Il faut marier Papa

I was a senior in high school when this movie came out in 1963. Part of my fun watching it is to recall how some things were in that era. My family owned a 1961 Ford and in the scenes at camp we see many of the new 1962 Ford cars there.

One thing that was NOT common, although maybe in Manhattan where this movie is set, the man coming home from work and immediately pouring himself a drink. And people casually smoking wherever they happened to be.

Anyway it all brings back fond memories of the early 1960s. The stars of the movie are the father-son duo, the Corbetts. Dad manages an important radio station in Manhattan, his son is Ron Howard (still Ronny) as Eddie Corbett. The movie was filmed when Howard had just turned 8, during a break from "The Andy Griffith Show." He was quite experienced already and handled his role as a real pro.

Eddie's mother had died not long ago and his dad (Glenn Ford) was showing interest in a particular woman. Eddie sized her up right away, did not approve, and began to work on getting his dad and the lady in the apartment across the hall (Shirley Jones) together.

So that in essence is what the story is about, Eddie working things out so that his dad would marry the right woman.

Very well made and entertaining movie with many of the best actors of that time. At home, on DVD from my public library.

First I need to point out that this movie isn't much like the later TV series. It stars Glenn Ford as a widower raising a young child, played by Ron Howard. While their relationship is loving and sweet, they are both looking for a new wife/mother. And Ron Howard is a little devil trying to set up Dad! I like the kid's taste, though, as he sets his sights first on Stella Stevens and then on Shirley Jones--that kid had great taste! Even though you can easily predict where the movie will end up, the acting and writing and direction are so good that you don't really mind at all. That's because it is sentimental but avoids schmaltzy, gooey over-sentimentalism that could have easily ruined this film--thanks in part to a decent use of comedy.

I tuned in to this one because I'm becoming a real Glenn Ford fan. I think he's a superb and underrated actor with a wide range, and he indeed shines in this charming and unpretentious flick. As far as all the comments about being dated and politically incorrect, I recall the admonition of my college history professor that we cannot judge past eras by the standards of the times we live in. And this film is not that ancient. I and many viewers grew up in the era in which this movie was made, and considering things nowadays I wouldn't mind going back. Anyway, the film does have its flaws, primarily the speed with which Eddie goes from mourning to trying to get his Dad hitched again. It's a bit unnatural, but we should just suspend disbelief. The chemistry between father and son is what makes the film shine, and in this age of broken families and parents willing to discard their children, it's sadly nostalgic to see such devotion. The film never overplays Tom's relationship with his two paramours. Character development is well done, including the housemaid Mrs. Livngstone, who finally learns Spanish, only to find out she studied the wrong language. It's a charming and tender movie, and the production values are great. The color technology in films of that era was so superior to today's.

I disagree that this movie is sexist at all. In fact, I believe that the character of Tom Corbett is quite different (in a good way) from the fathers of that time. I continue to find this movie extremely entertaining (while ertainly more "fluff" than depth) and nostalgic, due in most part to Ron Howard's superb and engaging performance. The parts where Eddie tells his dad at summer camp that he is in love, and the end of the movie, where Eddie is "practicing" with this dad on what to say to the neighbor to ask her out on a date, are absolutely priceless. Watching Ron Howard in this movie makes you realize why he was sought after as a child actor.

Glenn Ford did two films with director Vincente Minnelli, the incredibly bad sound remake of The Four Horseman of the Apocalypse and this very good family film about a widower and his young son trying to get on with life after the wife and mother has passed away.

The Courtship of Eddie's Father in addition to being made into a long running television series with Bill Bixby, Miyoshi Umeki, and Brandon Cruz, still holds up very well after 44 years.

What makes the film is the very real chemistry between Glenn Ford and Ron Howard who was on hiatus from the Andy Griffith show to make this film. The Courtship of Eddie's Father is about two very real individuals trying to work through the hurt that's surrounding a very big hole in their lives.

Ford plays the manager of a radio station and Jerry Van Dyke has a nice role as Ford's best friend and one of the disc jockeys. Roberta Sherwood has the part of the housekeeper who's trying to learn Spanish, the part that Miyoshi Umeki did for television. As you can imagine it was rewritten somewhat.

There are three women interested in Ford at one time or another. Shirley Jones is the best friend of the deceased, living in the apartment across the way. Dina Merrill is the society lady that she is in real life. And Stella Stevens is the beauty queen from Montana who's got some hidden talents. One guess who Ford looks like he'll wind up with in the end. Give you a hint, it's the one Ron Howard wishes it is.

After the disaster of The Four Horseman of the Apocalypse, Minnelli owed Glenn Ford a good picture and he certainly delivered.