ÉVALUATION IMDb
4,2/10
1,5 k
MA NOTE
Ajouter une intrigue dans votre langueScientists use a gigantic drilling machine for an expedition to the center of the earth.Scientists use a gigantic drilling machine for an expedition to the center of the earth.Scientists use a gigantic drilling machine for an expedition to the center of the earth.
Victor Kilian
- Dr. Jeremiah Morley
- (uncredited)
Harold Miller
- Carlisle Foundation Board Member
- (uncredited)
Avis en vedette
The film begins with some stock footage about nuclear war and is part of a presentation scientists are making in order to drum up support for an ark, of sorts, to be sent deep within the planet. This way, in case we have a nuclear war, the species can survive deep inside mother Earth. The story, at times, is highly reminiscent of Jules Verne's JOURNEY TO THE CENTER OF THE EARTH.
When I rented this film, I assumed based on the box cover that it was a typical low-budget 1950s sci-fi/horror film. However, to my surprise, there were no bug-eyed monsters, alligators or lizards with cheap fins pasted on or silly masked ghouls. While it certainly did not have a huge budget, the film made a genuine effort to entertain, have SOME basis in scientific facts of the day and say something about mankind. While some might find this all pretty dull, I actually enjoyed it more than I thought and in hindsight I am glad the usual silly and schlocky monsters and such were missing. Now this isn't to say this is a masterpiece. Occasionally, the characters behave a bit silly--such as their needlessly bickering (which makes no sense for such an expedition) and the science behind all this is suspect (such as the lack of differences in air pressure, the presence of drinkable water as well as breathable air over a thousand miles inside the Earth and their ability to ascend at an incredible rate without exploding!). Still, it is oddly compelling and the acting (while they weren't arguing) was pretty good. Plus, unlike JOURNEY TO THE CENTER OF THE EARTH, it's nice NOT to see dinosaurs and other creatures waiting to greet our heroes.
Final verdict--well worth a look and a decent time-passer despite some limitations.
PS--This film is from Alpha Video--one of the worst producers of DVDs out there. Fortunately, unlike many of their films which are scratchy public domain prints, this one is a very good copy and is very watchable.
When I rented this film, I assumed based on the box cover that it was a typical low-budget 1950s sci-fi/horror film. However, to my surprise, there were no bug-eyed monsters, alligators or lizards with cheap fins pasted on or silly masked ghouls. While it certainly did not have a huge budget, the film made a genuine effort to entertain, have SOME basis in scientific facts of the day and say something about mankind. While some might find this all pretty dull, I actually enjoyed it more than I thought and in hindsight I am glad the usual silly and schlocky monsters and such were missing. Now this isn't to say this is a masterpiece. Occasionally, the characters behave a bit silly--such as their needlessly bickering (which makes no sense for such an expedition) and the science behind all this is suspect (such as the lack of differences in air pressure, the presence of drinkable water as well as breathable air over a thousand miles inside the Earth and their ability to ascend at an incredible rate without exploding!). Still, it is oddly compelling and the acting (while they weren't arguing) was pretty good. Plus, unlike JOURNEY TO THE CENTER OF THE EARTH, it's nice NOT to see dinosaurs and other creatures waiting to greet our heroes.
Final verdict--well worth a look and a decent time-passer despite some limitations.
PS--This film is from Alpha Video--one of the worst producers of DVDs out there. Fortunately, unlike many of their films which are scratchy public domain prints, this one is a very good copy and is very watchable.
This is not as bad a picture as some of the other reviews suggest.
I'm not saying it's a great movie, but it IS surprisingly well done for being made with no money.
It's an odd movie in that it's not really the kind of sci fi you'd expect. There are no monsters or other creatures.
It a straightforward story about finding a alternative place to live in case of nuclear war.
It does drag a bit, but it's worth a watch.
The plot.
Dr. Jerimiah Morley becomes convinced that the world is headed to an inevitable worldwide nuclear war.
He organizes an expedition made up of a team of expert scientists and an atomic-powered rock-boring vehicle called a "cyclotram" to find a subterranean environment where holocaust survivors could live indefinitely.
When funding falls through, independently rich adventurer Wright Thompson underwrites the project under the condition that he be allowed to go.
As the group goes deeper beneath the Earth's crust, personalities clash, tempers flare, and the dangerous journey claims the lives of several expedition members.
When they come upon an enormous underground expanse with its own ocean and phosphorescent light, it appears that their goal has been achieved.
I'm not saying it's a great movie, but it IS surprisingly well done for being made with no money.
It's an odd movie in that it's not really the kind of sci fi you'd expect. There are no monsters or other creatures.
It a straightforward story about finding a alternative place to live in case of nuclear war.
It does drag a bit, but it's worth a watch.
The plot.
Dr. Jerimiah Morley becomes convinced that the world is headed to an inevitable worldwide nuclear war.
He organizes an expedition made up of a team of expert scientists and an atomic-powered rock-boring vehicle called a "cyclotram" to find a subterranean environment where holocaust survivors could live indefinitely.
When funding falls through, independently rich adventurer Wright Thompson underwrites the project under the condition that he be allowed to go.
