Ajouter une intrigue dans votre langueThe life of the youngest of three sisters in a musical family is complicated by the separate arrivals of a charming composer and a cynical music arranger.The life of the youngest of three sisters in a musical family is complicated by the separate arrivals of a charming composer and a cynical music arranger.The life of the youngest of three sisters in a musical family is complicated by the separate arrivals of a charming composer and a cynical music arranger.
Wanda Barbour
- Restaurant Patron
- (uncredited)
Marjorie Bennett
- Mrs. Ridgefield
- (uncredited)
Ivan Browning
- The Porter
- (uncredited)
Celeste Bryant
- Little Girl
- (uncredited)
Kathleen Casey
- Lightning
- (uncredited)
Noble 'Kid' Chissell
- Minor Role
- (uncredited)
Beulah Christian
- Wedding Guest
- (uncredited)
Michael Cirillo
- Waiter
- (uncredited)
Avis en vedette
Unconvincing musical drama, a remake of 1938's "Four Daughters", has bright, cheery Doris Day picking brooding Frank Sinatra for a suitor over bright and cheery Gig Young. She's hoping to cure Sinatra of his demons, of course, and isn't true love the best medicine after all? A corny, artificial outing, although one mounted with classy studio-style and featuring pleasant supporting characters and chipper family chit-chat. Still, Sinatra's dour mood and Young's attraction to Day (over one of her sisters, whose tender emotions are never quite dealt with) leaves one unsatisfied. It's certainly a well-scrubbed, family-oriented diversion, but the all melodrama the screenplay brings up seems wrong-headed, and sour Sinatra never fits in with this sunny family and he never clicks with Day. **1/2 from ****
7tavm
Before reviewing the movie proper, I'll just mention that the YouTube upload I watched of this was off-sync after the first 30 or so minutes. So much so, my mom was very confused at the narrative but I managed to figure out what was going to happen about 30 seconds or more ahead of time. This was the only time popular singers Frank Sinatra and Doris Day teamed up for a movie and it's pretty entertaining if not quite as great if it could have been. I mean, Sinatra doesn't appear until about 30 or so minutes have passed and when he does, he's not quite the happy-go-lucky fella he was previously in other movies, instead he's quite depressed because of his character's attitude. Ms. Day, in contrast, is quite the opposite considering the family she lives with. I know this was a remake of a straight drama called Four Daughters and that the fate of the character Sinatra plays here was different when he was played by John Garfield. I'll reserve actual judgement until I see FD and perhaps watch this again, hopefully with a more perfect print than the one I just watched. While Sinatra sang some standards, Ms. Day sings some new songs. I'll just now say that despite those technical flaws I just mentioned, I enjoyed Young at Heart. I think my mom did as well despite her confusion...
This is not a classic film. It won't be on any "Best Of" Lists. It is simply a wonderful film that you can enjoy when you want to see a good movie. I keep returning to this one, because it provides pure, unadulterated enjoyment. It is glossy entertainment, and unabashedly romantic. A perfect rainy afternoon movie.
Although it is only heard sung by Frank Sinatra at the beginning and end credits of Young At Heart, the title song was both a big hit for Frank Sinatra and set the tone for a very warm and wonderful Yuletide picture.
Warner Brothers already had this property, this is a remake of Four Daughters, minus a daughter, with Sinatra and Doris Day in the roles originated by John Garfield and Priscilla Lane. Doris's sisters are Dorothy Malone and Elizabeth Fraser who are all the daughters of music professor Robert Keith and all play instruments. The only non-musical member of their household is wise old maiden aunt, Ethel Barrymore.
Of course Doris sings as well. But in the passing out of vocal material, Sinatra did a lot better than she did. None of her songs did anything for her vocal career. Sinatra wisely opted for standards by some of the very best. In his role as saloon singer/piano player/music arranger Frank gets to sing Just One of Those Things by Cole Porter, Someone to Watch Over Me by the brothers Gershwin and One For My Baby by Harold Arlen and Johnny Mercer. Can't get much more talented in the song department than that group.
