Bonnie Prince Charlie

Unfortunately a number of technicolour productions made in Britain in the forties were great failures.In this case Niven was miscast and the script was a total bore.

This movie is excellent - I've been looking for a copy for ages but do not know where to purchase it from. Can you help! I am very interested in Scottish History and find this movie contains all the ingredients I enjoy in a movie. Prince Charles of Scotland was the rightful heir to the throne of England but was duped out of the throne by his English relatives. He was a descendant of James VI of Scotland and I of England which gave him title to the throne of England. That is why he attempted to get the throne back by force. He nearly succeeded but his Army was too small and the English loyalties were elsewhere. They didn't want a Scottish King sitting on the English throne. That would have been anti-English.

Bizarrely this version shows us only the aftermath of Culloden, but anyone who has ever seen Peter Watkins' 1964 cinema-verite TV version will never forget Olivier Espitalier-Noel's callow, French-accented Bonnie Prince Charlie snootily looking on from horseback as the Jacobites are routed. He couldn't be further removed from David Niven's dashing Young Pretender in this monumental Technicolor folly, upon which the critics fell en masse following a long and troubled production.

You know what to expect after the first five minutes when lovely shots by the second unit of authentic highland heather is replaced by a fascinatingly unreal studio glen where Niven meets Morland Graham as Donald the Shepherd for the first time.

And so it continues for the next two hours as scenes between men in wigs huffing & puffing alternate with further phony-looking studio exteriors shot at Shepperton in which the clouds never move; relieved by very occasional (and brief) second unit footage actually shot in Scotland, and by a darting-eyed Charles Goldner as the relentless Captain Ferguson.

Upon it's much delayed initial release, Bonnie Prince Charlie was a huge flop and even now, 70 years later, it's easy to see why. It's just plain dull.

The script, apparently revised repeatedly, manages to extract all suspense and intrigue from the tale of The Young Pretender attempting to establish Stuart royal claims over England and Scotland. The movie plays out theatrically, like some light, frothy,,drawing room farce, with none too many Scottish accents to be heard.

Poor old David Niven, (one of my personal favourites) is hopelessly miscast as Charlie and never convinces us, let alone all the Scottish nobles he depended on for support, of his rightful credentials to the throne.

Those expecting a rousing adventure filled with battle scenes need to think again. In this well over 2 hour film, the singular skirmish, takes up barely a minute of screen time and then ends up serving more as comic relief, it is so poorly staged. This is cinema where actors stand around and talk about various actions, without the audience being shown anything.

It's said that especially in the UK, Charlie's tale is an eternally popular one. If this is the case, may be some producer could do worse than seek to remake a far more exciting, suspenseful 21st century production, than this turkey.

Sick of the rule of the Hanoverian government that had arrived following the deposition of King James VII/II, the Scots people are all too keen to welcome his son - the "Bonnie Prince" himself (David Niven) as he calls for a gathering of the clans at Glenfinnan and declares that he is going to restore the house of Stuart to the throne. There are sceptics, but once he manages to secure the services of the acclaimed soldier "Murray" (Jack Hawkins) and the support of many of the chieftains the length and breadth of the land, they set off to remove the "redcoats" from not just Scotland but from the whole kingdom. Initially this all goes surprisingly well as the population quite fancy the idea of a change, but as they push farther south and then face the superiority of the Duke of Cumberland (Elwyn Brook-Jones) and his thirty thousand soldiers, the wheels start to come off! It's a gentle and romanticised view of British history from a turbulent and violent period of the 18th century, and historians and purists will probably loath it, but as an exercise in Hollywood mythology it allows Niven to exude some cheeky charisma as a character who undoubtedly had a considerable amount of personality whilst Margaret Leighton puts on her best accent as the infamous Flora MacDonald and an whole host of Scottish regulars from John Laurie to Finlay Currie to James Hayter help give it a certain tartan heather feel to it. It's a bit long, but there's enough action to keep the romantic elements in check and if you just sit back and enjoy it for what it is, then there are worse ways to spend 2¼ hours.