it is such an unusual movie and so funny. Warner Baxter and Loretta Young star as a contractor husband and his society wife, Leonard and Doris Borland. Leonard's contracting business hasn't been doing so well - a fact he's been concealing from his wife in hopes that things turn around. Doris wants to try at a singing career. Leonard decides Doris just needs to get it out of her system and twists the arm of everyone in town that he knows to come to his wife's singing debut so that it will be a success, hoping that this one event will put an end to her efforts. You see, the problem is that Doris is actually a terrible singer.

The other problem is that Mr. Borland is actually a tremendous singer. This is discovered when he runs into a professional singer, Cecil Carver (Binnie Barnes) who suggests Mr. Borland go on a singing tour with her. With his business being hard up for cash, Mr. Borland accepts, but has to be careful to conceal what's going on from his wife, who in the meantime is having a hard time getting any more audiences for her singing.

Strong support comes from Eugene Palette as Leonard Borland's business partner in the contracting firm, and there is a small bit done by a very young Cesar Romero as someone who is supportive of Doris Borland's singing efforts. I'd never seen Warner Baxter do comedy before, and it was quite a treat, especially when he bursts into song with an obviously dubbed baritone voice. Catch this one if it comes your way.