Deux jeunes de gangs new-yorkais rivaux tombent amoureux, mais les tensions entre leurs amis respectifs contribuent à la tragédie.Deux jeunes de gangs new-yorkais rivaux tombent amoureux, mais les tensions entre leurs amis respectifs contribuent à la tragédie.Deux jeunes de gangs new-yorkais rivaux tombent amoureux, mais les tensions entre leurs amis respectifs contribuent à la tragédie.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 10 oscars
- 31 victoires et 11 nominations au total
Anthony 'Scooter' Teague
- Big Deal
- (as Scooter Teague)
Harvey Evans
- Mouthpiece
- (as Harvey Hohnecker)
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Avis en vedette
Greatest musical of all time
There is certainly tough competition when trying to decide the best musical of all time but I believe West Side Story is the clear winner. The acting is first rate and the locations gritty and realistic so you get the feel of what it is like to be a poor immigrant in New York. Natalie Wood and Rita Moreno are outstanding as the beautiful innocent Maria and the alluring more worldly wise Anita. Above all, Bernstein's music is breathtaking and unique, sweeping from gangster slang through lively Hispanic dances to luminous love songs. Unlike many musicals, it always feels real and grounded which makes the tragic ending all the more moving.
A 70-millimeter delight.
I remember when this film ran on NBC television about 25 years ago. After being beefed up with commercials, it had to be shown in 2 parts over two nights. I only saw it in the theater once when I was about 12, and had forgotten many visuals which were cut off on the television screen. So let me just say that the smartest thing MGM-UA could do is present a widescreen, 70mm DVD. It has a gorgeous restored picture (important for visual effects like the dissolve of Natalie Wood spinning around in the bridal shop which blurs and multiplies and finally erupts into multiple dancers who converge at the gym, or the first time Tony and Maria see each other against the blur of the dance competition on opposite sides of the screen) and pristine sound- probably the most gorgeous score ever composed by Leonard Bernstein. There are, of course, stage purists who scoff at the movie (and its many ghost singers), but I always thought the film's adaptation was superior to the stage show because it gave the story a more breathless, one-act pace. Some songs are reshuffled and re-staged from the original libretto, and the background score is given something of a theatrical makeover. And the dancing, of course, is peerless-- whether it's the "Cool" dance with the Jets in a low-ceiling garage, the "America" battle of the sexes with the Sharks, or even the delicate rooftop dance performed in Act 2 by Natalie Wood- bewitching in a white dress and re-living the moment she first fell in love herself. None of these wonders can prepare you for the mind-numbing, emotional, climax.
A tour-de-force film show, clocking in at 152 minutes.
A tour-de-force film show, clocking in at 152 minutes.
The Movie that Changed My Life
WEST SIDE STORY changed my life. I first saw this movie when I was about 13 years old. It was the first musical I ever saw, and it opened up my eyes to the joys of musicals and the classic films of Hollywood.
The romance is heartbreaking and the Leonard Bernstein-Stephen Sondheim score is one of the best ever written. Jerome Robbins' choreography is also amazing. The film itself is visually stunning.
One of my faves!!
The romance is heartbreaking and the Leonard Bernstein-Stephen Sondheim score is one of the best ever written. Jerome Robbins' choreography is also amazing. The film itself is visually stunning.
One of my faves!!
Someday, We'll Find A New Way Of Living....
"Hold my hand and we're half-way there... Hold my hand and I'll take you there...."
Even though I'm not a big fan of this particular genre of film. I found West Side Story to be so impressively produced that it somehow transcended far beyond being just a mere "Musical" in the strictest sense of the word.
West Side Story is literally bursting at the seams and filled to capacity with vivid imagery. This highly-energized film clearly captures the vibrant atmosphere of the late 1950s, where rival youth gangs get their prejudiced, little noses out of joint and prepare to rumble in the streets of NYC.
With its memorable music and songs, dazzling choreography, striking sets and superb direction by Robert Wise, West Side Story is truly a triumph on every level.
This film is a magnificent achievement that (back in 1961) set a whole new standard for modern-day movie Musicals.
Even though I'm not a big fan of this particular genre of film. I found West Side Story to be so impressively produced that it somehow transcended far beyond being just a mere "Musical" in the strictest sense of the word.
West Side Story is literally bursting at the seams and filled to capacity with vivid imagery. This highly-energized film clearly captures the vibrant atmosphere of the late 1950s, where rival youth gangs get their prejudiced, little noses out of joint and prepare to rumble in the streets of NYC.
With its memorable music and songs, dazzling choreography, striking sets and superb direction by Robert Wise, West Side Story is truly a triumph on every level.
This film is a magnificent achievement that (back in 1961) set a whole new standard for modern-day movie Musicals.
Leonard Bernstein, composer of the music
I enjoyed Natalie Wood of course, talented stunningly attractive actress. Richard Beymer too... However, of all the reviews I have read here, hardly a one makes mention of the composer of the music in the film, Leonard Bernstein's music... The melodies are beautiful and romantic beyond compare. Bernstein was a genius, a great composer and conductor of orchestras... Stephen Sondheim had penned the lyrics, but the music came from Bernstein. Well known in the world of classical music, as a conductor he had championed a number of classical musicians, and he was a powerful prominent force on the International and New York orchestral music scene. A man of supreme importance in the field of classical music interpretation. I guess we could say that in the world of "popular music" he will be best remembered for his work here in West Side Story... This music is lovingly crafted by Leonard Bernstein, the master... Comment from Malcolm in Toronto 18th October 2007
Rita Moreno Breaks Down 6 of Her Iconic Roles
Rita Moreno Breaks Down 6 of Her Iconic Roles
Rita Moreno breaks down 6 of her most iconic roles, discusses the struggles she's faced in Hollywood, and shares what it felt like to return to West Side Story 60 years later. She also dives into her revealing documentary Rita Moreno: Just a Girl Who Decided to Go for It.
Le saviez-vous
- AnecdotesThe actors in the rival gangs were instructed to play pranks on each other off the set to keep tensions high.
- GaffesNear the end, when Maria yells "Don't you touch him!", two different voices can be heard at the same time in the first half of the phrase (in fact, this is singer Marni Nixon overdubbing for Natalie Wood).
- Générique farfeluThere are no opening credits; a stylized, tinted aerial still of Manhattan is shown as the overture plays. The background changes color as the themes change throughout the overture. As the overture ends, the tinting is blue, the title appears, and the shot segues to aerial photography of Manhattan streets and landmarks.
- Autres versionsMost of the releases, except for the HD version that had the 2008 opening and closing MGM logos with the 1995 roar, open with a different United Artists logo. like the 1968 logo in the 1981 VHS, 1982 logo in the 1984, 88 and 91 VHS prints, the short version of the 1987 logo in the 1993 VHS, and the 1990s logo in the post-1998 VHS prints and 2003 DVD. The latter also added a closing MGM logo. Post-2024 digital version uses the short version of the 2012 MGM logo and closing 2012 MGM logo.
- ConnexionsAlternate-language version of West Side Story (2021)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Amor sin barreras
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 44 055 492 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 207 145 $ US
- 24 juin 2018
- Brut – à l'échelle mondiale
- 44 136 460 $ US
- Durée
- 2h 33m(153 min)
- Couleur
- Rapport de forme
- 2.20 : 1
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