Cendrillon

Let's not be coy, this is one of Disney's finest animated features. The characters, the colors, the music, it's all wonderful. The studio was at it's absolute peak at this point, with the terrific "streamlined" look to the artwork, that would be changed to a more "rough" appearance in just a few years following this movie.

And what's not to like about it? Cinderella is one of the more endearing characters to come from a Disney feature, her stepmother and stepsisters some of the meanest, and her mice and bird friends, some of the most charming.

Memorable scenes include the "Nightingale" number, with Cinderella's reflection in the soap bubbles, the evil sisters tearing her dress to shreds, her arrival at the ball, and the trying-on of the slipper. Add to that some great numbers like "Bibbodi Bobbodi Boo", and the mice's "work song". A wonderful movie, that never loses its magic, no matter how old you are.

This is the first movie I have ever seen and it was love at first sight. Since then I've watched it a hundred times or so and collected the video in many languages. Cinderella is wonderful, funny and rich. I know that many people remember it for the mice and Lucifer, but look at the human figures: they're (with the exception of the Prince) perfect and truly convincing. For example the relationship between Cinderella and the stepmother is strongly rendered and it's clear that the girl fears that woman. The sequence of the fairy godmother is one of the best of all Disney films (what a dream the transformation of the dress) and the ball episode is exciting and fascinating in both drawing (note the use of the shadows at a time when computer coloring was far away), dialogue and music (the Cinderella Waltz "So this is love" is enchanting).

People criticise Disney's animated features of the 1950s for being overly glossy, set in landscapes that are much too pristine. That criticism is just. And yet it can't be the whole story, because the two least glossy - "Alice in Wonderland" and "Peter Pan" - are also the weakest. "Cinderella", on the other hand, set in a world in which the very dirt sparkles, is clearly the best.

It DOES look good. The backgrounds are subtle and consistent; the colours are pure without being too bright. The animation varies a bit. I'll swear that some of the humans are rotoscoped - but then, the rotoscoped humans (including Cinderella herself) aren't full-blooded characters in the script, so this approach works well enough. It's really the animals that make the movie. I think the studio had never quite used animals in this way before, as totems rather than sidekicks. The mice, for instance, are the creatures who draw us into the story; but they are really representatives or allies of the more colourless Cinderella. The cat, Lucifer, is a kind of witch's familiar to the Wicked Stepmother. (The cat is brilliantly conceived and animated - one of the best feline creations of all time. The supervising animator was Ward Kimball and he modelled it on his own cat. I wonder how he put up with the animal.) This approach allows the animals to steal the show without drawing our attention from the main story. Their actions are of maximum interest only in the light of the main story.

Among the supporting cast the notable humans are the King and the Grand Duke. The King is a one note character - he wants grandchildren and appears to have no other desires at all - but the note is struck in a pleasing fashion. The Grand Duke is a put-upon character who deserves to be lifted out of his sphere as much as Cinderella does. (Although he, of course, is richer.)

"Cinderella" is Disney's return to features after an eight-year hiatus, and neither with it nor with any subsequent movie would he recapture the raw brilliance of his early years. Moreover he made things hard for himself by picking "Cinderella". She's a passive heroine and there's not much anyone can do about that. (Maybe I'm wrong on this score - I haven't seen the recent "Ever After".) Nonetheless it is remarkable how successful Disney was in bringing this unpromising story to life, without cutting across the grain of its spirit.

When I first saw 'Cinderella', I found it surprising that the mice had so much to do whereas in the fairy tale they were just incidental creatures. But Disney saw that giving them a big role in the main storyline was the key to providing all the humor and suspense needed to spice up the predictable story. The leading mice, Gus and Jaq are delightful creations and the valiant band of mice are given amusing bits of business.

Artistically, the animation art has a rather glossy modern look despite the fact that it's an old, old story from 1697, a classic children's fairy tale that has been done countless times as either a film, a play or a ballet. But this version will charm Disney fans young and old with its imaginative use of animation and a splendid collection of tuneful songs.

A highlight is the 'Cinderella Work Song' in which the mice make a dress for the mistreated Cinderella, full of inventive comic touches and accompanied by the intricate blend of song and animation. Add to that 'So This Is Love', 'A Dream Is A Wish Your Heart Makes' and 'Bibbidi-Bobbidi-Boo' and you have a charming version of the Charles Perrault story.

