Ajouter une intrigue dans votre langueA father and son lawyer duo take a variety of cases that often deal with the important issues of the day.A father and son lawyer duo take a variety of cases that often deal with the important issues of the day.A father and son lawyer duo take a variety of cases that often deal with the important issues of the day.
- A remporté 14 prix Primetime Emmy
- 15 victoires et 19 nominations au total
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Can this series really have been as inspiring as I thought it was at the time? If so, it must have had enormous effect on American society.
Certainly it dealt more courageously than any other show of the period with issues such as civil rights, religious and political oppression, faults in existing laws on divorce, narcotics and legal sanity, and the ethical problems of priests, doctors and lawyers.
And, as I remember, although E.G.Marshall (as Lawrence Preston) demanded our sympathy for his stand on these issues, there was always argument and challenge from Robert Reed (as his son, Kenneth), and humor prevented solemnity or sentimentality.
Actors such as Sylvia Sidney, Sam Wanamaker, Ruth Roman, Akim Tamiroff, Teresa Wright, and Jack Klugman played leading roles, but minor characters also came across as people of dignity and importance.
What impressed me most perhaps was Lawrence Preston's respect for THE LAW.
Won't some kind person allow us to see it again?
Certainly it dealt more courageously than any other show of the period with issues such as civil rights, religious and political oppression, faults in existing laws on divorce, narcotics and legal sanity, and the ethical problems of priests, doctors and lawyers.
And, as I remember, although E.G.Marshall (as Lawrence Preston) demanded our sympathy for his stand on these issues, there was always argument and challenge from Robert Reed (as his son, Kenneth), and humor prevented solemnity or sentimentality.
Actors such as Sylvia Sidney, Sam Wanamaker, Ruth Roman, Akim Tamiroff, Teresa Wright, and Jack Klugman played leading roles, but minor characters also came across as people of dignity and importance.
What impressed me most perhaps was Lawrence Preston's respect for THE LAW.
Won't some kind person allow us to see it again?
From the early Sixties came this show which one viewer described as that era's Law and Order. It wasn't that, it couldn't be that because the Prestons were defense attorneys. Still the cases raised some of the legal issues that Law and Order raises. The Defenders whatever else it was, was not a who done it show like Perry Mason.
E.G. Marshall and Robert Reed played the father and son law firm of Preston&Preston. E.G. as Lawrence Preston was a widower and Reed was his son Kenneth. What I remember was these two guys apparently had no personal life at all. I can't remember a single episode where these two weren't on the clock defending all kinds of clients.
But lawyers and law students loved this show as it took on some really important issues. The episode that I remember best was one involving the McNaghten Rule which evolved from an English murder case in which a guy named McNaghten killed Prime Minister Robert Peel's Secretary, thinking it was Peel. The poor demented jerk thought that the government was plotting against him personally. That case set a standard for a successful insanity defense, that someone like McNaghten had to be unaware of the difference between right and wrong when he committed the homicide.
I still remember Marshall saying that in behalf of his client the McNaghten Rule should be repealed. He certainly gave it one good effort in trying to repeal about a 120 years of Anglo-American jurisprudence. The rule's been modified, but never repealed. But that was typical of the stuff the Prestons did. No arraignments in night court for this duo.
The scripts though were intelligently written even if you didn't agree with what the Prestons were doing. Proof that entertainment can be intelligent and informative, the show ran for four years.
I wish that TV Land would pick up this series.
E.G. Marshall and Robert Reed played the father and son law firm of Preston&Preston. E.G. as Lawrence Preston was a widower and Reed was his son Kenneth. What I remember was these two guys apparently had no personal life at all. I can't remember a single episode where these two weren't on the clock defending all kinds of clients.
But lawyers and law students loved this show as it took on some really important issues. The episode that I remember best was one involving the McNaghten Rule which evolved from an English murder case in which a guy named McNaghten killed Prime Minister Robert Peel's Secretary, thinking it was Peel. The poor demented jerk thought that the government was plotting against him personally. That case set a standard for a successful insanity defense, that someone like McNaghten had to be unaware of the difference between right and wrong when he committed the homicide.
I still remember Marshall saying that in behalf of his client the McNaghten Rule should be repealed. He certainly gave it one good effort in trying to repeal about a 120 years of Anglo-American jurisprudence. The rule's been modified, but never repealed. But that was typical of the stuff the Prestons did. No arraignments in night court for this duo.
The scripts though were intelligently written even if you didn't agree with what the Prestons were doing. Proof that entertainment can be intelligent and informative, the show ran for four years.
I wish that TV Land would pick up this series.
This landmark TV series (1961-65) was years ahead of its time. It correlated many contemporary stories from the headlines and did so with uncompromising depth. The protagonist attorneys (The late E.G. Marshall, Robert Reed) lost nearly as many cases as they won, because the series focused on controversial social issues where there were no easy answers or solutions. This was reflected in the outcome of some episodes. The issues included abortion; euthanasia; capital punishment; censorship; blacklisting; criminal insanity; Nazis; cannibalism; and a variation of what is currently called "road rage." The first listed, "The Benefactor," was a compelling episode about abortion, years before it was legal. The last, "Death On Wheels," involved an enraged motorist who accidentally killed a pedestrian after a heated argument with his wife. A shocking case was the one about cannibalism. Two men were accused of murdering and literally devouring another man when they were all cast adrift in a lifeboat in the ocean. An unusual episode, "Mind Over Murder" involved a clairvoyant accused of murder based on ESP. The defendant's background was loosely parallel to the late psychic, Peter Hurkos.
The Defenders theme song coupled with an aerial view of the courthouses in Foley Square, New York City, were presented with the onset of each episode. Immediately before the theme, the viewer saw the actual crime being committed when possible, which was graphically realistic and sometimes unnerving. The lawyers then often interviewed their clients in a simulated version of "The Tombs," an archaic NYC jail. The late E.G. Marshall portrayed the lead attorney, Lawrence Preston, with flawless acting that was in a class by itself. Indeed, he was so convincing that it was difficult for me to think of him thereafter as anyone else. The style and integrity he displayed in The Defenders inspired my interest in the law and was one of the initial reasons I became a lawyer.
The Defenders theme song coupled with an aerial view of the courthouses in Foley Square, New York City, were presented with the onset of each episode. Immediately before the theme, the viewer saw the actual crime being committed when possible, which was graphically realistic and sometimes unnerving. The lawyers then often interviewed their clients in a simulated version of "The Tombs," an archaic NYC jail. The late E.G. Marshall portrayed the lead attorney, Lawrence Preston, with flawless acting that was in a class by itself. Indeed, he was so convincing that it was difficult for me to think of him thereafter as anyone else. The style and integrity he displayed in The Defenders inspired my interest in the law and was one of the initial reasons I became a lawyer.
before this show came out, Television was meant to be pure escapism meaning that like movies,people who watched TV often times watched it to escape from all the turbulent and sometimes horrendous things that happened in that 60's. So because of that, Most network & daytime TV shows often avoided current social issues of the day, making them seem very unrealistic. And then the Defenders came along.
Now, back in the 60's if you decided to make a show that focused on contemporary controversial social issues, you would risk getting your show cancelled because most big corporations would be uncomfortable sponsoring a show that did that, and that's exactly what the Defenders did. They were the first show that was brave enough to focus on such controversial social issues of the 60's such as civil rights,abortion neo-natzis and they almost got cancelled because of it. there was one episode where the father-son lawyer team of Lawrence and Kenneth Preston (E.G. Marshall and Robert Reed) had to a defend an abortionist, and almost every regular sponsor of the show, decided not to sponsor the episode and all of the sudden, the series was hanging by a thread, until one sponsor came in at the eleventh hour to sponsor the episode, and they saved the show from cancellation singled handed.
the bottom line is that this show was incredibly groundbreaking because if was one of the first TV shows to deal with contemporary controversial social issues, something no other show before or on on at the same time did, making it one of the most realistic shows of it's time. it also paved the way for socially conscious shows that came after it. Now what I really don't understand is that the show's not on DVD and it hasn't been seen in reruns in 20 years. But regardless, the show needs to be on DVD or in syndication, and it definitely can't be forgotten by the next generation of TV watchers.
