Comin' Round the Mountain
- 1951
- 1h 17m
ÉVALUATION IMDb
6,3/10
1,5 k
MA NOTE
Bud et Lou se mêlent aux péquenauds, aux sorcières et aux philtres d'amour.Bud et Lou se mêlent aux péquenauds, aux sorcières et aux philtres d'amour.Bud et Lou se mêlent aux péquenauds, aux sorcières et aux philtres d'amour.
- Réalisation
- Scénaristes
- Vedettes
Robert Easton
- Luke McCoy
- (as Bob Easton)
6,31.5K
1
2
3
4
5
6
7
8
9
10
Avis en vedette
Worse then Africa Screams
In my rewatching of the Abbott and Costello series that I loved in my youth, this is by far the worst of the series that I have rewatched. The problem is not in the subject material. The problem is in the script, the execution and the performances. Abbott and Costello have never been more bland and the songs from the Manhatten Hillbilly take up seemingly half of the movie's length. The song about a half an hour in goes on forever. The old granny is fun but isn't allowed to do enough. The "courtship" between Costello and the 14 year old hillbilly girl is ghoulish. Bud Abbott is non-existent and the hillbilly clans do nothing whatsoever. There are a few chuckles and nothing more. The opener and the conclusion are awful. On the bright side, Glenn Strange is great here and Costello's duel with the witch is funny. Costello's "christening" is a gut buster. But that's it. Has a little of the same flavor as The Wistful Widow of Wagon Gap but isn't in the same league, much less the same ballpark.
An easy watch
"Comin' Round the Mountain" may not be one of Abbott & Costello's best movies but it's still a pretty good one. A&C are in fine form. The supporting cast is strong and most of the songs are pretty good. The are quite a few laughs and a bunch of smiles in this movie. "Comin' Round the mountain" moves fast and finishes strong. It's always a welcome visit.
Weak A&C with Too Much Singing
Right off the bat I knew this wouldn't be one of Abbott and Costello's better comedies because the movie starts off with Dorothy Shay singing a novelty song that goes on forever. It wouldn't be the last time either. Shay has four or five songs in this movie! Who's the star here? I watch an Abbott and Costello movie for comedy, not forgettable songs. Don't get me wrong, I don't mind a song here or there. But this was too much. It felt like they were more concerned with providing a showcase for Shay than worrying about making a good comedy.
The plot centers on Lou discovering he's related to Dorothy. So Kentucky native Shay accompanies the boys to her home. From here, we get a lot of jokes about hillbillies, feuds, and marrying 14 year-old cousins. I don't mind laughing at these types of jokes when they're clever, but this is all pretty tired. Even the presence of Margaret Hamilton can't save it, although that's the best scene.
Let me say that, while I didn't care much for her songs, Shay does have a likable quality about her and she's a perfectly fine singer. She's not bad to look at, either. Just wish there had been less of her singing her corny songs and more focus on comedy. I don't think I laughed more than once and that was during Hamilton's scene. The whole thing plays like one overlong cartoon. I don't know if it's the worst Abbott and Costello movie, but it's one of them.
The plot centers on Lou discovering he's related to Dorothy. So Kentucky native Shay accompanies the boys to her home. From here, we get a lot of jokes about hillbillies, feuds, and marrying 14 year-old cousins. I don't mind laughing at these types of jokes when they're clever, but this is all pretty tired. Even the presence of Margaret Hamilton can't save it, although that's the best scene.
Let me say that, while I didn't care much for her songs, Shay does have a likable quality about her and she's a perfectly fine singer. She's not bad to look at, either. Just wish there had been less of her singing her corny songs and more focus on comedy. I don't think I laughed more than once and that was during Hamilton's scene. The whole thing plays like one overlong cartoon. I don't know if it's the worst Abbott and Costello movie, but it's one of them.
Lesser Abbott and Costello
Comin' Round the Mountain (1951)
** (out of 4)
Wilbert Smith (Lou Costello) meets a female country singer (Dorothy Shay) and soon realizes that he's a long lost relative to a famous redneck in Kentucky who rumor has it has a buried treasure. Their agent Al Stewart (Bud Abbott) decides they should all go back to the sticks to get the money but soon a bloody rivalry starts back up.
Abbott and Costello made several Western spoofs including the highly entertaining THE WISFUL WIDOW OF WAGON GAP but sadly this film isn't in the same league and on the whole it ranks near the bottom of the duo's films. That's not to say this is an awful movie because it isn't. There are several funny moments scattered throughout the film but there's just not enough to keep it fully entertaining and the musical numbers are all rather bland.
In fact, why on Earth would you start your movie off with Shay singing? This was an Abbott and Costello movie yet they open with Shay and then we get the duo doing a small gag before going back to the singer. I'm really not sure if they were just trying to force Shay into some sort of stardom but her songs here are rather lame and, to be honest, the skit from the boys isn't all that funny. There are a few funny moments scattered throughout but the highlight is the math game of a 40-year-old man falling in love with a 10-year-old girl and needing her age to catch up with his.
