Sommarnattens leende

"Smiles of a Summer Night" is one of the most elegant and charming carnal comedies ever filmed. It is clever, witty, and incredibly sexy. Did I mention that it was written and directed by The Ingmar Bergman whose name would not usually be associated with the comedies?

"Smiles of a Summer Night" was a great success with both the critics and the audiences and was submitted for the Cannes film festival…without its creator's knowledge. The film was nominated for the Golden Palm and won the Award for Best Poetic Humor. Bergman describes how he found out about his movie's international recognition, "I was sitting on the toilet reading a morning newspaper. One of the articles was entitled, The Great Victory for a Swedish Cinema at Cannes. I thought, what a wonderful news, what is the movie? And then I read the title, "Smiles of a Summer Night" by Ingmar Bergman." He recalls how poor he was then and he borrowed the money for a ticket to Cannes from Bibi Anderson whom he dated at the time.

I did not laugh a lot but I don't think I was supposed to - "Smiles... is a different kind of comedy, sensual and subtle, with the characters often weak but not ridiculous. The beauty of it is in the dialogs, ironic looks, the charming struggle of wits, and in the realization that not everyone will be blessed with the true and passionate love but the life goes on, anyway. The actresses (Ulla Jacobsson, Eva Dahlbeck, Harriet Andersson, and Margit Carlqvist) were incredibly sexy, especially Eva Dahlbeck smoking a cigar and Harriett Andersson as a chambermaid talking to her mistress about the virginity – delightful!

There are no words to describe the beauty, splendor, charm, humor, and sensuality of this film. The best I can do - to paraphrase Woody Allen's line -"that was the most fun I've ever had without sex."

A rare comedy from director Ingmar Bergman.

It takes place at the turn of the century. Fredrik Egerman is an old, cynical man who is married to beautiful, young (20) Anne. She can't have sex with him--she's too afraid. He knows and agrees to be patient. He also has a son from a previous marriage (Henrik) who is attracted to Anne. He's also attracted to the maid Petra. Then there's Desiree, a former mistress of Fredrik who is now sleeping with Malcolm (who's also married) and still attracted to Fredrik. Got all that? They all end up spending a summer weekend at a beautiful house in the woods. Things come to a head.

I've always wanted to see this--the title alone is beautiful. I did see it in a revival theatre in the 1980s--I hated it. The print was lousy and edited! During a fairly explicit (for 1955) talk about sex the subtitles disappeared! Just saw it again--unedited and in pretty good shape. While I don't think this is a masterpiece (I'm not a Bergman fan) I did like this.

It is funny--but pretty subtle. The relationships are all complicated but you do have them straight by the end. What's really good about this film is how Bergman treats (and shows) his female characters. Except for Anne (but she changes) they're strong, stand up for themselves and find men and their ways amusing--some of Desirre's looks were very funny. Also, in the form of Petra, they want sex and have no problem letting men know. For 1955 audiences this must have been shocking--Petra (almost) bares her breast and the sexual talk between women is very frank.

The acting is good by everybody...but the film is lacking in romance. I never believed any of these characters loved each other. Also it's slow-moving but it all ends happily. So I did like it--I give it an 8.

Later musicalized by Stephen Sondheim as "A Little Night Music" and disastrously remade (sort of) in Woody Allen's "A Midsummers Night Sex Comedy". Avoid that one at all costs.

Frederik is married to young Anne, though she struggles to become a big fan, as he continues to wait, to engage or consummate, two annus horriblis for the patient old man.

Now Frederik re-encounters Desiree, an old flame he recalls was quite fiery, has a lover the Count, who she likes to surmount, though she'd like to join Frederik and replay.

The Count has a wife who wants him back, recover him to the conjugal sack, there's a bit of a do, where there'll be much ado, where she'll try to get back on track.

Henrik is Frederik's son, he's been having quite a lot of cheer and fun, with Petra the maid, but he'd like to upgrade, with Anne and run off into the sun.

Summer spirits are raised and reduced in metaphorical musical chairs mayhem between a variety of courting couples across the classes of the day, with plenty to make you smile and copious amounts of style.

Men, as a gender, do not come off well in Bergman's charming sex comedy Smiles of a Summer Night, made only one year before his breakthrough hit, The Seventh Seal. At the center of the film is Frederik Egerman (Gunnar Bjonstrand) pompous and self-assured as a lawyer but insecure and frightened by competition as a lover. His son, Henrik (Bjorn Bjelvenstam), torn between the church and the bedroom, is filled with self-hatred for even thinking about going to bed with Petra the maid (Harriet Andersson). Another over-the-top male character is Count Malcolm (Jarl Kulle) a poseur whose only response to his wife's infidelity is to challenge the paramour to a duel or a game of Russian Roulette.

In Bergman's world, men are childish, selfish, and arrogant. The women on the other hand are stronger, more self-reflective, capable of pandering to the male ego and to direct their affections elsewhere when the need arises. They suffer greatly, however. Charlotte Malcolm(Margit Carlqvist), the Count's wife admits that she hates men and finds them repulsive with their "hairy" bodies but nonetheless is hopelessly in love with her philandering husband. She says that in any event "a woman's view is seldom based on aesthetics. And one can always turn out the light." Set at the turn of the century, Frederik is married to the very beautiful 19-year old Anne (Ulla Jacobson) but their marriage has never been consummated even after the passage of two years. Though it remains unclear as to why this is the case, nonetheless, Frederik is not at a loss for romance, taking up with a famous actress the equally lovely Desiree Armfeldt (Eva Dahlbeck), a relationship that began soon after Frederik's first wife died but never revealed to Anne. He confides in her in a way that he cannot with his young wife and she is a comfort to him though their relationship is full of bitter verbal thrusts and parries. Desiree on the other hand has a string of lovers and it is not hard to understand why, given her fame, beauty, and rapier wit. One of them is the aforementioned Count Malcolm, a ludicrous character with his military getup and macho posturing.

The Count is also not averse to playing around and it turns out that he is also married to the stately and elegant Charlotte. He says that he can accept someone making overtures to his wife but if anyone goes after his mistress, he becomes a "tiger". Later he says the exact opposite when his wife and Frederik have a go round. Oh yes, Henrik secretly desires Anne, and Petra, well she's open to any offers. The situation could have deteriorated into farce but in Bergman's assured hand, everything is resolved in a civilized and even graceful way at a gathering of all eight combatants at Anne's mother's country retreat. Here they all drink a mystery wine and sort out their relationships in a remarkably satisfying manner.

Smiles of a Summer Night came as quite a surprise to me, being used to the philosophical Bergman of Wild Strawberries and The Seventh Seal (yet always with an added bit of humor). I found it thoroughly enjoyable, an opinion apparently shared with Woody Allen whose film A Midsummer Night's Sex Comedy mirrored it and Stephen Sondheim who based his musical "A Little Night Music" on the film. I can't remember when there was such a collection of beautiful women in one film. Not only do they look wonderful but act impeccably and say wise and witty things. Bravo Bergman!

No matter how many films I see, whether they be foreign language or American or silent, early sound, or currently in theaters, I still find myself getting surprised by the content found in older films. "Smiles of a Summer Night" is a pretty edgy film, touching with great candor subject matters somewhat taboo today. And the film does this while being a complete joy to watch. This is certainly one of the great sex comedies and certain to be a good introduction to Bergman for those concerned about some of his tougher films. Besides, any Bergman fan should be proud of this film, because word has it that he had reached a crossroads, during a heavy bout with depression, before writing this film. He was either to commit suicide or write a comedy. The rest of his catalog and his canonized presence in film history shows what that decision brought us.