James Bond 007 contre Dr. No

I first saw this in the late 80s on a vhs. Revisited it recently. It is the first film in the Bond series where Bond is sent to Jamaica to investigate the disappearance of a fellow British agent. The trail leads him to Dr. No, a former member of a Chinese crime syndicate but currently working for SPECTRE. Here Bond faces dragon-disguised swamp buggy, venomous tarantula spider, 'three blind mice' n a villain with metal hands. Fortunately Bond has three amazing ladies to cool off, Eunice Gayson, Zena Marshall n Ursula Andress.

Some interesting facts from the novel which is missing in the movie. The Chinese gangsters tortured Dr No, cut off his hands n shot him through the left side of the chest and left him for dead. Dr No survived due to a condition called dextrocardia in which his heart is on the right side of the body. He later joined SPECTRE n got his metal hands.

DR. NO, the first of the "James Bond" film series, was a dazzling adventure that would change the 'look' of action films, forever. While the film's 'plot' would become 'Standard Bond' (a maniac attempts to 'heat up' the cold war by provoking America, in this instance, by crashing it's rockets), and reappear in many incarnations over the years, the story behind the first film is still fascinating.

From the completion of his first 007 novel, "Casino Royale", in 1952, 41-year old author Ian Fleming believed that movies and television would be the best 'forum' for James Bond. But deals usually fell through (one that didn't, resulting in an American TV adaptation of "Casino Royale", in 1954, was a flop), and failed screenplays would be rewritten into best-selling short stories and novels, instead. Not surprisingly, the novels impressed many film producers with their cinematic sweep and potential. Two of the producers, American Albert (Cubby) Broccoli, and Canadian Harry Saltzman, would become the key players in bringing DR. NO to the screen.

Saltzman had managed to obtain an option to most of Fleming's work, but the move left him too financially strapped to produce them. Broccoli had wanted to produce the Bond novels, himself, but didn't own the rights. When Saltzman refused to sell, but offered a partnership, instead, Eon Productions was created, and United Artists, impressed by both men's enthusiasm and vision, agreed to bankroll their proposed "Bond" series. DR. NO was chosen as the first to be filmed, and, after several directors (including future Bond legend Guy Hamilton) passed on the project, Terence Young, as smoothly elegant as 007, himself, signed.

Who would play James Bond? Fleming jokingly suggested 52-year old star David Niven (who would, in fact, later play Bond in the spoof, CASINO ROYALE). Broccoli wanted Roger Moore, 34, but he was under contract for "The Saint". Then, independently of each other, both Broccoli and Saltzman heard about Scottish actor Sean Connery, 31. After viewing DARBY O'GILL AND THE LITTLE PEOPLE, Broccoli arranged an interview, was greatly impressed, and hired Connery, assigning director Young to teach the 'rough-edged' actor some style and sophistication. Connery was a quick learner, and soon was so impressive that even Ian Fleming would call him perfect, and would, in fact, incorporate elements of Connery into the Bond of the novels.

New York actor Joseph Wiseman was chosen as Dr. No, after Noel Coward refused the role ("Dr. No? No! No! No!"), and Fleming cousin, actor Christopher Lee, was unavailable. Future "Hawaii 5-0" star Jack Lord, a protégé of longtime Broccoli friend Gary Cooper, was cast as C.I.A. agent Felix Leiter, and Swiss bombshell Ursula Andress became Honey Ryder, Bond's first leading lady (her voice dubbed, because of her thick accent). With Bond 'regulars' "M" (Bernard Lee) and Miss Moneypenny (Lois Maxwell) in place, the Bond legend began.

A few bits of trivia: the 'gunbarrel' introduction, created by 'Opening Credits' designer Maurice Binder, featured stunt 'double' Bob Simmons, rather than Connery, as it was added after shooting was wrapped; Ken Adam's futuristic sets would not only become Bond highlights, but would influence 'real' interior design styles for a generation; and the film's score was by London theatrical composer Monty Norman, with John Barry's participation consisting of conducting the orchestra, and orchestrating Norman's "James Bond Theme"...which Barry did so well that he would become THE Bond composer for over twenty years!

DR. NO was a hit, particularly in Great Britain, and it received a HUGE boost in the U.S. when it was discovered President Kennedy was a 007 fan (FROM RUSSIA WITH LOVE was chosen as the second film, in part, because it was a favorite novel of JFK). While the film lacked the 'overabundance' of gadgets and style elements of the later Bond entries, it was a remarkable debut!

And James Bond WOULD return...

"Dr. No" is not my favorite James Bond film. But I'm glad it succeeded, because it led to subsequent 007 films that were really very entertaining, especially "Goldfinger". Everything about "Dr. No": the story, the music, the special effects, the dialogue, even the acting is so ... tentative. The film lacks the self-confident flair and cinematic flamboyance that characterize later 007 films from the 1960s. That is not a criticism, given that "Dr. No" was the first Bond film, and was low-budget. No one knew how the film would be received.

