Le trouillard du Far-West

Pardners is the 15th of the 16 feature length pictures that Dean Martin & Jerry Lewis made together. It'a a reworking of the 1936 Bing Crosby film, Rhythm On The Range, which just like this remake was directed by Norman Taurog. Plot sees the comedy duo playing sons of one time wild west partners. Brought together by accident 25 years later, the boys head out west and get into all sorts of scrapes; with Jerry even becoming sheriff! It was inevitable that Martin & Lewis would end up out west playing cowboys since all the comedy duos do it. The timing here was perfect since the 50s was the most prolific decade for the genre. On the list of their collaborations Pardners probably sits some where in the middle, it's a safe mix of songs and buffoonery, with pretty girls represented by Jackie Loughery & Lori Nelson. It's a VistaVision/Technicolor production and songs featured are "Me 'n You 'n the Moon," "The Wind! The Wind!" "Buckskin Beauty" and "Pardners," (music by Jimmy Van Heusen, lyrics by Sammy Cahn).

Safe & colourful comedy fare for fans of the successful duo. 7/10

I'd heard a lot of great things about the comedy pairing of Jerry Lewis and Dean Martin. I'd seen Jerry Lewis in some other films before this (such as "The Nutty Professor" and "Rock-A-Bye-Baby") where he didn't really stand out as being a comedy legend, if anything he just seemed really annoying at points.

However I wasn't going to let that get in the way of enjoying what I had heard was a great double act.

But... this movie kind of sucked.

The most important thing that a comedy needs is to be funny, and unfortunately this doesn't quite hit the right mark. Jerry Lewis screaming and whining in that voice of his gets irritating after a while, and pairing him with the rather subdued and (in my opinion anyway) boring Dean Martin doesn't help as there's no one around to rein him in.

The story of this film feels like it was thought up five minuted before shooting began. It's the standard "there's a new sheriff in town and some criminals are trying to get rid of him" state of affairs that we've all seen about one hundred times before. However I will give the writers some credit as they did try to add a little twist to it, but ultimately it doesn't work because you don't really care about what's happening.

There's also this weird thing about an inter-generational family war which means that Dean Martin's character (a cowboy) and Jerry Lewis' character (a spoiled socialite who has always dreamed of being a cowboy) have to team up to stop the bad guys who are... doing something bad.

However this just means that it takes about 40 minutes for the two main characters to team up which means the rest of the movie feels incredibly rushed, so I wish they'd structured the movie better in that regard.

Oh yeah, also it's a musical? That was something I only figured out about 30 minutes in, which is when the first musical number appears. I can't actually remember any other songs after that though, so maybe there was only one? Either way, it was unnecessary and pointless and only served to waste time.

Overall, this movie was a pretty big disappointment, but it wasn't completely awful. Hopefully my future attempts to watch some Lewis and Martin will yield greater results.

After years of just seeing parts of this Martin & Lewis movie, I finally watched the whole thing on YouTube. As you can discern from the title, Dean & Jerry are in the old west. First, as their fathers from the previous century. Then, as their sons with the mother of Lewis (Agnes Moorehead) raising him back in New York to marry some Amazon woman but that son will have none of it. I'll stop there and just say that while I enjoyed Pardners, I did feel that some of the plot points and characterizations seemed rushed in order to parody certain clichés. Still, Jerry's as funny as he can be doing what he does here and Dean seems quite comfortable in his first of many times he would wear cowboy duds. The leading ladies of Lori Nelson and Jackie Loughery sure look good and nothing more. The villains of Jeff Morrow and John Baragrey provide good enough menace. So on that note, I recommend Pardners. P.S. Despite the team mentioning at the end they plan to stay together in movies for years, by the time this was released in August of '56, they had already done their last performance in tandem the previous month. It would be 20 years before they would publicly reunite on Jerry's telethon with Frank Sinatra doing his bit...

This is the second to last film starring Dean Martin & Jerry Lewis--and so the title does seem a bit ironic! The film begins with Dean and Jerry's fathers (played by them with powdered hair) dying in a shoot out with baddies. However, both men had sons. One was a capable and manly cowboy (Martin) and the other a pampered mama's boy (Lewis) and they grow up not knowing each other. However, when Martin meets with his old partner's widow (Agnes Moorehead) to try to get money for a prize bull, she refuses but her son (Lewis) decides to go west with Martin and learn to be a real he-man. Plus, his mother has plans for him that include marriage to an amazon--and he wants no part of it. The rest of the film consists of Jerry acting wimpy and very goofy (perhaps too much so at times) and Martin being exasperated but loyal to his new friend who makes everyone (including Jerry) think he's a lot more rugged and brave than he really is.

If you think about it, this plot is basically "That's My Boy" (an earlier and better Martin & Lewis film) all over again. The locale is different, but the rest is basically the same formula. It's a pleasant formula, but also shows lazy writing as well and the film could have benefited from more originality. Plus, in a few scenes Jerry really does ham it up too much (even more than normal) and there are just too many "ooooo, oooohs" and "whoo-oooaa" moments in the otherwise pleasant but unremarkable film. And, as a result of so much screen time for Jerry, Martin is mostly relegated to the background--and you can see how films like this ultimately pushed them to their dissolving their pardner-ship.

By the way, this film also bears a strong similarity to the Bob Hope films "The Paleface" and "Son of Paleface". See them all and you'll probably agree.

Martin and Lewis are seen as old men in the beginning of the film.They are these ranch partners who are brutally murdered.Their sons ought to revenge for their death.In 1910 their sons are fully grown men, at least Martin's character Slim Mosely Jr. is.Lewis' Wade Kingsley Jr. is a rich momma's boy.But together they head back for the old west where they meet a gang of outlaws called "masked raiders".Norman Taurog is the director and Sidney Sheldon is behind the screenplay of Pardners (1956).It's a western comedy that stars the comedy team Dean Martin and Jerry Lewis.Actually this was the second last picture they made together before their break-up.The collaboration between them still works even though this isn't the best picture they did together.But still pretty funny.Just watch Jerry Lewis learn how to be a real cowboy.And how he's in the saloon acting tougher than he actually is.The rest of the cast does good job, too.Lori Nelson plays Carol Kingsley.Agnes Moorehead is Mrs.Matilda Kingsley.Jeff Morrow plays Pete Rio and John Baragrey is Dan/Sam Hollis.Lon Chaney Jr. is Whitey.Lee Van Cleef plays Gus while Jack Elam is Pete.I became an admirer of Jerry Lewis movies, with and without Dean 10 years ago.They showed all these great and funny movies during the summer that made me laugh.Lewis and Martin worked great together.Just like Laurel and Hardy did, or Hope and Crosby and the Marx brothers.What ever happened to great comedy teams?