One For My Baby was introduced by Fred Astaire in The Sky's the Limit, but when Sinatra sang it here it became forever identified with him and a staple item at all of his live performances.
Sinatra and Day sang a duet You My Love at the finale. It was the song that Frank was working on through out the film. They sang it so well that you'd never know that tempers flared the entire time the film was made.
During the Forties when both were at Columbia Records, Frank and Doris recorded a couple of duets together. In the interim, Sinatra moved on to Capitol records so no original cast album could be made from this soundtrack. It might not have happened anyway because back in the Forties Day spoke highly of Frank. Things cooled considerably between the two of them, among the items of contention was Day's husband Martin Melcher. Suffice it to say it was not a happy set.
Still and all Young at Heart is one of the best films either of the stars did and really nice entertainment.
Warner Brothers already had this property, this is a remake of Four Daughters, minus a daughter, with Sinatra and Doris Day in the roles originated by John Garfield and Priscilla Lane. Doris's sisters are Dorothy Malone and Elizabeth Fraser who are all the daughters of music professor Robert Keith and all play instruments. The only non-musical member of their household is wise old maiden aunt, Ethel Barrymore.
Of course Doris sings as well. But in the passing out of vocal material, Sinatra did a lot better than she did. None of her songs did anything for her vocal career. Sinatra wisely opted for standards by some of the very best. In his role as saloon singer/piano player/music arranger Frank gets to sing Just One of Those Things by Cole Porter, Someone to Watch Over Me by the brothers Gershwin and One For My Baby by Harold Arlen and Johnny Mercer. Can't get much more talented in the song department than that group.
One For My Baby was introduced by Fred Astaire in The Sky's the Limit, but when Sinatra sang it here it became forever identified with him and a staple item at all of his live performances.
Sinatra and Day sang a duet You My Love at the finale. It was the song that Frank was working on through out the film. They sang it so well that you'd never know that tempers flared the entire time the film was made.
During the Forties when both were at Columbia Records, Frank and Doris recorded a couple of duets together. In the interim, Sinatra moved on to Capitol records so no original cast album could be made from this soundtrack. It might not have happened anyway because back in the Forties Day spoke highly of Frank. Things cooled considerably between the two of them, among the items of contention was Day's husband Martin Melcher. Suffice it to say it was not a happy set.
Still and all Young at Heart is one of the best films either of the stars did and really nice entertainment.
This film features Sinatra relishing some great songs and some fine dialogue which suits him perfectly. The scene where he sings "Someone to Watch Over Me" at the cafe piano is quite unforgettable. This is a very re-watchable movie with a fine cast - Doris Day, Gig Young, Ethel Barrymore, Brian Keith etc.
The standard songs are joined by some new ones written for the production - and they too are a total delight. A fine example of 1950s Americana as seen by Hollywood.
The standard songs are joined by some new ones written for the production - and they too are a total delight. A fine example of 1950s Americana as seen by Hollywood.
Le saviez-vous
- AnecdotesWhile making this film, Frank Sinatra took an almost immediate dislike to Doris Day's husband, Martin Melcher, thought that Melcher was using her to get ahead in the movie business and tried to convince Day of that fact. After Day refused to listen to Sinatra's advice, he had Melcher banned from the set. After Melcher's death in 1968, it was discovered that he had squandered all the money Day had earned during her 20-year film career.
- GaffesAt the beginning when Barney is playing the piano he has a cigarette in his mouth. You see him put it out in the ash tray, he has a scene with Ethel Barrymore and then when the camera cuts back to him playing he still has the cigarette in his mouth.
- Citations
Barney Sloan: Sometimes when you're on the outside looking in you see some things other people can't.
- ConnexionsFeatured in The Doris Mary Anne Kappelhoff Special (1971)
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- How long is Young at Heart?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Man soll nicht mit der Liebe spielen
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 57 minutes
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By what name was Young at Heart (1954) officially released in India in English?
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