Ajouter une intrigue dans votre langueA cinema director who is in an emotional and professional crisis thinks that he has discovered a French star when he meets an ordinary dancer.A cinema director who is in an emotional and professional crisis thinks that he has discovered a French star when he meets an ordinary dancer.A cinema director who is in an emotional and professional crisis thinks that he has discovered a French star when he meets an ordinary dancer.
Patricia Barry
- Hilda
- (uncredited)
William Bishop
- J.B.
- (voice)
- (uncredited)
Symona Boniface
- Party Guest
- (uncredited)
Paul Bradley
- Reporter
- (uncredited)
Earl Brown
- Carnie
- (uncredited)
Jack Bruce
- Carnival Barker
- (uncredited)
Leonard Carey
- Wilson
- (uncredited)
Kernan Cripps
- Carnival Barker
- (uncredited)
Roy Darmour
- Carnie
- (uncredited)
Hal K. Dawson
- Whitaker
- (uncredited)
Jack Deery
- Nightclub Charity Guest
- (uncredited)
Jack Del Rio
- Frenchman
- (uncredited)
Avis en vedette
Bad movie made only for the lead star's fans.This is the first movie of Lamour where I get a good look at what kind of acting ability Lamour has.One will see it is quite limited but she is really a great salesman.She just hypnotises us with charm and beauty.One can also see she was a born entertainer indeed.If one likes her syle,this movie will truly delight her fans.just to see Lamour have fun with this formula romance/musical/comedy once more!I for one love this stuff.I rate Lamour as the third top sexy star of the 1940's behind Marilyn Monroe (mostly a model at that time) and Hedy Lamarr.....
Don Ameche was on the decline in his career and Dorothy Lamour still trying to acheive stardom outside those "Road" movies when this movie was made. It tries to borrow from Ameche's earlier hits with Alice Faye but the formula does not work here because Lamour is no Faye. And she is expected to carry it. Supporting performances from Page and Kennard is good but not enough. If it were made today, it would make a good video rental.
To totally disagree with the previous reviewers, I think that this, together with all other early Sirk movies I've seen, is nothing short of staggering. Filled with one-liners worthy of a Howard Hawks/Ben Hecht movie, it's not only early evidence of Sirk's genius for space and light and shadow, but also a highly sophisticated and perverse rendition of the Pygmalion theme. It's a measure of Sirk's genius that the characters, though formulaic, spring to life as in a Greek tragedy - or a Raoul Walsh, CB de Mille etc. movie- through the sheer strength of stereotype. Here, as elsewhere, Sirk is a bit like Frank Sinatra: cool and detached on surface, but revealing underneath the filth and the fury ;> I saw it today (6APR07) at the Film Forum NYC and it blew me away. Someone release it in DVD fast, it's an (to my knowledge) unsung masterpiece.
Adorable movie with some beautifully shot scenes. I enjoyed it and my benchmark for this category is the Tracy-Hepburn movies. It is entertaining because of the period decor, costume. The plot is one of a romantic comedy.
I knew nothing of this film, but watching it one immediately sees the extraordinary quality of the direction and production.
I didn't know that Dorothy Lamour began her career as a singer for a big band and later sang on radio for network shows. She was Miss New Orleans in 1931 and her heritage included being Spanish. Looking at her she reminds one of Katy Jurado and could have played roles for Latin characters. In this film I think she was especially effective when she played "herself", Mary the carny girl. The production numbers were excellent and indicated the direction dance numbers would be presented in the future. Don Ameche was excellent as always.
So this film was a very pleasant surprise.
I didn't know that Dorothy Lamour began her career as a singer for a big band and later sang on radio for network shows. She was Miss New Orleans in 1931 and her heritage included being Spanish. Looking at her she reminds one of Katy Jurado and could have played roles for Latin characters. In this film I think she was especially effective when she played "herself", Mary the carny girl. The production numbers were excellent and indicated the direction dance numbers would be presented in the future. Don Ameche was excellent as always.
So this film was a very pleasant surprise.
Le saviez-vous
- AnecdotesFilmed in January-February 1948, but not released until a year later, in February 1949.
- Citations
Louisa Gayle: You go to your church, I'll go to mine.
- ConnexionsReferenced in Tis tyhis ta grammena (1957)
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Détails
- Durée1 heure 21 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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