Both Abbott and Costello are in good form here but I think even they realized that the material wasn't all that great. Shay delivers a decent performance but the songs are forgettable. Joe Sawyer adds some nice support as does Glenn Strange and Margaret Hamilton steals the film in her sequence as a witch. Her and Costello's voodoo match being another highlight of the picture. COMIN' ROUND THE MOUNTAIN isn't one of the boy's best pictures but fans will still find a little humor in it.
** (out of 4)
Wilbert Smith (Lou Costello) meets a female country singer (Dorothy Shay) and soon realizes that he's a long lost relative to a famous redneck in Kentucky who rumor has it has a buried treasure. Their agent Al Stewart (Bud Abbott) decides they should all go back to the sticks to get the money but soon a bloody rivalry starts back up.
Abbott and Costello made several Western spoofs including the highly entertaining THE WISFUL WIDOW OF WAGON GAP but sadly this film isn't in the same league and on the whole it ranks near the bottom of the duo's films. That's not to say this is an awful movie because it isn't. There are several funny moments scattered throughout the film but there's just not enough to keep it fully entertaining and the musical numbers are all rather bland.
In fact, why on Earth would you start your movie off with Shay singing? This was an Abbott and Costello movie yet they open with Shay and then we get the duo doing a small gag before going back to the singer. I'm really not sure if they were just trying to force Shay into some sort of stardom but her songs here are rather lame and, to be honest, the skit from the boys isn't all that funny. There are a few funny moments scattered throughout but the highlight is the math game of a 40-year-old man falling in love with a 10-year-old girl and needing her age to catch up with his.
Both Abbott and Costello are in good form here but I think even they realized that the material wasn't all that great. Shay delivers a decent performance but the songs are forgettable. Joe Sawyer adds some nice support as does Glenn Strange and Margaret Hamilton steals the film in her sequence as a witch. Her and Costello's voodoo match being another highlight of the picture. COMIN' ROUND THE MOUNTAIN isn't one of the boy's best pictures but fans will still find a little humor in it.
Bud&Lou Go a Feudin'
The feud is on between the Wingfields and the McCoys when Bud Abbott discovers his clients, hopeless magician Lou Costello and the Park Avenue hillbilly Dorothy Shay are both McCoys and Costello's inherited concertina holds the secret to a treasure of hidden gold. So off they go to the Appalachins where Costello's arrival sets off the feud that had pretty much died down.
Bud and Lou get themselves a good supporting cast with a group of players used to rustic roles. I'm wondering how the folks at Universal missed getting Judy Canova and Marjorie Main and Percy Kilbride in this film. Lou's best scene involves him haggling with a hag played by Margaret Hamilton in her wicked witch makeup over some love potion with each making a voodoo doll of the other to poke holes in.
Dorothy Shay was just about at the end of her peak of popularity which started post World War II. She was a singer with a warm contralto who decided to play up her southern roots. Dorothy made a whole lot of hillbilly ditties popular back in those days and her big hit song, Feudin' a Fussin' and a Fightin' was still selling good in 1951 when Comin' Round the Mountain came out. I have it and also a vinyl record of a Bing Crosby radio show where she sang that song as a trio number with herself, Bing, and Groucho Marx. She did what very few did in Abbott and Costello pictures, hold her own with the boys and not get lost in the supporting cast.
It's not the best of their films, but still enjoyable and just wait till you see the treasure that they do find.
Bud and Lou get themselves a good supporting cast with a group of players used to rustic roles. I'm wondering how the folks at Universal missed getting Judy Canova and Marjorie Main and Percy Kilbride in this film. Lou's best scene involves him haggling with a hag played by Margaret Hamilton in her wicked witch makeup over some love potion with each making a voodoo doll of the other to poke holes in.
Dorothy Shay was just about at the end of her peak of popularity which started post World War II. She was a singer with a warm contralto who decided to play up her southern roots. Dorothy made a whole lot of hillbilly ditties popular back in those days and her big hit song, Feudin' a Fussin' and a Fightin' was still selling good in 1951 when Comin' Round the Mountain came out. I have it and also a vinyl record of a Bing Crosby radio show where she sang that song as a trio number with herself, Bing, and Groucho Marx. She did what very few did in Abbott and Costello pictures, hold her own with the boys and not get lost in the supporting cast.
It's not the best of their films, but still enjoyable and just wait till you see the treasure that they do find.
Le saviez-vous
- AnecdotesRoughly a decade after this movie was made the jalopy and costume grandma wore in this film was used for the auto and granny's outfit in the TV show, The Beverly Hillbillies..
- Citations
[after walking into an old beat-down cabin]
Wilbert: How could my kin folks ever live in a joint like this?
Al Stewart: Probably your forefathers lived here.
Wilbert: I beg your pardon?
Al Stewart: I said probably your forefathers lived here before you.
Wilbert: My four fathers?
Al Stewart: Yes.
Wilbert: I didn't have four fathers.
Al Stewart: Sure, you did.
Wilbert: If I did, only one came home nights.
- ConnexionsFeatured in The World of Abbott and Costello (1965)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Real McCoy
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 17m(77 min)
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant







