Calendrier de lancementLes 250 meilleurs filmsFilms les plus populairesParcourir les films par genreBx-office supérieurHoraire des présentations et billetsNouvelles cinématographiquesPleins feux sur le cinéma indien
    À l’affiche à la télévision et en diffusion en temps réelLes 250 meilleures séries téléÉmissions de télévision les plus populairesParcourir les séries TV par genreNouvelles télévisées
    À regarderBandes-annonces récentesIMDb OriginalsChoix IMDbIMDb en vedetteGuide du divertissement familialBalados IMDb
    OscarsBest Of 2025Holiday Watch GuideGotham AwardsPrix STARmeterCentre des prixCentre du festivalTous les événements
    Personnes nées aujourd’huiCélébrités les plus populairesNouvelles des célébrités
    Centre d’aideZone des contributeursSondages
Pour les professionnels de l’industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de visionnement
Ouvrir une session
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'application
  • Distribution et équipe technique
  • Commentaires des utilisateurs
  • Anecdotes
IMDbPro

Oh... Rosalinda!!

  • 1955
  • 1h 41m
ÉVALUATION IMDb
6,1/10
524
MA NOTE
Oh... Rosalinda!! (1955)
Comédie musicale

Ajouter une intrigue dans votre languePseudonym Dr. Falke pursues his wife through disguises and deceptions in postwar Vienna, an operetta adaptation involving occupying powers' protagonists, not a staged production but a cinema... Tout lirePseudonym Dr. Falke pursues his wife through disguises and deceptions in postwar Vienna, an operetta adaptation involving occupying powers' protagonists, not a staged production but a cinematic reimagining.Pseudonym Dr. Falke pursues his wife through disguises and deceptions in postwar Vienna, an operetta adaptation involving occupying powers' protagonists, not a staged production but a cinematic reimagining.

  • Réalisation
    • Michael Powell
    • Emeric Pressburger
  • Scénaristes
    • Michael Powell
    • Emeric Pressburger
  • Vedettes
    • Anthony Quayle
    • Anton Walbrook
    • Dennis Price
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,1/10
    524
    MA NOTE
    • Réalisation
      • Michael Powell
      • Emeric Pressburger
    • Scénaristes
      • Michael Powell
      • Emeric Pressburger
    • Vedettes
      • Anthony Quayle
      • Anton Walbrook
      • Dennis Price
    • 16Commentaires d'utilisateurs
    • 8Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos21

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 15
    Voir l’affiche

    Distribution principale66

    Modifier
    Anthony Quayle
    Anthony Quayle
    • Gen. Orlovsky
    Anton Walbrook
    Anton Walbrook
    • Dr. Falke
    Dennis Price
    Dennis Price
    • Maj. Frank
    Ludmilla Tchérina
    Ludmilla Tchérina
    • Rosalinda
    Michael Redgrave
    Michael Redgrave
    • Col. Eisenstein
    Mel Ferrer
    Mel Ferrer
    • Capt. Alfred Westerman
    Anneliese Rothenberger
    Anneliese Rothenberger
    • Adele
    Oskar Sima
    Oskar Sima
    • Frosch
    Richard Marner
    Richard Marner
    • Col. Lebotov
    Nicholas Bruce
    Nicholas Bruce
    • Hotel receptionist
    Arthur Mullard
    Arthur Mullard
    • Russian guard
    Roy Kinnear
    Roy Kinnear
    Barbara Archer
    Barbara Archer
    • Lady
    • (as Barbara Ash)
    Hildy Christian
    • Lady
    Caryln Gunn
    • Lady
    Grizelda Hervey
    Grizelda Hervey
    • Lady
    Jill Ireland
    Jill Ireland
    • Lady
    Olga Lowe
    • Lady
    • Réalisation
      • Michael Powell
      • Emeric Pressburger
    • Scénaristes
      • Michael Powell
      • Emeric Pressburger
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs16

    6,1524
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis en vedette

    7MartinTeller

    Oh... Rosalinda!! (1955)