For villainy, the stepmother and her black cat (Lucifer) are two of the most brilliantly animated creatures in the film. The cat reminds me of a naughty black cat I once owned. The scene where the stepmother is stroking the cat as she gives Cinderella a list of chores is striking in its use of shadow and menace. Along with some dark touches, there is always a bubbling sense of humor, particularly in this sequence.

Cinderella herself comes across as a pleasant heroine with a sense of humor herself, lifelike in her movements and one of Disney's more successful human figures. Disney's artists did greater art work in other films but this is a well-structured work, a great combination of music and clever animation. The pace is fast, even allowing for extended scenes of the mice and their shenanigans for the sub-plot. And Lucifer, the cat, makes a wonderful foil for their tricks.

The Disney touch is evident in every scene and makes this charming blend of comedy, music and romance a film with timeless appeal.

Legendary movie producer Walt Disney brought three of the world's greatest fairy tales to the screen. They remain among the most popular animated films of all time. The first was his groundbreaking classic "Snow White and the Seven Dwarfs" released in 1937. The last was the then-under appreciated "Sleeping Beauty" which made it's debut in 1959. In between these two was perhaps his most satisfying adaptation of a classic fairy tale: "Cinderella" (1950). Of the three films, "Cinderella" is the one most faithful to its origins. Ironically, unlike "Snow White", which for better or worse, became for many the definitive version of the story. "Cinderella" did not follow the same path. Although it was a hit and, like "Snow White", was responsible for restoring the dwindling Disney fortunes, it never achieved the same audience recognition which it certainly deserved. Disney, for once, did himself proud, electing not to tamper with a classic, instead elaborating and adding substance to the tale, rather than rewriting it for the screen. The result was enchanting.

A combination of superb animation (in beautifully soft Technicolor) and the perfect voice talents brought the story to life with a radiance that endures to this day. Ilene Woods, who was a radio performer, recorded demonstration discs of the songs as a favor to the authors of the material, Al Hoffman, Mack David, and Jerry Livingston. When Disney heard them, he knew he had found his Cinderella. And indeed he had. Woods heartfelt renditions of "A Dream Is A Wish Your Heart Makes", "So This Is Love" and "Oh Sing Sweet Nightingale" are perfect. Eleanor Audley, who would go on to voice Maleficent in "Sleeping Beauty", masterfully captured the icy cruelty of the stepmother, while Rhoda Williams and Lucille Bliss were convincingly nasty stepsisters. Luis Van Rooten admirably performed as both the King and the Grand Duke, and James Macdonald was endearing as both Jaq and Gus, Cinderella's devoted mice. William Phipps has little dialog as the prince (future talk show host Mike Douglas provided his singing voice) but film (and Disney) veteran, Verna Felton was born to play the fairy godmother, and she made the best number, (the Oscar-nominated "Bibbidi-Bobbidi-Boo") her own show-stopper.

Among the artists responsible for the "look" of the film, was Mary Blair, whose inspired use of color was greatly admired by Disney. Her elegant French-period backgrounds add tremendously to the quality of the movie. But, most important of all' are the believable characters--from Cinderella, right down to Lucifer, the stepmother's deliciously evil cat. They bring both life and vibrancy to the often told story, something very difficult to create in an animated film.

In conjunction with the film's 55-year anniversary, (and, not so coincidentally, the coming holiday season) "Cinderella" has just been released on a special edition DVD. It simply has never looked better. The fully restored film must be seen to be appreciated--suffice it to say, it looks wonderful. An enhanced stereo soundtrack has been added, and serves the music well. The DVD extras, now a standard part of Disney Platinum Editions, are too numerous to list here, but as usual, some are directed towards children, some are slanted to adults, and the rest fall somewhere in between. But real fans will want to get the Deluxe Gift Set, because, along with an actual cell from the film and eight character sketches, it includes a 160-page hardback book, which not only incorporates most of the material found in the book with the 1995 special edition home video release, but much more as well. As usual for Disney, "Cinderella" will only be available for a limited time. So, if like me, you are a "Cinderella" lover, get it NOW! This edition is truly a "Dream Come True."