ÉVALUATION IMDb
7,9/10
30 k
MA NOTE
Un policier à la peau dure, Dave Bannion s'attaque à un syndicat du crime puissant dans le milieu politique.Un policier à la peau dure, Dave Bannion s'attaque à un syndicat du crime puissant dans le milieu politique.Un policier à la peau dure, Dave Bannion s'attaque à un syndicat du crime puissant dans le milieu politique.
- Prix
- 2 victoires et 2 nominations au total
Histoire
Le saviez-vous
- AnecdotesColumbia wanted to borrow Marilyn Monroe from 20th Century-Fox to play the role of Debby Marsh, but Fox's asking price was too high. Gloria Grahame was cast instead.
- GaffesThe street address for the junkyard on Bannion's list is "101", yet the number "1024" is seen on a large sign over the yard's shed.
- Citations
Debby Marsh: [to Bannion] Oh, well, you're about as romantic as a pair of handcuffs.
- ConnexionsFeatured in Les rues chaudes (1973)
- Bandes originalesIt's a Blue World
(uncredited)
Written by Chet Forrest and Bob Wright
Heard instrumentally during one of the scenes at The Retreat
Commentaire en vedette
Coming full cycle, Hollywood seems to be back on the theme of good cop vs. bad cops controlled by the mob. Recently "16 Blocks" successfully pitted honest Bruce Willis against dishonest city hall. For a time, with "The Big Easy" being an early example, this type movie presented the image of a totally corrupt government from top to bottom with omnipresent mob ties indicating cynical times, even the one good cop being tainted, just not as much as others. "The Big Heat" is a prime example of this type film in the early Cold War period, emphasizing the importance of one good man standing up against all odds, in particular unconcerned citizens who either themselves become tainted or who are simply apathetic as long as they are left alone. "The Big Heat" like "High Noon" showed that the good must take a stand or the entire house will come crumbling down with the rodents taking over.
Glenn Ford was never a versatile actor. In the right role he could carry the load sufficiently to get by. In the wrong role, his acting was amateurish. That he had potential is indicated by his performances in two movies, "Gilda" and "The Big Heat." Arguably, his role as Det. Sgt. Dave Bannion is the better of the two. Perhaps it is the inimitable director Fritz Lang that prods Ford on to realize his true talents. There is no doubt that Ford makes Sgt. Bannion come alive and puts real flesh on his bones. Ford is so good in this film and in "Gilda" that he deserved more recognition than he got from the Hollywood big wigs.
The two shining performances are given by Gloria Grahame and Lee Marvin who run away with the show. They provide one of the legendary scenes in film history that just about everyone has either seen or read about, when Vince Stone (Marvin)--note the last name of Stone--pitches a container of boiling coffee into Debby Marsh's (Grahame) face, scarring her for life. Vince Stone's demise is also memorable. The coffee sequence alone is worth the price of admission.
Glenn Ford was never a versatile actor. In the right role he could carry the load sufficiently to get by. In the wrong role, his acting was amateurish. That he had potential is indicated by his performances in two movies, "Gilda" and "The Big Heat." Arguably, his role as Det. Sgt. Dave Bannion is the better of the two. Perhaps it is the inimitable director Fritz Lang that prods Ford on to realize his true talents. There is no doubt that Ford makes Sgt. Bannion come alive and puts real flesh on his bones. Ford is so good in this film and in "Gilda" that he deserved more recognition than he got from the Hollywood big wigs.
The two shining performances are given by Gloria Grahame and Lee Marvin who run away with the show. They provide one of the legendary scenes in film history that just about everyone has either seen or read about, when Vince Stone (Marvin)--note the last name of Stone--pitches a container of boiling coffee into Debby Marsh's (Grahame) face, scarring her for life. Vince Stone's demise is also memorable. The coffee sequence alone is worth the price of admission.
- krorie
- 26 avr. 2006
- Lien permanent
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Détails
Box-office
- Brut – à l'échelle mondiale
- 6 804 $ US
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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What is the Japanese language plot outline for Règlement de comptes (1953)?
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