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Cell 2455, Death Row

  • 1955
  • Approved
  • 1h 17m
ÉVALUATION IMDb
6,3/10
574
MA NOTE
Cell 2455, Death Row (1955)
Official Trailer
Liretrailer2 min 15 s
1 vidéo
35 photos
BiographieCriminalitéDrameFilm Noir

Whit, condamné à mort et attendant son exécution, revoit le passé de sa vie qui l'a mené à la cellule 2455 au couloir de la mort de la prison San Quentin, une histoire qu'il a raconté dans u... Tout lireWhit, condamné à mort et attendant son exécution, revoit le passé de sa vie qui l'a mené à la cellule 2455 au couloir de la mort de la prison San Quentin, une histoire qu'il a raconté dans une autobiographie devenue un best-seller.Whit, condamné à mort et attendant son exécution, revoit le passé de sa vie qui l'a mené à la cellule 2455 au couloir de la mort de la prison San Quentin, une histoire qu'il a raconté dans une autobiographie devenue un best-seller.

  • Director
    • Fred F. Sears
  • Writers
    • Jack DeWitt
    • Caryl Chessman
  • Stars
    • William Campbell
    • R. Wright Campbell
    • Marian Carr
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,3/10
    574
    MA NOTE
    • Director
      • Fred F. Sears
    • Writers
      • Jack DeWitt
      • Caryl Chessman
    • Stars
      • William Campbell
      • R. Wright Campbell
      • Marian Carr
    • 22Commentaires d'utilisateurs
    • 7Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Vidéos1

    Cell 2455, Death Row
    Trailer 2:15
    Cell 2455, Death Row

    Photos35

    Voir l’affiche
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    Rôles principaux98

    Modifier
    William Campbell
    William Campbell
    • Whit Whittier
    R. Wright Campbell
    R. Wright Campbell
    • Whit as a Boy
    • (as Robert Campbell)
    Marian Carr
    Marian Carr
    • Doll
    Kathryn Grant
    Kathryn Grant
    • Jo-Anne
    Harvey Stephens
    Harvey Stephens
    • Prison Warden
    Vince Edwards
    Vince Edwards
    • Hamilton
    Allen Nourse
    • Serl Whittier
    Diane DeLaire
    • Hallie Whittier
    Bart Braverman
    Bart Braverman
    • Whit, as a Young Boy
    • (as Bart Bradley)
    Paul Dubov
    Paul Dubov
    • Al
    Tyler MacDuff
    Tyler MacDuff
    • Nugent
    Buck Kartalian
    Buck Kartalian
    • Monk
    Eleanor Audley
    Eleanor Audley
    • Blanche
    Thom Carney
    Thom Carney
    • Hatcheck Charlie
    Joseph Forte
    • Lawyer
    • (as Joe Forte)
    Howard Wright
    Howard Wright
    • Judge
    Joel Allen
    • Guard
    • (uncredited)
    Adelle August
    Adelle August
    • Showgirl
    • (uncredited)
    • Director
      • Fred F. Sears
    • Writers
      • Jack DeWitt
      • Caryl Chessman
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs22

    6,3574
    1
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    6
    7
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    9
    10

    Avis en vedette

    5moonspinner55

    Tough, direct, and totally unsympathetic...

    Fred F. Sears directed this adaptation of Death Row inmate Caryl Chessman's memoirs of being the first criminal ever to be sentenced to death without actually murdering anyone (he fell under the Little Lindbergh Law, kidnapping with bodily harm to the victim). For unexplained reasons, screenwriter Jack DeWitt has changed Chessman's name here to Whit Whittier (!), but the film pulls no punches in detailing his crimes, from boyhood to hard-bitten adult. These episodes, in and out of the slammer, are like a textbook for pulpy B-movies, yet Sears never gets glossy (this is no film-noir). Still, the hammering we get is exhausting (even at 75 minutes, the picture feels lengthy). Crime-buffs will be impressed; others not enamored of the genre might get restless. Vince Edwards has a small part as one of Whittier's later cohorts, six years before his TV fame as "Ben Casey" (and he never gets a close-up!). ** from ****
    7ripplinbuckethead

    Can't root for this self-educated man

    True story of Caryl Chessman, here under the name "Whit" Whittier (Whittier being Chessman's real middle name), played by William Campbell, a juvenile delinquent who got worse and worse and worse... He eventually ends up in death row, where we are introduced to him, and his life up to that point is recounted.

    Campbell does a nice job here, if not a little hammy at times. (but that's just the way he is naturally, it seems) There are other familiar faces and everyone does well, but this is really Campbell's time to shine. Knowing the events were real, the movie being based on Chessman's book of the same name, it was interesting to follow, especially knowing his became his own lawyer and basically added years to his life by studying law books.

    Interestingly, this movie came out while he was on death row and is based on the first of four books he'd write, so things were still very much up in the air in the end! His wiki article is worth a look if you want to know how things turned out for him. Overall, this was pretty good. Definitely engaging. Certainly not one of those movies where you kinda secretly cheer for the fictional bad guy inside (know what I mean?), though, as he was a real, really bad guy.
    alicepaul

    another incredible crazy-paced wonder

    I am always amazed at how well hidden small jewels like Cell 2455 Death Row are. This is an important film, not only because it was based on the prison autobiography of Caryl Chessman, the notorious Red-Light Bandit who briefly haunted lovers lanes in post-war L.A but because he became the cause-celebre of the anti-death penalty movement. It's also a high-octane film that attempts to fairly portray the prison system of the day. William Campbell brings a measure of intelligence to the role of the condemned killer. We bear witness to his evolution as crook and (if you believe the crimes that led to the death sentence were his) sex fiend. All in all a snappy little effort.
    8billcr12

    Better Than Expected

    I finished the book today and the movie is an extremely accurate adaptation of it. Caryl Chessman was a career criminal caught up in a world of hatred. He admitted to many crimes, even those he was never charged with. Witness id's are notoriously inaccurate and the initial description of the suspect was 5-5 to 5-9 and 150-170 pounds and Chessman was six feet and 195 pounds. The rapist was also said to have a foreign accent and have a scar on his face. He very well may have been executed as the wrong man. The film noir style is typical of a 1955 release. At under 90 minutes, it moves quickly with no wasted moments. The lead actor looks nothing like Chessman but he is believable as the self assured inmate and writer. I recommend reading the riveting book before watching the movie. It is a film worth seeing.
    7Fella_shibby

    Fast paced noir with ample car chases.

    I saw this for the first time recently n was pleasantly surprised. This movie is fast paced, with good amount of car chases, lottuva robberies, suspense n an amazing sub plot of that of a kidnapper/rapist.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The actors playing Whit Whittier as an adult (William Campbell) and a boy (R. Wright Campbell) are real-life brothers.
    • Gaffes
      After the impact of the automobile accident, a wire pulls the car over on its side.
    • Citations

      Whit Whittier: [narrating] What stage does a wayward boy turn into a delinquent? I guess you don't suddenly 'turn' - you 'curve' in.

    • Connexions
      Version of Cela da Morte (1958)

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    FAQ

    • How long is Cell 2455, Death Row?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 avril 1955 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Celda 2455, pabellón de la muerte
    • Lieux de tournage
      • 14901 Central Ave, Chino, Californie, États-Unis(Men's Correctional Facility Chino)
    • société de production
      • Columbia Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 17 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.85 : 1

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