    Powell & Pressburger take Strauss' "Die Fledermaus" and update it. I'm not familiar with the original work, but from what I can tell most of the plot points remain intact. The updating comes in the form of bringing it to postwar "Four Power" Vienna (like THE THIRD MAN) with some light commentary on the occupation. My problem with opera is quite similar to my problem with Shakespeare. The story is being advanced in a manner I find difficult to comprehend. Sometimes it's alright, but whenever there's a large chorus singing, it all sounds like mush to me. And some of the ladies go into that ridiculously high register where all words turn into "aaaaaaEEEEEEeEeEeEeee!!!" Still, when I couldn't make out the words I managed to get most of it from context, and the movie is fun musical comedy. The farce is well-constructed and the performances are very enjoyable (including Michael Redgrave being far more flamboyant than I would have ever imagined him). It's not brilliant, it's not stunning, it doesn't stick with you, but it's a good little romp with some nice tunes.
    7MissSimonetta

    Much better than anticipated

    Though their 1940s output is unanimously celebrated by critics and audiences, the Powell/Pressburger collaborations of the 1950s are often forgotten or outright dismissed. I have not seen all of them, save for Gone to Earth and Oh... Rosalinda!! but I was surprised by how good both of them were. No, they're not on the same transcendent heights as the likes of The Red Shoes or The Life and Death of Colonel Blimp (heck, precious few movies are), but they are good in their own right and still lovely to look at.

    Oh... Rosalinda!! may be a bit of an acquired taste for some people. The aesthetic is very flat and artificial, stagey even, much like the more elaborate Tales of Hoffman but with apparently less of a budget. It's also a bedroom farce, so if you're not much for that kind of comedy, you may find it hard to get into the swing of things. I myself care little for such comedies, but I rather enjoyed this one, mainly due to the strength of the performers. Anton Walbrook is great as the black market dealer who manipulates everyone, showing a great penchant for comedy he rarely got to express in his English language projects. Ludmilla Tcherina is playful and sexy as the woman everyone wants. Mel Ferrer is a bit overdone, but he's not bad at all.

    No great classic, but Oh... Rosalinda!! is worth at least one glance from Powell-Pressburger devotees.
    jshoaf

    Champagne, Scotch, Vodka, or Coke?

    I just saw this film on a not-too-great VHS copy and wish it could be released on DVD. It would be a great companion to Tales of Hoffmann by the same team, though it is quite different in flavor.

    As in Hoffmann, the film is full of dancing--but much of it has an improvised flavor, a polka down the hall, a can-can by Michael Redgrave in full military evening dress and kepi, as well as lots of waltzing-- and some of the actors are lip-synching the arias as sung by folks with bigger voices. But there is also a lot of spoken dialogue, so the actors get to establish their characters in their own voices. The trouble is that the characters are still the silly, exaggerated characters of an operetta, with chiming watches, comic hangovers, and huge plot-enhancing blind spots.

    The most interesting character is of course Anton Walbrook's Dr. Falke, the Bat. As in The Red Shoes and La Ronde, Walbrook plays the man who keeps the whole thing going, the leader of the dance, but here he is euphoric, almost ecstatic. Falke is presented as a black-marketer who arranges parties for the higher-ups of the Four Powers occupying Vienna, and keeps them on good terms with each other; he exploits them, lives off them--and he would like to see them all go home. He is witty and views everything with cheerful irony, but he never stops enjoying himself for a moment, never goes down, only up, up, up.

    Ludmilla Tcherina is a delightful French farce heroine, flirting only when absolutely necessary. Michael Redgrave gets to do some great swooping physical comedy (apparently he also did his own singing, but who can tell?). Mel Ferrer comes off well in his light role as the old boyfriend, as does Dennis Price in a smaller role whose main duty is to be recognizable for plot purposes. Anneliese Rothenberger is a reminder of more conventional stagings, where the singers act instead of having actors "sing."

    I felt that the 1955 setting was a bit thin--were the 50's really THAT much about denying what had happened and "moving on"? Maybe they were--Pressburger and Powell were good at telling where the wind was blowing.
    7CinemaSerf

    Oh... Rosalinda!!

    Michael Powell and Emeric Pressburger have shifted this lively and engaging Strauss operetta to the scenario of post WWII Vienna and that allows for some pretty potent language from the top of his game Anton Walbrook's "Dr. Falke" delivering us a slightly more relevant critique of politics, hope, friendship and honour than might have emanated from the original timeframe. The thought of such monologues might be a little off-putting at first, but they are littered with powerful and emotionally charged messages that compliment really well the musical powerhouse that is "Die Fledermaus". On that latter front, Michael Redgrave ("Col. Eisenstein") impresses with his singing and his dancing; Dennis Price features sparingly but effectively as "Maj. Frank" and P&P regular Ludmilla Tcherina actually glows as she takes on the title role with a subtly alluring and charming style. It's colourful, always busy but never rushed and the characterisations evoke a smile and a grimace every now and again as we try to discover just whom is cheating - or wants to cheat - on whom! If you've seen it on stage then it may not compare so well - it does lose some of the intensity of the live performance and Anthony Quayle ("Orlovsky") just never quite did it for me when charisma was required. The remainder of the assembled cast work well with the memorable score and the pristine imagery ensuring this is a challenging but rewarding film to enjoy.
    3ouzman-1

    The people you don't see are the stars!