Through the years Sean Connery is the only actor who has done justice to the James Bond character, in my opinion. Although his acting in "Dr. No" is probative at best, he still manages to convey an aura of intelligent charisma. And that charisma would become less restrained in later films.

The visuals in "Dr. No" are very dated. What seemed futuristic in 1962 seems stodgy now. All that engineering design, those clunky computers, and that modernistic interior decor, all included to wow viewers then, seem, half a century later, quaint, obsolete, even archaic. The film's story, about an evil genius out to scuttle the U.S. missile program and dominate the world, likewise seems dated. I must admit, however, that Joseph Wiseman, as the villain, is well cast, with his passive face and those eyes that seldom blink.

That the James Bond character and his adventures have survived all these years demonstrates the enduring appeal of cinematic heroes who, like superman, embody all that is good and strong, in their successful efforts to conquer evil. I just wish that contemporary 007 films had the cinematic credibility of those 1960's Bond films: "You Only Live Twice", "From Russia With Love", "Thunderball", and of course "Goldfinger", all of which owe their existence to the success of "Dr. No".

Yes, most of Dr. No is cheesier than an Afghani shepherd's lunch. But this is one of my favorite Bonds anyway. I like the music, the "underneath the mango tree" thing. Doing the intro with just the regular theme song is a nice contrast to all the following films. The introduction to Bond is without comparison in the series. It's perfect.

Maybe I'm simply enraptured by her tropical innocence combined with her encyclopedia reading, but Ursula Andress is not only my favorite Bond girl, but the ideal woman, except for maybe Viveca Lindfors in Stargate. I fully realize that that should make me an object of scorn or pity. But her lines about seeing a praying mantis, blah, blah, is so rewind-worthy. And the look on her face when Bond kills the guy in the river is so hilarious/alluring/acted that I can't help but love it.

Then of course they have to kill off Quarrel, the ultimate non-white sidekick since Tonto, who believed in the "dragon." But despite all that, it remains a great example of a human action film. Action is such a de-humanized genre now. Oh for the days of yore, when secret agents actually ran out of breath and had to do little things like place a hair on the closet door to see if anyone opened it. Now they'd just have a laser sensor that would kill any intruder. Sigh. And the spider, and especially the spider music.....

Dr. No is a 1962 film directed by Terence Young and based off of Ian Fleming's novel of the same name. It is the first film to feature James Bond, the world's most famous secret agent. This alone has earned it a spot in history as the start of one of the longest running and most significant film franchises ever made. At the time of my writing this, there are 25 films spanning 58 years, with a 26th to be released in three months. For this reason, Dr. No will always hold a special place in the hearts of many fans, from many generations. As a latecomer to the series, I do not share this nostalgia, but the film still holds up very well. Watching it today, one of the most notable things about Dr. No is the overabundance of tropes. It checks every box you would come to expect from a James Bond film, and come to resent from their many copycats. Nonetheless, it is a film that is absolutely oozing with style. Sean Connery pulls of the lead roll with seemingly effortless sophistication and charisma, and I would give him a large part of the credit for this film's success, and by extension the success of the franchise. The story that Dr. No tells is simple and straightforward, but I generally feel that this works in its favor. We are thrown right into the action, and we are shown with great efficiency and effectiveness exactly the type of character that Bond is. This is not a film that wastes your time. The first 80 minutes of Dr. No are everything you want from a Bond film, but near the end I sadly feel that it falters somewhat. Though it still far from terrible and retains every ounce of the style that makes this film so great, the storytelling in the final act is simply not as good. I do feel that a lot of this may be due to it not necessarily aging the best. Dr. No is an incredibly clichéd villain, and although it should certainly be noted that this film is largely responsible for most of the tropes it presents, it can still feel somewhat tiresome. Dr. No is a ridiculously overdramatic villain, and between his private island and his robotic hands he fits the mold for a 'Bond villain' perfectly. This isn't necessarily a bad thing, but when it comes to the final act a villain that is supposed to be very menacing and incredibly intelligent ends up coming across as incompetent. This leads to an ending that feels quite abrupt, and even a little anticlimactic. The Bond franchise is also notorious for its 'Bond girls,' female leads who are usually throwaway characters, included entirely for sex appeal. Dr. No is no exception. The character of Honey Ryder in this film has no real bearing on the story, and everything could have played out in exactly the same way without her inclusion. Bond always has, and always will be a womanizer, a character trait with which I have no problem, but this often comes at the expense of the female leads. For this reason, I am glad that, while certainly very present, these aspects of Bond's character are less extreme than they are in some of the later films. Honey Ryder is an unfortunately irrelevant character, but she is also a very small one. The film doesn't spend too much time on these parts of the story. Dr. No is not the best Bond film, but it is the first, and for that it deserves recognition. It does an excellent job of establishing Bond's character, and it is gripping from start to finish. If you want to watch a Bond movie, then Dr. No will give you everything you expect to see, and very little else. It is far from a masterpiece, but it established all of the tropes you expect to see from a Bond film, good and bad, and that at the very least is laudable.