That Wonderful Urge

Will get this off the bat briefly, count me in as another person that has seen the original 'Love is News'. Count me in also, to say briefly, as someone that thoroughly enjoyed that film and considers it vastly superior. 'That Wonderful Urge' had quite a lot going for it, with Tyrone Power returning eleven years later and with a great cast on paper being its main attractions (though was intrigued to see how Gene Tierney would fare in comedy), so should have worked a lot better than it did.

It is easy to inevitably compare 'That Wonderful Urge' to 'Love is News', seeing as the former is a remake. In this regard, there is no doubt in my mind which film is much better. Every film that is a remake or sequel of another deserves to be judged on its own terms without being compared too much, have always found it a far better way to judge unless the difference in quality is huge. In this regard, 'That Wonderful Urge' underwhelms just as much. It does have its good things and moments, but it could have been quite a lot more.

'That Wonderful Urge' has good assets. It looks lovely, with photography that is never too filmed play-like or tries to do too much and the costumes are stylish. The music has a nice energy and fits well tonally, not over-scoring or being too chirpy. Nice to hear "It Happened in Sun Valley".

Some of the supporting cast come over very well, Lucile Watson really sparkles as always and Chill Wills is a lot of fun. Both are in roles that suit them very well. Gene Lockhart is well suited to his role too.

Power does his utmost best but had a lot more charm and energy before. Tierney was fine in drama but seemed out of her depth here, her comic timing came over as forced and her interpretation was rather too coy for my liking. Reginald Gardiner's character is very underwritten and he lacks personality, being not menacing enough for a cad while not being suave or charming enough to be likeable. Nobody else stands out. None of the characters are particularly interesting, Watson's comes closest and that is more down to how she played her. The direction is far from amateurish but could have been slicker.

Admittedly the story was very far-fetched and slight in 'Love is News', but both are accentuated here in 'That Wonderful Urge'. The pace really lacks urgency, so the slightness was less forgivable as some of the story felt uneventful which it didn't feel as much before, and the latter stages really stretch credulity (so did the original but not to breaking point like here). The script isn't sharp enough for the wit to work, actually found some of it on the tired side.

In conclusion, has its moments but lacking for me. 4/10

Just because a performer is attractive, talented and has star power and charm it does not mean they have comedic skills. This farce has few chuckles, let alone belly laughs. It would have been better with comedic actors but not great.

It is worth seeing. Power and Tierney are both attractive and charming. They even gave chemistry. They just aren't funny.

Robert Sinclair does not feature in my gallery of preferred directors, and after watching the supposedly screwball comedy that THAT WONDERFUL URGE was publicized as, I doubt I will be looking for his works.

That said, cinematography rates more than just competent, especially on the snowy slopes where tabloid reporter Tyrone has an accident that somehow sees him (allegedly) married to lovely rich heiress Tierney, who donates him $1 million to boot.

Talk about fairy tales, hey? Of course, only US spectators emerging from the losses and hardships of WW II would pay to watch a film resting on such a skiddy and far-fetched script. In Italy, where day to day survival proved dire, neorealism reigned.

What saves it is the star power and chemistry between two beauty-endowed humans, Tyrone and Gene, who apparently did not just act, but privately took their attraction to more physical and emotional levels. In the process, equally lovely Arleen Whelan is just jettisoned after Tyrone tries to marry her so he can prove that Tierney has been lying about her marital status. That is one detail tough to explain: Tyrone is so high-minded that he does not want the $1 million and rejects marriage to Tierney, yet he just uses poor Whelan like garbage.

As for Gardiner, in the role of leaching European aristocrat, it is just impossible to believe that Tierney would take the slightest interest in him, let alone even jokingly take his ring.

As planktonrules points out, the original (LOVE IS NEWS, 1937) is a better film. Still, Tyrone and Gene deserve my 7/10.

I found this little gem on Hulu while in the mood for a movie in black and white. For some reason all of the movies showing on TCM were made in the 1970's (yuck).

So, not being a regular viewer of Tyrone Power, I didn't know what to expect. About mid way through the movie I thought it would really be great if this were Myna Loy and Cary Grant or William Powell.

The stars of this movie were missing that certain spark that lifts a thin storyline into something more. While the stars were very likable and attractive they had very little chemistry. Some of the dialogue was rather funny and the supporting cast was good. It definitely wasn't a waste of time.

There's nothing so dangerous as a woman on a mission of revenge, and that's what journalist "Tom" (Tyrone Power) discovers when his serialisation of the profligate life of heiress "Sara" (Gene Tierney) in the newspaper earns her enmity. She's a clever woman, and so manages to come up with an unique way of visiting her vengeance on her new prey. She decides to tell the world that they are married! That's just one truth too many for his editor so now out of a job and without many friends, he has to get her to address the situation before he sinks without trace. How, though? She's still pretty livid and no shrinking violet. Of course, the underplay here is all pretty obvious, as is a denouement helped along amiably by Gene Lockhart, but it's really the enjoyable tit-for-tat banter between Power and Tierney that keeps this entertaining battle of the sexes moving along quickly and sometimes quite wittily. It's probably not a film you will recall for long afterwards, but it does it's job fine for eighty minutes.