La petite boutique des horreurs

If there is ONE movie that made Roger Corman THE king of low-budget quickies, it's The Little Shop of Horrors!! Practically no budget and shot in two days this movie still looks very decent now, almost 45 years later. That's quite an effort if you ask me and it's good to see that this movie finally received the status of immortal cult movie.

This is a very charming little movie, to say the least. The story is simple but it keeps you alert all the time ( originally, it was meant to be a sequel to Bucket of Blood ) but it's the characters that steal the show. Every character that walks through the screen is exceptional and hilarious. We've got a guy who feeds on flowers, an old lady who loses a family member every day, a mother with a fetish for diseases, a masochistic undertaker who visits the dentist and almost has an orgasm ( legendary appearance by Jack Nicholson in one of his first roles ) and a whole bunch of others...Too much to list, actually. Jonathan Haze is brilliant as the dumb florist assistant in love. He created a new type of plant and that causes a whole lot of trouble...and comedy.

Watch Little Shop of Horrors for it's value in cult cinema, maybe. Or because Roger Corman is an interesting director who deserves to be checked out. Or you could watch it to see where Jack Nicholson started his impressive career a long time ago. But - most of all - watch it because it's an adorable little movie with very funny sequences and a lot of low-budget charm. The 80's musical version by Frank Oz is also worth a look but it doesn't come close to this original version.

The first version of The Little Shop of Horrors, long before the Broadway musical and Frank Oz's musical/horror/comedy, is one of the primary examples of shoe-string movie-making. Shoe-string, of course, refers mostly to the budget, and this possibly ranks above others like Clerks, Slacker, Night of the Living Dead and Blair Witch in order to put it together so quickly. And yet for all of its little slip-ups and deranged moments of comedy, it does work for what its worth. Not that it doesn't show that the film was made in two days, but on those terms of extremely low-budget, go-for-broke B-movie-making, Roger Corman as a director has quite a nifty effort here. The story is similar to a fairy-tale (a darkly comic one to be sure, like one of the Fractures Fairy tales from the old Rocky & Bullwinkle show), in how Seymour (Jonathan Haze, perfect as an awkward, easily shockable little guy) tries to nurture a plant to earn the affections of Audrey (Jackie Joseph). But then the plant turns into a meat-eater, to put it that way, and from there Charles Griffith's script goes into wild comic turns where he now has to figure out how to take care of the plant before it 'takes care' of him. Some scenes are less notable than others, and sometimes the cheesiness of it all (just look at the plant itself for proof enough) can be wearisome. But Corman keeps the atmosphere with a giddy amount of late 50s 'shlock', and some scenes stand the test of time as the best of their B-movie status. Tops go to the 2nd film appearance from Nicholson as the most psychotic of the bunch, as a 'chipper' fetishist who gets off on getting his wretched teeth worked on- it's a masterpiece of a scene with cartoonish action, innuendo and crazy looks from a 23 year old Nicholson. Worth checking out, maybe more than once, and you're likely to find it (appropriately) in the cheapest lot of DVDs and videos at your local store.

Gravis Mushnick is a cheapskate flower shop owner in a poor neighborhood. Seymour Krelboyne is a clumsy worker. Mushnick wants to fire him but he claims to have a new kind of flower that could be a good money maker. Seymour's mother is a bed ridden drunk. He names the plant Audrey junior after his beautiful co-worker Audrey Fulquard. Then late one night, he discovers that Audrey junior loves blood. The plant becomes healthier overnight.

This is one of the great contributions of schlock filmmaker Roger Corman. This is a completely weirdly original story. It is insanely quirky and odd. I wouldn't say it's laugh out loud funny. However it's quite watchable even though the quality of production is very low. For such a great original, I am willing to add one to my rating. Also watch out for a young Jack Nicholson as masochistic patient Wilbur Force.

I remember seeing this on a weekly television show called Chiller, when I was in high school. It was one of those local celebrity things, with an emcee presiding over whatever horror movies were in the library of that particular station. I realized quickly, what an offbeat flick this was. It was utterly hilarious with its moments of masochism, the man eating plant, Audrey one and two, and all the other things that Seymour must deal with just to keep going. The plant controls him and it is a hilarious plant. The black and white neutral staging of the plant is so much better than the flashiness of the musical (though I do like some of those songs). The smallness of this film is what helps make it work. Everyone is a caricature. Jack Nicholson's proudest moment. No wonder he is such a wack, spending all that time in his formative years with Roger Corman. The acting works because it is a period piece. No matter how much we try to reproduce the fifties, it always falls short of just seeing the fifties. It's like Dragnet without the strange suits and the slang of the time. It's just more honest because they weren't trying to reproduce it. I haven't watched this in some time, so I think I'll leave my computer and sit down and watch it again.

'The Little Shop Of Horrors' is one of the movies that Roger Corman's reputation as the "king of the quickies" is founded on. Filmed in two days on a budget less than Spielberg's dinner money, this is one of the all-time b-grade camp classics. While the humour is extremely dated the concept is very black and contemporary. Charles B. Griffith probably deserves as much credit for this movie as Corman. Writing this, 'A Bucket Of Blood', 'The Wild Angels' and 'Death Race 2000' has ensured him movie immortality! Corman semi-regular Jonathan Haze may not be as fondly remembered as Dick Miller, but he is well cast as the klutzy Seymour Krelboyne, "father" of the blood thirsty exotic plant Audrey, and Mel Welles hams it up as his tyrannical boss Mushnick. But the show is stolen by Miller as a flower eating hipster, and an astonishingly fresh faced Jack Nicholson as a masochistic dental patient (a classic bit!), as much as Audrey herself. Forget the crappy 80s musical version, stick with this, the real deal. It is pretty creaky in places but still a lot of fun!