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Dommage que tu sois une canaille

Titre original : Peccato che sia una canaglia
  • 1954
  • 1h 35m
ÉVALUATION IMDb
6,8/10
1,3 k
MA NOTE
Dommage que tu sois une canaille (1954)
ComédieRomance

Ajouter une intrigue dans votre langueA kind-hearted taxi driver runs into a glamorous girl and falls in love with her, but she turns out to be a cheap thief.A kind-hearted taxi driver runs into a glamorous girl and falls in love with her, but she turns out to be a cheap thief.A kind-hearted taxi driver runs into a glamorous girl and falls in love with her, but she turns out to be a cheap thief.

  • Director
    • Alessandro Blasetti
  • Writers
    • Alberto Moravia
    • Suso Cecchi D'Amico
    • Sandro Continenza
  • Stars
    • Vittorio De Sica
    • Sophia Loren
    • Marcello Mastroianni
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,8/10
    1,3 k
    MA NOTE
    • Director
      • Alessandro Blasetti
    • Writers
      • Alberto Moravia
      • Suso Cecchi D'Amico
      • Sandro Continenza
    • Stars
      • Vittorio De Sica
      • Sophia Loren
      • Marcello Mastroianni
    • 12Commentaires d'utilisateurs
    • 6Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire au total

    Photos101

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    Rôles principaux42

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    Vittorio De Sica
    Vittorio De Sica
    • Vittorio Stroppiani
    Sophia Loren
    Sophia Loren
    • Lina Stroppiani
    Marcello Mastroianni
    Marcello Mastroianni
    • Paolo
    Mauro Sacripanti
    • Peppino
    • (as Giorgio Sanna)
    Michael Simone
    • Totò
    Margherita Bagni
    • Elsa - la moglie di Michele
    Wanda Benedetti
    • Valeria - la moglie di Carletto
    Maria Britneva
    Maria Britneva
    • La turista inglese
    • (as Maria Britnewa)
    Manlio Busoni
    • Il funzionario della Casa per il Mezzogiorno
    Giulio Calì
    • La guardia notturna
    Pietro Carloni
    • Il signore intriguante
    Memmo Carotenuto
    Memmo Carotenuto
    • Cesare - il tassista
    Marga Cella
    • La padrona del bar
    Pasquale Cennamo
    • Il maresciallo
    Nino Dal Fabbro
    • Il radiologo
    Giacomo Furia
    • Luigi
    Lina Furia
    • La moglie di Luigi
    Enrico Leurini
    • Il meccanico
    • Director
      • Alessandro Blasetti
    • Writers
      • Alberto Moravia
      • Suso Cecchi D'Amico
      • Sandro Continenza
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs12

    6,81.2K
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    Avis en vedette

    5moonspinner55

    Pickpocket comedy with Italian screwballs...slight but sunny

    A young Sophia Loren momentarily entrances a young Marcello Mastroianni as a ruse for her friends to steal his taxi; he thwarts them and sees her home, only to find out soon enough she's also a pickpocket, and her wily papa works a luggage-stealing scheme down at the train station. Minor yet exquisitely breezy and uncomplicated Italian farce, with sexy asides and feisty banter no doubt charming American audiences who went to see this under the title "Too Bad She's Bad". We never really learn when Mastroianni's cabbie actually falls for the curvaceous Loren, just as we never discover when her feelings for him become anything other than business-related, but that's the beauty of the set-up. No scenes punctuate the weightier issues because the movie is issue-free. The most substantial exchange of dialogue comes late in the film between Sophia and father Vittorio De Sica as they discuss love: "No one ever died from heartbreak," he tells her. "In fact, that is what prolongs life." ** from ****
    spoilsbury_toast_girl

    Too Bad She's Bad

    Paolo (Marcello Mastroianni), a Roman cab driver, picks up beautiful Lina (Sophia Loren), who tries to steal his car. The complaint to her father Signore Stropianni (Vittorio De Sica) is no use - he is the head of a whole family of thieves. After Paolo realizes that involving authorities into the criminal doings of the Stropiannis is for nothing, he decides to fall in love with Lina.

    It's a zippy, very funny and entertaining comedy with the young screen couple Loren/Mastroianni and veteran De Sica, who really shines in here. Lina is an attractive woman, desired by many men and is never at loss of words. Paolo, a man of integrity and good will (at least it seems like he is), is not as faithful as his rich passengers would have assumed. Together they get deeply enmeshed with each others criminalities.