As the group goes deeper beneath the Earth's crust, personalities clash, tempers flare, and the dangerous journey claims the lives of several expedition members.
When they come upon an enormous underground expanse with its own ocean and phosphorescent light, it appears that their goal has been achieved.
In the fifties, when we saw these things we believed them. We believed the effects, or rather allowed he inadequacies in the effects to pass. And we believed the science too, more or less on the same terms.
Now of course matters have changed. So far as effects, we expect more. They are still pretty junky, you know and it may be a whole generation before effects are actually indiscernible from photographed "reality." So when you watch one of these old things, there is a built in amusement value, a sort of juvenile amusement park pretense.
And on the science side too. Despite massive cold war investments in science education, just massive, the general knowledge of science in the viewing public has actually decreased since the period of this movie. Its an odd, odd coincidence that the quaint scientific artificialities here which should be seen in the same light as everything else here won't be by most.
(A recent poll shows only 40% of Americans "believe" in evolution, arguably the one theory with the most evidence accessible to a novice. Politicians who used to bolster science now actively erode it in support of special interests, I assume.)
So.
Having said all that, this is one of the very best of scifi movies from this era. It has laughable effects, and the joke amplified knowing they weren't so laughable at one time.
It has a profound nihilistic cold war influence. The world is doomed, absolutely, because of man's blind stupidity on both sides and only scientists of which there are dangerously few can see the depressing truth. There are lots of great speeches here about that impending doom and a finale where the possibility of life overcoming its negative future just out of exuberant hope. Its like walking through a museum.
The story is one of those typical things, people from diverse backgrounds thrown together under stress. Death, romance, conflict, resolution.
And then there's the science. You have to know, of course that the science is utterly bogus in every respect. If you accept this, then the whole thing merges into a sort of Lynchian surrealism, a trip quite literally to another world. That's why I love this stuff. It really is a voyage to a mindset, a coherent world where everything is different expect for trivialities. Telephones still work the same way roughly. The clothes are familiar. People have the same shape. Much of the language is the same we use today. But all the stuff that matters, its part of an unknown world.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
Now of course matters have changed. So far as effects, we expect more. They are still pretty junky, you know and it may be a whole generation before effects are actually indiscernible from photographed "reality." So when you watch one of these old things, there is a built in amusement value, a sort of juvenile amusement park pretense.
And on the science side too. Despite massive cold war investments in science education, just massive, the general knowledge of science in the viewing public has actually decreased since the period of this movie. Its an odd, odd coincidence that the quaint scientific artificialities here which should be seen in the same light as everything else here won't be by most.
(A recent poll shows only 40% of Americans "believe" in evolution, arguably the one theory with the most evidence accessible to a novice. Politicians who used to bolster science now actively erode it in support of special interests, I assume.)
So.
Having said all that, this is one of the very best of scifi movies from this era. It has laughable effects, and the joke amplified knowing they weren't so laughable at one time.
It has a profound nihilistic cold war influence. The world is doomed, absolutely, because of man's blind stupidity on both sides and only scientists of which there are dangerously few can see the depressing truth. There are lots of great speeches here about that impending doom and a finale where the possibility of life overcoming its negative future just out of exuberant hope. Its like walking through a museum.
The story is one of those typical things, people from diverse backgrounds thrown together under stress. Death, romance, conflict, resolution.
And then there's the science. You have to know, of course that the science is utterly bogus in every respect. If you accept this, then the whole thing merges into a sort of Lynchian surrealism, a trip quite literally to another world. That's why I love this stuff. It really is a voyage to a mindset, a coherent world where everything is different expect for trivialities. Telephones still work the same way roughly. The clothes are familiar. People have the same shape. Much of the language is the same we use today. But all the stuff that matters, its part of an unknown world.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
A group of scientists tunnel to the center of the Earth to find a refuge from the dangers of the atomic world. As the team of the scientific people : Bruce Kellogg, Otto Waldis, Jim Bannon... , among them one woman : Marilyn Walsh , use a gigantic drilling for a risked expidition. The scientific compatriots descend into deep caverns filled with stalactites and stalagmites and looking for a tunnel system leading to the center . All of them drilling into the forbidden depths of the Earth resulting in surprising as well as fateful consequences. A thousand miles down...Ten-thousand Thrills Deep! A Journey to the Center of the Earth . Shocking drama of a woman who's lost life's most precious gifts! . Daring scenes of the forbidden depths at the heart of the world! Adventure into the unknown! Drilling into the forbidding depths of the earth!
A shocking and fantastic drama with daring scenes of the forbidden depth at the heart of the world. It blends usual issue in the Fifties about the risks of the nuclear war along the classic story of Jules Verne's Voyage to the Center of the Earth. The highlights of the movie are the numerous risks and dangers they have to deal with . Big start winds down fast and being nicely shot by Terry Morse, sometimes credited Terrell O. Morse. Stars a lot of B and mostly unknown actors giving passable interpretations, such as : Bruce Kellogg, Jim Bannon, Otto Waldis, Marilyn Walsh, uncredited Victor Killan, among others.
