L'inspecteur

Dolores Hart heads a cast of mostly British players in The Inspector, a film about a Dutch Jewish refugee determined to get to Palestine. Her's is a tightly controlled performance of a woman for whom every kind of emotion has been drained out of her. But she wants more than life itself to live in a Jewish homeland, a place where she doesn't feel like an unwanted guest.

Stephen Boyd plays a Dutch police inspector who covers up the fact that she killed a white slaver looking to pimp out her sexual services. Boyd and Hart are kept under a loose surveillance by British intelligence as many try to help them in their quest.

As we know the politics of oil kept the British who occupied Palestine tilting toward the Arabs. But for many, humanity dictated otherwise.

A nice cast was put together in support of Boyd and Hart and standing out are Leo McKern as a gruff Dutch barge captain, Donald Pleasence as a surveilling policeman and Hugh Griffith as a gunrunner.

For the leads this is some of the best work they do in their interrupted careers, Boyd by an early death and Hart by retiring from acting to go into a convent where she still is a mother/prioress.

Exodus was an epic tale of the founding of Israel. The Inspector reduces the story to an inspiring singularity.

I think this might have been Hart's last film prior to her entering the Convent. She had been a young Jewish girl sent to one of the camps. The war was winding down and she was able to get away from the Nazis. Well some how or other she met this Dutch detective and he promised to help her. It was a very well acted movie and I cannot say much more as it would constitute a spoiler practically in scene by scene. I am disappointed not to find Lisa on any movie channels and the same applies to stores selling movies. It was a poignant rendering what I presume many people I have been come in contact with for the last 4 years. Lee

This is a haunting, yet little-known film, beautifully acted, that shows the after-effects of Nazi concentration camp sterilization and torture on a young Jewish girl, as she tries to escape to Palestine after the war. The budding romance between the principal actors adds an extra poignancy to the tale, as they are separated in the dramatic and unforgettable ending. I only wish this film were on video, so that a new audience of young people could learn and benefit from its story.

I saw this movie many years ago, when I was in my teens, and then again when I was in my 20s. I haven't found it since. It was very moving to me at the time, partly because I really loved Delores Hart and Stephen Boyd. Alas, Steven Boyd died young, and never got the credit he was due as an actor while he was alive. And - alas again - Delores Hart's career was quite short because she left Hollywood at a young age and entered the convent.

This is an unusual love story between a Dutch detective/police officer, and a young Jewish woman who is more or less stranded in Holland after the war. The detective is emotionally moved by the plight of this young women, and decides to help her get to Palestine. The rest of the movie revolves around their difficult and event-filled journey.

Both Hart and Boyd are wonderful in their roles, and Hart's plight, and Boyd's emotional response and caring for her, are very moving. I believe that Boyd's character represents the European, non-Jews who went out of their way to help Jews during, and after WW II. But his feelings of caring for her, and his response to her particular story (I won't go into detail here about her tragic circumstances) go beyond guilt and just wanting to help. He is very drawn to her, and eventually, she is to him as well.

Anyway, well worth seeing this emotional and atmospheric film. the film is from a book by the writer Jan de Hartog, and it is a very original, unusual story.

I saw this film as a young girl in the sixties and never forgot it. One of the great pluses in this film is the very deep cast of English character actors who parade through the story. Not the least of which is Donald Pleasence. I consider this film the first to bear the, Donald Pleasence is in it, it must be good, rule. You know, that seal of approval that M.Emmet Walsh and later J.T. Walsh brought to their work.

I consider this to be Stephen Boyd's best work, and indicative of the career he could have had, had he not been saddled with the "too good looking for his own good" curse that ruined the aspirations of a lot of actors doomed to play shallow roles. As for Delores Hart's final screen performance, goodness only knows what she could have accomplished had she not committed her life to God. One of the great show biz what ifs. But the real star of this movie is the story, with its brutal for its time period, depiction of refugees problems in a post war Europe. Attempting to start anew while unable to escape the horrors of her war time experiences, Lisa is an unwanted and painful reminder of a society that wishes to move on but can't agree on how to handle the problems of thousands of extraneous displaced victims. And how this film refuses to sugar coat the ending, leaving its characters with choices that can only be described as excruciatingly heartbraking and yet uplifting at the same time. The post war experience in Europe was no picnic for the victims or the guilt ridden bystanders. This film will haunt you.