Cave of Outlaws

Universal had the good sense to boost this otherwise routine oater with Technicolor filming at Carlsbad Caverns. This results in some impressively eerie shots unusual for a Western. The screenplay has some promising ideas, but these tend to get muddled amid an overly complex narrative. Pete (Carey) returns to town after serving a jail term for robbing Wells Fargo and hiding the loot in a cave. Now townspeople cater to him, including owner of newspaper (Smith) and local kingpin (Jory), even as Wells Fargo agent (Buchanan) trails him. So when will Pete go for the loot.

It's hard to get at people's true motives because of the hidden gold. Then too where is Smith's missing husband—was he in on the robbery and now hovering out of sight. It seems no one can be trusted, including Buchanan. With better story development, a more interesting leading man, along with the spooky caverns, this could have been several cuts above the usual Western. I guess my biggest disappointment, however, is with the movie covering up the statuesque and shapely Alexis Smith in yards and yards of period clothing. Too bad since she was reputed to have the best legs in Hollywood. Hormones aside, those soaring rock columns and hanging stone icicles still remain the main reason to tune in.

Arizona territory 1880 . A gang carries out a risked train robbing of the Wells Fargo and they are subsequently pursued by a posse, then they hide into a cave. In the stand-off kill everyone except the adolescent Pete : Russ Tamblyn who surrenders his followers. Being the only survivor of the band he is detained and beaten , but he does not tell about the stolen gold, refusing to locate the whereabout . Released after serving 15 years in Kansas state prison for the tren robbing, adult Pete: MacDonald Carey, arrives in a small town located nearly the caves to find the missing loot. Along the way he meets a beautiful wife, the local beauty and editor Elizabeth : Alexis Smith, whose husband disappeared some time ago while searching for the loot at the caverns and Pete then takes on the local land baron called Ben Cross : Victor Jory who is for her, as well .

A decent western with thrills, noisy action, crossfire, intrigue, duels and suspenseful final. The film is allegedly based on facts, upon a real robbing : The Colossal Cave Legend, whose thieves hid their loot at a caver . Stars MacDonald Carey as the ex-con who arrives in town and citizens offer him services and goods hoping to share in the loot. Alexis Smith is very good as a publisher, he is owner a Printing and Graving office called the New Clarion . While Victor Jory performs the nasty role as a poweful mine owner who wants to take the gold as well as the girl. Another important character is Edgar Buchanan who plays a Well Fargo agent, commissioned to follow Pete and retrieve the stolen loot. Here stands out the excellent art direction from Nathan Juran and Bernard Herzbrun, gorgeous cinematography by Irving Glassberg, showing spectacular frames from the spectacular caves and highly commendable musical score Joseph Gershenson. All the cave scenes in this production in this production were actually photographed at the Carlsbad caverns in New Mexico. Being shot on location in Mountain Park Vail, Colossal cave Arizona, Carisbard caverns National Park, New Mexico, Santa Clarita , California and Universal studios. As producers gratefully acknowledge the assistance of the United States Department of the Interior whose splendid cooperation made these scenes possible.

Well produced by William Alland and Leonard Goldstein for Universal Pictures. The motion picture was professionally directed by the known and prolific producer, writer and director William Castle. He was a good craftsman who in his beginings he made several westerns in low budget such as : The law rides again, Conquest of Cochise, Americano. Later on, he moved to direct terror movies, using peculiar gimmicks, that had success enough, such as : The tingler, 13 Ghosts, Mr Sardonicus, Homicidal, Zotz, Strait-jacket , Night walker, among others. Rating 6/10. Decent, acceptable, and passable Western.

I always think that this western belongs to the Columbia period of director William Castle, under of course the tyranny of the gruesome Sam Katzman; this sinister producer who oversaw many William Castle's westerns and adventure movies and so, this one could have perfectly been a Columbia one. But Castle worked for Universal studios before Columbia; however, for Universal, he mostly gave us crime thrillers instead of westerns. This explains why I thought this one was a Columbia film. Well, Macdonald Carey is not the best lead character ever for a western, though here he is OK enough to be convincing in this role. Good B western from a director whose filmography will always remains interesting to wath or re watch.

I wasn't going to bother with this minor western but for the fact that it was being shown on a wet afternoon. In the event I'm glad that I did watch it as it was quite good. The caves provided a realistic and novel setting for many scenes, and the colour generally throughout the film was good. And when people got wounded they bled, unlike in many westerns of this period when a man is shot in the chest but continues to wear a spotless shirt! The spanking scene that has been mentioned in the trivia section was omitted from the version I saw, perhaps because what audiences in the 1950s thought was harmless fun has more in the way of sexual implications sixty years later.

Macdonald Carey (a cut-price Gregory Peck, with a slight facial resemblance to the more famous star) was just about adequate, and Edgar Buchanan wasn't as gruff as usual.

The first detail to interest me in watching CAVE OF OUTLAWS was the fact that William Castle directed, he who was far better known as a horror specialist. The second was the strangely named actor, MacDonald Carey, who was not a bad thespian by any means, but somehow never seemed to have the talent, magnetism, or physical appearance to make top flight.

One curious aspect is that much of the action happens in caves with stalactites and stalagmites, the place where the stolen Wells Fargo cash is hidden, getting pretty much every town resident to try to ingratiate with Carey, who has just served 15 years behind bars but faces the general consensus that he is back to collect the hidden dough. Incredibly, many of them inviting him to finance their business or to freeload until he gets his bucks - which strikes me as contradicting the spirit of capitalism that has always guided the US and the American Dream.

Anyway, Carey does not mind getting a free suit, meals, and other gifts, and is understandably less happy when he gets beaten up and robbed... but all in a day's work.

The action requires some suspension of disbelief, but it ain't no bad flick if you have the patience. 7/10.