Dr Folamour
Titre original : Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Un général insensé ouvre la voie à l'holocauste nucléaire dont une salle de guerre remplie d'hommes politiques et de généraux tente désespérément d'éviter.Un général insensé ouvre la voie à l'holocauste nucléaire dont une salle de guerre remplie d'hommes politiques et de généraux tente désespérément d'éviter.Un général insensé ouvre la voie à l'holocauste nucléaire dont une salle de guerre remplie d'hommes politiques et de généraux tente désespérément d'éviter.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 4 oscars
- 14 victoires et 11 nominations au total
Glenn Beck
- Lt. Kivel
- (as Glen Beck)
8,3546K
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Sommaire
Reviewers say 'Dr. Strangelove' is celebrated for its dark comedy and Cold War satire. The film is lauded for its sharp humor, Peter Sellers' versatile performance, and critique of military and political incompetence. Themes of war, nuclear absurdity, and unchecked power are prominent. Despite some finding the humor excessive, it is largely seen as a timeless classic. Kubrick's direction and the clever script are often highlighted as strengths.
Avis en vedette
How can it get better than this?
The insane acting talent displayed by Peter Sellers isn't the only thing this film did for me. It created a sense of pure panic while simultaneously finding humor in this early piece of brilliance from Kubrick in his long directing career. George C. Scott also turned in a fantastic performance as a typical war hungry 1950's/60's military general. This film will transport you into the middle of a Cold War era. A period where despite the warning label in the beginning explaining its fictional origin, it definitely possessed real possibilities. The whole cast does a absolutely brilliant job and I am a firm believer that this will remain timelessly enjoyable.
My favorite movie of all time, bar none
One of the funniest and yet most poignant movies I have ever seen. Kubrick is at his best here, as usual showing what can happen when a finely tuned system built by humans (in this case, the tremendous infrastructure of Mutually Assured Destruction) just doesn't work. As usual, Kubrick's point is that the system is only as good as the people running it, and here the people running it are hilariously bad. Career-peak performances by George C. Scott, Slim Pickens, and of course Peter Sellers, Peter Sellers and Peter Sellers.
Despite many of this movie's hilarious moments having entered general popular culture, when you watch it they are still funny enough to make you laugh out loud. And there are yet many more comic gems to delight the unfamiliar viewer. I've seen Strangelove twice in theaters in the last couple of years ... I was stunned to find packed audiences screaming with laughter and delighted to learn that I'm not the only one who finds it hilarious, even decades after filming.
Despite many of this movie's hilarious moments having entered general popular culture, when you watch it they are still funny enough to make you laugh out loud. And there are yet many more comic gems to delight the unfamiliar viewer. I've seen Strangelove twice in theaters in the last couple of years ... I was stunned to find packed audiences screaming with laughter and delighted to learn that I'm not the only one who finds it hilarious, even decades after filming.
Sharp and outrageously entertaining
I never really bought into the Kubrick hype. I mean: don't get me wrong; I like all of his films very much - but to me, they all feel somewhat over-constructed and lack a natural flow. And then I finally got to see 'Dr.Strangelove'. Wow. What a terrific, pitch black satire. This film is so wild and mean and funny - and Peter Sellers gives THE performance of his career. Unlike in any of Kubrick's later works, there's a sense of playfulness here that gives the whole movie a crazy kind of energy; I'm guessing that Seller's love for improvisation forced Kubrick to ditch his usual perfectionism to a certain degree (and the film is all the better for it). Sharp, outrageously entertaining comedy/satire by one of the most revered directors of the past century. 10 out of 10.
Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/
Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/
Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/
Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/
Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/
Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/
Russians In The War Room
Spectacular and chilling to watch Dr. Strangelove in May 16, 2017. I'm not going to talk about prophecy not even coincidence. Art has a way to warn, express or simply entertain in a way that its relevance will always be renewed. That opening with George C Scott's secretary, in her underwear, answering the phone for her boss in the most professional tone imaginable, is a masterful way to introduce us to the normal absurdity we're about to embark on. Terry Southern's extraordinary script (sharing credit with Peter George and Stanley Kubrick himself) is a masterpiece of intention and execution. The film doesn't have a moment of emptiness nor a single cheap shot. Everything works with the irrational logic of tradition and set standards. How can something so serious and ultimately terrifying can be so funny. I think that's the definition of film art. I don't want to sound pompous but that's exactly how I feel. I've seen a 1966 movie by Stanley Kubrick in 2017 that's better, more relevant, ingenious and even revolutionary than anything we've seen in a long, long time. Peter Sellers, fantastic three times over (and he was also going to play the Slim Pickens part) George C Scott in one of the greatest comic performances ever put on film and Sterling Hayden in a frighteningly credible show of abuse of power, complete the pleasures of this remarkable film.
A true masterpiece!
Doctor Strangelove or: How I Learned To Stop Worrying and Love the Bomb is truly a masterpiece. It manages to be a hilarious comedy while still being a film with very serious themes. It is just the perfect balance, and it is truly overall a flawless film.
Director's Trademarks: A Guide to Stanley Kubrick's Films
Director's Trademarks: A Guide to Stanley Kubrick's Films
2001: A Space Odyssey and Eyes Wide Shut are just the beginning of Stanley Kubrick's legacy. Are you up to speed on the film icon's style?
Le saviez-vous
- AnecdotesWhile shooting aerial footage over Greenland, the second unit camera crew accidentally filmed a secret U.S. military base. Their plane was forced down, and the crew was suspected of being Soviet spies.
- GaffesTowards the end, when Strangelove is fighting with his renegade right hand over control of his wheelchair and punches it several times out of frustration, the Russian Ambassador (Peter Bull) clearly corpses (laughs) at Peter Sellers' performance and then quickly regains his composure.
- Citations
President Merkin Muffley: Gentlemen, you can't fight in here! This is the War Room.
- Autres versionsThe US version opens with the following text being displayed before the Columbia lady appears: "It is the stated position of the U.S. Air Force that their safeguards would prevent the occurence of such events as are depicted in this film. Furthermore, it should be noted that none of the characters portrayed in this film are meant to represent any real persons living or dead."
- ConnexionsEdited into Hai-Kubrick (1999)
- Bandes originalesTry a Little Tenderness
(1932) (uncredited)
Music by Harry M. Woods, Reginald Connelly, and Jimmy Campbell
Arranged by Laurie Johnson
Performed by Studio Orchestra during the opening credits
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Docteur Folamour
- Lieux de tournage
- Banff National Park, Alberta, Canada(aerial photography - outside bomber views at end of flight)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 800 000 $ US (estimation)
- Brut – États-Unis et Canada
- 9 440 272 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 751 $ US
- 17 juill. 1994
- Brut – à l'échelle mondiale
- 9 669 969 $ US
- Durée
- 1h 35m(95 min)
- Couleur
- Mixage
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