Un cinéaste dépressif fuit le monde du cinéma et se réfugie dans un univers peuplé de fantasmes.Un cinéaste dépressif fuit le monde du cinéma et se réfugie dans un univers peuplé de fantasmes.Un cinéaste dépressif fuit le monde du cinéma et se réfugie dans un univers peuplé de fantasmes.
- A remporté 2 oscars
- 19 victoires et 9 nominations au total
Anouk Aimée
- Luisa Anselmi
- (as Anouk Aimee)
Eddra Gale
- La Saraghina
- (as Edra Gale)
Histoire
Le saviez-vous
- Anecdotes8 1/2 (1963) was shot, like almost all Italian movies at the time, completely without sound recording on set. All dialogue was dubbed during post production. Federico Fellini was known for shouting direction at his actors during shooting, and for rewriting dialogue afterwards, making a lot of the dialogue in the movie appear out-of-sync. (Source: High-def Digest)
- GaffesWhen Guido visits the cardinal in the mud bath, the cardinal is sitting in a chair, fully dressed in his cassock, as two attendants use a sheet to form a curtain around him; however, as the camera cuts to a closer angle, the cardinal is suddenly undressed to the waist.
- Citations
Claudia: I don't understand. He meets a girl that can give him a new life and he pushes her away?
Guido: Because he no longer believes in it.
Claudia: Because he doesn't know how to love.
Guido: Because it isn't true that a woman can change a man.
Claudia: Because he doesn't know how to love.
Guido: And above all because I don't feel like telling another pile of lies.
Claudia: Because he doesn't know how to love.
- Autres versionsIn the American theatrical release version, Rodgers & Hart's "Blue Moon" can be heard twice: the first time, when it's played by strolling strings near the shopping plaza where Guido meets up with his wife, Luisa; the second time, when Guido goes out for a drive with the "real" Claudia. However, in the original Italian release, the song played in both scenes is "Sheik of Araby." The Criterion laserdisc features "Blue Moon," but it's "Sheik of Araby" on the DVD, possibly due to the use of different source materials.
- ConnexionsEdited into Bellissimo: Immagini del cinema italiano (1985)
Commentaire en vedette
I certainly wouldn't be saying anything new if I said that "8 1/2" is one of the most unique, fascinating, and personal pieces ever committed to film. It has consistently hailed as such, and its influence on film is far reaching and undeniable. It is certainly not one of the most entertaining movies of all time, and is actually quite long and difficult. But it is an incredible piece of filmmaking, and a gripping look at the difficulties of creating not just a movie, but art in general.
Guido (Marcello Mastroianni) is a popular movie director who is working on his new film. Along the way, he struggles with his screenwriter, producer, wife, and mistress. Each presents a different problem and obstacle. More and more difficulties arise, not just in his attempts to complete the movie, but in his own mind.
Guido, although flawed, is completely fleshed out, and draws sympathy from the audience. Yes, he is an adulterer, but he loves his wife. We see all of his personal desires and agony. We see how he suffers when he struggles with his desire to create the ultimate piece of art, one that offers something to everybody.
The movie is technically wonderful. The movement of the camera, the lighting, and the direction in general is top notch. The movie mixes in dreams with reality to create a dreamlike world, and put us closer into Guido's own mind.
Somebody who is looking for a movie as a two hour piece of entertainment will not enjoy this. But if you enjoy a movie that truly satisfies when it is finished, this is for you. It is quite long, and somewhat loose, but that is part of the interest. Moviemakers, or artists in general, will find that this film has a great deal to offer.
Guido (Marcello Mastroianni) is a popular movie director who is working on his new film. Along the way, he struggles with his screenwriter, producer, wife, and mistress. Each presents a different problem and obstacle. More and more difficulties arise, not just in his attempts to complete the movie, but in his own mind.
Guido, although flawed, is completely fleshed out, and draws sympathy from the audience. Yes, he is an adulterer, but he loves his wife. We see all of his personal desires and agony. We see how he suffers when he struggles with his desire to create the ultimate piece of art, one that offers something to everybody.
The movie is technically wonderful. The movement of the camera, the lighting, and the direction in general is top notch. The movie mixes in dreams with reality to create a dreamlike world, and put us closer into Guido's own mind.
Somebody who is looking for a movie as a two hour piece of entertainment will not enjoy this. But if you enjoy a movie that truly satisfies when it is finished, this is for you. It is quite long, and somewhat loose, but that is part of the interest. Moviemakers, or artists in general, will find that this film has a great deal to offer.
- kyle_c
- 19 juill. 2002
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Détails
Box-office
- Brut – États-Unis et Canada
- 98 760 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 947 $ US
- 11 avr. 1999
- Brut – à l'échelle mondiale
- 200 502 $ US
- Durée2 heures 18 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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