Now, back in the 60's if you decided to make a show that focused on contemporary controversial social issues, you would risk getting your show cancelled because most big corporations would be uncomfortable sponsoring a show that did that, and that's exactly what the Defenders did. They were the first show that was brave enough to focus on such controversial social issues of the 60's such as civil rights,abortion neo-natzis and they almost got cancelled because of it. there was one episode where the father-son lawyer team of Lawrence and Kenneth Preston (E.G. Marshall and Robert Reed) had to a defend an abortionist, and almost every regular sponsor of the show, decided not to sponsor the episode and all of the sudden, the series was hanging by a thread, until one sponsor came in at the eleventh hour to sponsor the episode, and they saved the show from cancellation singled handed.
the bottom line is that this show was incredibly groundbreaking because if was one of the first TV shows to deal with contemporary controversial social issues, something no other show before or on on at the same time did, making it one of the most realistic shows of it's time. it also paved the way for socially conscious shows that came after it. Now what I really don't understand is that the show's not on DVD and it hasn't been seen in reruns in 20 years. But regardless, the show needs to be on DVD or in syndication, and it definitely can't be forgotten by the next generation of TV watchers.
10Deusvolt
My elder brother (who is now a Metropolitan Trial Court judge) and I used to watch this every week back in the early '60s. I don't remember much of the episodes except I know I enjoyed most of them. It has a very inspiring trumpet led theme music as the camera took a long bird's eye view panning shot of a majestic courthouse with Greco-Roman architecture.
I do remember Atty. Preston, the elder, (E.G. Marshall) often arguing on the basis of principles over strict or often shystery interpretation of the law used by his court opponents.
One episode I distinctly remember is the one that involves a leader of an American neo-Nazi organization who organized a counter-demonstration to a Jewish rally or parade. Dressed in what looked like approximations of Sturmabteilung ("shock troops" or SA)uniforms, they peacefully stood on the sidewalks and shouted "Hitler had the right idea" repeatedly. They got arrested and charged with something in court. The Preston father and son lawyer team had the rather unpleasant but legally correct task of defending the neo-Nazi leader on the grounds of freedom of speech.
I do remember Atty. Preston, the elder, (E.G. Marshall) often arguing on the basis of principles over strict or often shystery interpretation of the law used by his court opponents.
One episode I distinctly remember is the one that involves a leader of an American neo-Nazi organization who organized a counter-demonstration to a Jewish rally or parade. Dressed in what looked like approximations of Sturmabteilung ("shock troops" or SA)uniforms, they peacefully stood on the sidewalks and shouted "Hitler had the right idea" repeatedly. They got arrested and charged with something in court. The Preston father and son lawyer team had the rather unpleasant but legally correct task of defending the neo-Nazi leader on the grounds of freedom of speech.
Le saviez-vous
- AnecdotesMore than half of the actors who played jurors in Douze hommes en colère (1957) have roles in the show. In addition to E.G. Marshall, Martin Balsam, Jack Klugman, Edward Binns, Joseph Sweeney, Ed Begley, and Robert Webber appeared in multiple episodes, often as District Attorneys or judges. Furthermore, Ossie Davis appeared in eight episodes as District Attorney Daniel Jackson. Davis played a juror in Douze hommes en colère (1997). Series Creator Reginald Rose was nominated for an Oscar for writing 12 Angry Men (1957).
- ConnexionsFeatured in Television: The Story Machine (1985)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Preston & Preston
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h(60 min)
- Couleur
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