    I really wanted to "like" this but I can't. Sorry.

    the film is totally uninspired by the miscasting and the actors inability to lip sync to the songs!

    If only they had achieved something amazing - by getting Orson Welles and Bing to sing! But they didn't and that's the rub.

    The colour is a delight and the music a delight but it can't work until someone spends a fortune re-editing this and applying CGI to the lips syncs? Some awful acting doesn't help. What is Quayle like? Awful.

    Plus de résultats de ce genre

    The Tales of Hoffmann
    7,1
    The Tales of Hoffmann
    Gone to Earth
    6,9
    Gone to Earth
    Ill Met by Moonlight
    6,5
    Ill Met by Moonlight
    A Canterbury Tale
    7,3
    A Canterbury Tale
    Contraband
    6,9
    Contraband
    49e Parallèle
    7,3
    49e Parallèle
    The Elusive Pimpernel
    6,0
    The Elusive Pimpernel
    La mort apprivoisée
    7,1
    La mort apprivoisée
    One of Our Aircraft Is Missing
    7,0
    One of Our Aircraft Is Missing
    The Edge of the World
    7,3
    The Edge of the World
    Luna de miel
    6,1
    Luna de miel
    The Battle of the River Plate
    6,6
    The Battle of the River Plate

    Intérêts connexes

    Julie Andrews in La mélodie du bonheur (1965)
    Comédie musicale

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      One critic dourly noted that the ballerina Ludmilla Tcherina did rather less dancing in this movie than Sir Michael Redgrave did.
    • Citations

      Dr. Falke: Ladies and Gentlemen, it's four o'clock in the morning and the air of Vienna is like champagne. And when I'm soaked in champagne I love it. I love the whole world. In particular, of course, our dear friends the British, and the French, the Russians, and the Americans who have been spoiling us Viennese for so many years now. And when I say "spoiling" I'm not thinking only of your champagne

      [points to the French]

      Dr. Falke: , and whiskey

      [points to the British]

      Dr. Falke: , vodka

      [points to the Russians]

      Dr. Falke: , and Coca-Cola

      [points to the Americans]

      Dr. Falke: . We're very proud that you love us so much and I can assure you that we love you, too. But even the dearest friend loses a bit of his attraction if he overstays his time. Don't you agree? So if you don't mind: go home. Come back as our guests. But please... go home.

    • Connexions
      Featured in Those British Faces: A Tribute to Dennis Price 1915-1973 (1993)
    • Bandes originales
      Oh...Rosalinda!!
      from "Die Fledermaus"

      Music by Johann Strauss (as Johann Strauss)

      English Lyrics by Dennis Arundell

      Arranged by Frederic Lewis (uncredited)

    Meilleurs choix

    Connectez-vous pour évaluer et surveiller les recommandations personnalisées
    Se connecter

    Détails

    Modifier
    • Date de sortie
      • 19 décembre 1955 (West Germany)
    • Pays d’origine
      • United Kingdom
    • Langue
      • English
    • Aussi connu sous le nom de
      • Fledermaus 1955
    • Lieux de tournage
      • Elstree Studios, Borehamwood, Hertfordshire, Angleterre, Royaume-Uni(Studio)
    • sociétés de production
      • Associated British Picture Corporation (ABPC)
      • The Archers
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 212 000 £ (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 41m(101 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.55 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la façon de contribuer
    Modifier la page

    En découvrir davantage

    Consultés récemment

    Veuillez activer les témoins du navigateur pour utiliser cette fonctionnalité. Apprenez-en plus.
    Télécharger l'application IMDb
    Connectez-vous pour plus d’accèsConnectez-vous pour plus d’accès
    Suivez IMDb sur les réseaux sociaux
    Télécharger l'application IMDb
    Pour Android et iOS
    Télécharger l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Données IMDb de licence
    • Salle de presse
    • Publicité
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une entreprise d’Amazon

    © 1990-2025 by IMDb.com, Inc.