Produced by expert producer Robert Lippert who financed various fantasy movies and two FX expert professionals : Irving Block and Jack Rabin, both of provide tradicional and primitive especial effects, but really effective, adding abundant matte-painting . It contains a thrilling and evocative musical score by Ernest Gold to be continued a successful career with excellent soundtracks as a great composer. The motion picture was regular y professionally directed by Terry O Morse. He was a good craftsman and an expert editor. He shot various films about all kinds of genres with penchant for fantasy and Sci-Fi. As Terry directed films as Godzilla, Taffy, Fog Island, Godzilla King of the Monsters, Tear Gas Squad, Waterfront, On the Trail, Don Ricardo returns, Dillinger, Danny Boy, British Inteligence, among others. Rating : 5.5/10. In spite of not being a notable, neither extraordinary film, it results an acceptable and decent entry in the Fiffties, a period in which the Science Fiction genre got great splendor and success.
A shocking and fantastic drama with daring scenes of the forbidden depth at the heart of the world. It blends usual issue in the Fifties about the risks of the nuclear war along the classic story of Jules Verne's Voyage to the Center of the Earth. The highlights of the movie are the numerous risks and dangers they have to deal with . Big start winds down fast and being nicely shot by Terry Morse, sometimes credited Terrell O. Morse. Stars a lot of B and mostly unknown actors giving passable interpretations, such as : Bruce Kellogg, Jim Bannon, Otto Waldis, Marilyn Walsh, uncredited Victor Killan, among others.
Produced by expert producer Robert Lippert who financed various fantasy movies and two FX expert professionals : Irving Block and Jack Rabin, both of provide tradicional and primitive especial effects, but really effective, adding abundant matte-painting . It contains a thrilling and evocative musical score by Ernest Gold to be continued a successful career with excellent soundtracks as a great composer. The motion picture was regular y professionally directed by Terry O Morse. He was a good craftsman and an expert editor. He shot various films about all kinds of genres with penchant for fantasy and Sci-Fi. As Terry directed films as Godzilla, Taffy, Fog Island, Godzilla King of the Monsters, Tear Gas Squad, Waterfront, On the Trail, Don Ricardo returns, Dillinger, Danny Boy, British Inteligence, among others. Rating : 5.5/10. In spite of not being a notable, neither extraordinary film, it results an acceptable and decent entry in the Fiffties, a period in which the Science Fiction genre got great splendor and success.
Cheapjack Lippert Pictures had an unexpected success with Rocketship XM (1950). I expect this little slice of sci-fi was intended as a follow-up (check out the similar opening scenes). However, instead of burrowing into outer space in a rocketship, these adventurers burrow into inner earth in what looks like a fat submarine with a drill for a nose.
They're playing mole because staying on top like everyone else looks like sure death thanks to nuclear weapons. So six hardy Adams and one Eve set out in their big drill to found a new world and refuge for humanity. Naturally, things don't go entirely as expected, otherwise there'd be no movie. And, of course, not all seven survive.
Actually, the special effects aren't bad considering the challenges of a fantastic inner earth. Then too, I'm surprised Lippert popped for location shooting all the way to New Mexico's Carlsbad Caverns. However, it's also a no-name cast that unfortunately performs like one, except for Killian and Nash who manage a few sparks of life. All in all, it's an interestingly offbeat slice of 50's sci-fi despite the big cheese factor.
(In passing—thanks IMDb for the info on Killian's billing or I should say lack of billing. Killian was one of those distinctive supporting players who could make any movie better.)
They're playing mole because staying on top like everyone else looks like sure death thanks to nuclear weapons. So six hardy Adams and one Eve set out in their big drill to found a new world and refuge for humanity. Naturally, things don't go entirely as expected, otherwise there'd be no movie. And, of course, not all seven survive.
Actually, the special effects aren't bad considering the challenges of a fantastic inner earth. Then too, I'm surprised Lippert popped for location shooting all the way to New Mexico's Carlsbad Caverns. However, it's also a no-name cast that unfortunately performs like one, except for Killian and Nash who manage a few sparks of life. All in all, it's an interestingly offbeat slice of 50's sci-fi despite the big cheese factor.
(In passing—thanks IMDb for the info on Killian's billing or I should say lack of billing. Killian was one of those distinctive supporting players who could make any movie better.)
Le saviez-vous
- AnecdotesThis project was actually put together by two special effects men, Jack Rabin and Irving Block, who are listed as producers.
- GaffesThe "science" regarding the interior of the earth is wrong, and was known to be wrong at the time the movie was made. It does not get cooler the deeper one goes into the earth. A few feet below the surface the ground temperature is around 50 degrees Fahrenheit. Going deeper from that depth the temperature goes up at a rate of approximately 1 degree Fahrenheit per 70 feet.
- Citations
Dr. Jeremiah Morley: I believe that humanity can escape annihilation, can find a temporary haven, a promise of hope that, come what may, life can be sustained deep within the Earth itself. Far below the Earth we shall seek a natural, a geologic shelter. We have a team ready for the effort. All we lack are funds.
- ConnexionsFeatured in Victor Kilian: A Blacklist Legacy (2025)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Night Without Stars
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 14 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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