What, I wonder, would a director do on the set of a movie starring Frank Sinatra and Dean Martin? Light their cigarettes? Mix their drinks? Laugh at their jokes? One thing he certainly does not do is play "auteur." The director is present to say "Cut" and "Print," not to pursue his "vision" or any of that arty stuff. "Four for Texas" gave Robert Aldrich a pair of stars who, in terms of popularity, may have been the male equivalent of Bette Davis and Joan Crawford whom he had directed the previous year in "Whatever Happened to Baby Jane?" But whereas Davis and Crawford were passionate enemies, Ol' Blue Eyes and Ol' Dino were the best of buddies, and their movies treated as casually as any of their swingin' Vegas gigs. It was an opportunity to have some fun and get paid doing it. If that fun translated to the screen, fine, but in this movie the cast appears to be entertaining itself while putting the audience to sleep. If Aldrich had no control over Frank and Dino, he compensated by overdirecting Charles Bronson who is as animated--for him--as Bugs Bunny. The whole shebang is a comedy-western, but there are virtually no laughs, only snickers--from the cast, not the audience. In comparison, "Ocean's 11" is some kind of classic.