    The film was very successful in Italy and regarded as one of the highlights of the Italian comedy series of the 50s. Mainly the rising star of Sophia Loren (and Marcello Mastroianni), who shaped up well to serious competition to sexbomb Gina Lollobrigida, contributed to the success. And that made Hollywood keeping an eye for her talent (three years later she starred in Kramer's "The Pride and the Passion" among Cary Grant and Frank Sinatra).
    7udippel

    A Gem in Acting

    Whatever the silly story, this has to be watched! And admired!

    With Sophia Loren, Vittorio de Sica and the young Marcello Mastroianni noathing can go wrong, and nothing does go wrong. Usually, Sophia alone already plays anyone to the ground, and in here, a masterly de Sica at times even outpaces her. It is a pity that he tends to be forgotten.

    The whole plot circles around these two, father and daughter, kind of outdoing each other with petty and not quite so petty crime. De Sica shows enormous talent as a comedian in this movie.

    Watch it at least twice, and one time just follow Sophia Loren, and the second time Vittorio de Sica.

    And then tell yourself which 'more modern' actors are able to do likewise. Doing almost nothing. Just being there. Actually, in this respect Fernando Rey falls into this same class. But that's another story altogether.

    Unfortunately, my copy is dubbed in German. A horrible choice of speakers spoil half of it. Mastroianni dubbed by someone who sounds like a 17-year-old dimwit, and Loren by a 17-year-old nanny.
    8brogmiller

    Bingo Bango Bongo

    This film of Alessandro Blasetti is not only extremely entertaining but fascinating in terms of the history of Italian cinema. It was released in the same year as de Sica's masterful 'Gold of Naples' in which Sophia Loren scored a hit under his Svengali-like guidance. Their professional relationship was to prove fruitful to say the least and here they are playing father and daughter. This also happens to be the first time that Loren appeared opposite Marcello Mastroianni who was then in what he later called his 'taxi driver phase', thus beginning a magical screen partnership. Alongside her sexual charisma La Loren shows a keen sense of comedy and improved artistry so one can only assume that de Sica is still a 'guiding hand' here. De Sica's own performance is one of perfect comedy timing and consummate artistry. As is customary in Italian films there is more than one screenwriter and this Roman Tale of Moravia has been adapted by two of the best in the business, Suso Checchi D'Amico and Ennio Flaiano. Blasetti keeps the pace brisk and there is a catchy score by maestro Alessandro Cicogna. There is also good use made of Sigman and Hilliard's 'Bingo Bango Bongo' which once heard, becomes what is commonly referred to as a musical 'earworm'. As a film this is lightweight to be sure but to watch the three leads bouncing off each other is hugely enjoyable especially in light of what is to come.
    7rajah524-3

    Proof Positive Sofia was The Bomb... and Better Off in Italy

    Mama Mia! La Gran -Sophia- at the tender age of -20-. Moreover in the kind of role she'd almost never be able to play in America at -any- age, let alone at the pinnacle of her astonishing sexual impact. The costumer put her in one understated but thoroughly boggling outfit after another.

    The role suits the wardrobe and vice-versa. The Body going bawdy is exactly what the title infers, but with sufficient "screwball comedy" dialog to make it entertaining as well as educational. (The teacher -will- command your attention here. Yow.) Marcello is on top of his pre-Fellini game as the almost crafty-enough romantic lead, and De Sica does a fine local godfather. As a genre, post-war Italian cinema is almost always reliable, and this is no exception.

    Guys (of any age): If you've got -any- sort of a masochistic yen for being manhandled by a world-class, hormone-heating, trick-or-treater, -this- will make your day. Hahahaha.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Lina Furia's debut.
    • Connexions
      Featured in Sono solo un artigiano (2001)

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    FAQ11

    • How long is Too Bad She's Bad?Propulsé par Alexa

    Détails

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    • Date de sortie
      • 28 décembre 1954 (Italy)
    • Pays d’origine
      • Italy
    • Langues
      • Italian
      • English
    • Aussi connu sous le nom de
      • Too Bad She's Bad
    • Lieux de tournage
      • Piazzale Ugo La Malfa, Rome, Lazio, Italie(Paolo waiting for his first client)
    • société de production
      • Documento Film
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 35m(95 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.66 : 1

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