Un monde fou, fou, fou, fou

I never planned to write a review for this movie, until I took a stroll through the user comments, and was shocked at all the people who think it is.... God help us... overrated. No way. If anything, it is UNDERrated. I see people complaining about the endless shouting, the over the top slapstick, the brashness, the loudness, the length. I can only conclude that these people are a bunch of humorless dorks.

First of all, you can't just sit down to watch a three hour movie without knowing what you're in for. This is not your typical comedy--this is an EPIC comedy, the first of its kind, that inspired other such epics as "Those Magnificent Men in their Flying Machines" and "The Great Race" (which happens to be my favorite comedy--in fact, I'd like to say it's the better movie, but props go to this one for inventing the genre). And I can't speak for everyone else, but this movie leaves me laughing from start to finish.

Yes, it is very long, but it NEVER has a dull moment. Even if the amazing car stunts aren't particularly funny, you can't tell me they aren't wildly entertaining. I have yet to see an action movie with better car chases than these. And yes, the slapstick is ridiculously over the top, although I can't see how that's a problem (the gas station scene is one of the funniest in movie history, in my opinion). But underneath all the slapstick and shouting, holding the whole movie together, is that incredibly cynical message. It is a movie about kind, decent folks turning into law-breaking lunatics and ruining their lives for the sake of money. The subplot with Spencer Tracey realizing his entire life has been a waste, and then ruining what life he has left, is one of the most tragic story lines I have seen. But it's also pretty darn funny.

All the critics need to lighten up and see this for the absurd, delirious, hysterical farce it is.

10/10 stars.

Well-so far I haven't read one good review of this movie on here. I don't have a lot to add except growing up, this was one of my favorite comedies. This is totally slapstick, lots of chases and things breaking-silly and almost plot less-but oh how I laughed. I'm not quite sure WHY I did but I have never been able to view this movie without breaking out into Gales of laughter. Since I'm writing a review, I'd like to try to give a specific reason Why this off the wall, completely silly movie appealed to me so much but I can't because there is no reason. This movie is ridiculous in it's way, but it knows it, and doesn't Take itself at all seriously. It's like Seinfeld-a movie about nothing.(Except Chases, things falling, breaking etc). That's it. But It's funny. It's mindless and it's entertaining and I loved it! Since, I haven't seen it in quite awhile, maybe I wouldn't love it now and I can see how it wouldn't be for everybody but all I know is this is one of the few comedies that rendered me absolutely hysterical through most of it and I'm not the only person who had that reaction. This is coming from someone who isn't particularly fond of slapstick. There's not much else to say about it-it's certainly a mad, mad movie and one that gave me numerous laughs many a time.

This was the first time a comedy got the "epic" film treatment and after getting increasingly pretentious in his previous two dramas, Stanley Kramer just went all out for simple old-fashioned fun with the largest ensemble of comic talent he could get his hands on. How big? Consider that this is a film in which both Jack Benny and Rochester appear, but not together (also true of Phil Silvers and his "Sergeant Bilko" nemesis Paul Ford). Just about every big name in TV comedy of the 50s and 60s is here and the results, while not the greatest of its kind ("The Great Race" is a funnier film in my opinion) still manages to deliver the laughs.

It's too bad the remaining ten minutes (plus the police bulletins intermission) of the road show version still is missing, because the expanded version helped me appreciate the film a lot more than I did the first time out when I saw it on TV as a faded pan and scan atrocity. This is one film that makes great use of the widescreen.

Having been born in 1965, it's safe to say that the first time I ever saw "It's a Mad, Mad, Mad, Mad World" was on network television. Every other user comment already reveals enough about the movie, so I'll just stick with my own experiences regarding the film.

If you must know, yes I do believe this film is a well-deserved comedy classic, but it's also loaded with breathtaking scenery (natural and contemporary) that's often overlooked by most critics. Many a fan wants to know where that mountain road is. Since I'm also a fan of big cars of the post-WW2 era I can easily spot every one. Mickey Rooney's Volkswagen must be worth a fortune if it's still around. And I don't care if this movie is over 3 hours long. As one commenter put it it has been edited to pieces. I envy those who saw the original 1963 version of this movie, but even they didn't see everything. The versions I've seen include the original television edit, the director's cut on 2 VHS tapes which contain some "lost scenes" and people I never even knew were in the movie, the DVD, and even a version on TV where some scenes were shown out of order. The director's cut VHS tapes is the best, partially because of those scenes such as additional police observations, as well as having the sense to keep the original overture, entr'acte, and exit music title cards. Unfortunately, the DVD removes those lost scenes and mixes them with a section of other deleted scenes, like a louder version of Buddy Hackett's "17 ways of figuring it" speech, and some riskier ordeals in Santa Rosita Park.

I've come to the conclusion that there's only one solution to this problem -- unless all footage is found and re-installed into the original version, the screenplay must be released into a book and sold to the public.

I saw this film for the first time when I was seven or eight -I don´t remember it exactly. What I do remember is that it made me spend one of the funniest whiles in my life. At that time I didn´t know very much about the actors: except for Spencer Tracy, Mickey Rooney and possibly Peter Falk (who had already come into my heart as Lt. Columbo), I didn´t associate their faces with their names. Now I have a much better information about each and every one of them: Berle, Caesar, Hackett, Merman, Shawn, Thomas, Winters and all the rest. What I´ve always regretted is that I´ve never got to see the unabridged version of the movie: it lasts more than three hours and the prints that I´ve always watched last only two and a half hours. Nevertheless, I think this is one of the most amusing films I´ve ever seen. It seems obvious that the traces left by the greatest comedians of the silent period or the early talkies -Chaplin, Harold Lloyd, Laurel and Hardy, the Marx Brothers or Buster Keaton (who makes a cameo appearance in the film)- are present here in this picture. From the moment you see the amazing credits created by Saul Bass and hear Ernest Gold´s tremendous score, you know there´s something great coming in. Everything is perfection into the genre it belongs to: all that happens with the cars, the destruction of the service station by Winters (who looks like a raging bull in an antique dealer shop), the plight of Caesar and Adams in the basement of the hardware store, the scene of the pilot-less plane, Shawn´s attack against Berle´s and Thomas´s rented car...and oh, yes, the pursuit of Tracy! Well, in short, this film goes to show that in this mad, mad, mad, mad world there are many people who would do ANYTHING for money. I hope that someday I can see the integral version of this movie: I´ve seen it a hundred times in video, I know it by heart and I never get tired. The big W stands for WONDERFUL!