ÉVALUATION IMDb
6,5/10
1,7 k
MA NOTE
Une actrice d'Hollywood se déguise en geisha pour convaincre son producteur de mari de lui confier un rôle dans son adaptation de Madame Butterfly qui se passe au Japon.Une actrice d'Hollywood se déguise en geisha pour convaincre son producteur de mari de lui confier un rôle dans son adaptation de Madame Butterfly qui se passe au Japon.Une actrice d'Hollywood se déguise en geisha pour convaincre son producteur de mari de lui confier un rôle dans son adaptation de Madame Butterfly qui se passe au Japon.
- Réalisation
- Scénariste
- Vedettes
- Nommé pour 1 oscar
- 1 nomination au total
Robert Cummings
- Bob Moore
- (as Bob Cummings)
Tatsuo Saitô
- Kenichi Takata
- (as Tatsuo Saito)
Ichirô Hayakawa
- Hisako
- (as I. Hayakawa)
Junko Aoki
- Geisha
- (uncredited)
Nobuo Chiba
- Shig
- (uncredited)
Marion Furness
- Bob's girlfriend
- (uncredited)
Kazue Kaneko
- Geisha
- (uncredited)
Satoko Kuni
- Maid
- (uncredited)
Mayumi Momose
- Geisha
- (uncredited)
Nariko Muramatsu
- Head waitress
- (uncredited)
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Avis en vedette
improbable, but entertaining....
"my geisha" is charming. suspend belief a bit, and one realises how good an actress shirley maclaine is and how convincingly she becomes a geisha.
the movie is fluff. but the attempt to parallel the plot to the libretto of "madama butterfly" is clever and almost successful. edward g.robinson as sharpless; maclaine as pinkerton, and montand as butterfly... it is a very literate attempt to use the sub-plot as the driver for the main plot.
there are moments when one is reminded of a doris day-rock hudson frolic - expected in a comedy from 1962. but there's also a real "edge" that comes from the characters being a little less than saccharine. as has been pointed out, the cinematography is quite sharp. so there is an air of substance to the production, and quality is evident.
in the end, though, one just should enjoy it.
the movie is fluff. but the attempt to parallel the plot to the libretto of "madama butterfly" is clever and almost successful. edward g.robinson as sharpless; maclaine as pinkerton, and montand as butterfly... it is a very literate attempt to use the sub-plot as the driver for the main plot.
there are moments when one is reminded of a doris day-rock hudson frolic - expected in a comedy from 1962. but there's also a real "edge" that comes from the characters being a little less than saccharine. as has been pointed out, the cinematography is quite sharp. so there is an air of substance to the production, and quality is evident.
in the end, though, one just should enjoy it.
the guilty pleasure of enjoying this film...
Not a great film by any means---the dialogue tends to the wooden, and the plot to the improbable---but, somehow, it is fun to watch. As the movie goes on, Montand and MacLaine seem to warm to their roles, and some of Montand's introspective musings about love, career, and marriage, in the unwitting presence of his wife, are genuinely touching. MacLaine looks quite stunning made up as a geisha, and the location scenes of Japan in 1961 (Kyoto, Tokyo, Miyajima, Hakone) are alone worth the price of admission. Japanese culture is treated with fond respect, not simply with amusement or exotic interest. The speech by the ancient geisha "master" about the idealization of womanhood strays a bit into embarrassing hyperbole, but this is the exception, not the rule, in the film.
top of my "guilty pleasures" list
This film is at the top of my "guilty pleasures" list of films; not a great film but one for which I have great affection. I first saw it in the mid 60's when I was a teenager at a Saturday afternoon matinée. Then, I had no idea what the title meant. The word geisha was totally new to me. At that age I would go to a Saturday matinée and watch whatever was offered, and as I watched this film I found myself falling in love with Shirley MacLaine, the music of Puccini's "Madama Butterfly" and Japan. I credit it with starting my abiding interest in and fascination with the culture of Japan and for my making several visits to that country as an adult. I watch it once a year between Christmas and New Year on my now worn VHS tape version. I have been looking forward, in vain, to it's release on DVD which for some reason has yet to happen and to seeing it once again in all its wide screen charm. p.s. Finally, Paramount has condescended to release this film in DVD format and it looks and sounds great.
10dlgart
Shirley shines.
What on the surface appears to be an improbable plot line becomes increasingly plausible due to the combination of great make up work, spectacular costuming, (Edith Head) and a truly amazing performance by Shirley Maclaine. Crisp, sharp focus, color cinematography, interesting locations and set design, combine with a genuine fondness for Japanese culture resulting in an admirable early 60's comedy/drama.
Seen once, but unforgettable and haunting.
Although I only saw this movie once over ten years ago on late night TV,I was struck by the beautiful scenery and the storyline somehow reminded me of James Mason & Judy Garland "A star is born".Shirley Mclaine is a favorite of mine and she managed to imbue the Japanese persona so purely and one could feel Yves Montand frustration and eagerness to achieve success without his wife.I cannot recall much more of this film but I do know that my best friend Maruschka has watched it so many times that her tape copy is wearing out.It is a classic love story. Very hard to find a copy for it and I would love to see it out on DVD.I would then surprise my friend by buying her a copy (and one for me also).Millie
Le saviez-vous
- AnecdotesShu Uemura took over the makeup for MacLaine's Geisha role after Michael Westmore fell ill. The international recognition Uemura received for his work enabled him to launch his own cosmetics company.
- GaffesA huge premiere is planned for the movie Lucy is working on mere days after the final scene is shot; in reality, a major film of the magnitude she's starring in would take months for editing and other post-production work.
- Citations
Kazumi Ito: No one before you, my husband, not even I.
- ConnexionsFeatured in The 54th Annual Academy Awards (1982)
- Bandes originalesMADAMA BUTTERFLY
Sequences
Written by Giacomo Puccini, Luigi Illica, Giuseppe Giacosa
Performed by Shirley MacLaine (dubbed by Michiku Sunahara) and Robert Cummings (dubbed by Barry Morell)
Conducted by Franz Waxman
Meilleurs choix
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- How long is My Geisha?Propulsé par Alexa
Détails
- Durée
- 1h 59m(119 min)
- Rapport de forme
- 2.35 : 1
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