Les drakkars

A good yarn not to be taken too seriously. Some good fight scenes, especially the battle on the beach after the shipwreck. I felt Richard Widmark did not take his character too seriously, likewise Sydney Poitier, Oskar Homolka and Russ Tamblyn, Thr big plus for the movie was a great soundtrack. It is still with me even though I saw it on its first release in Sydney. The landscape for the fiords was magnificent. One aspect still standing out was when the king's captain brought the longship in to the jetty at full pace then reversed oars to stop it at the landing. I always wanted to do this and actually got a chance when coxing a racing eight back to its jetty.

They say you shouldn't re-visit things you dug when you were a kid, because you'll be disappointed. I remember being blown away by 'The Long Ships' on b/w TV when I was about 8, and I knew that the film wasn't going to live up to my memories - but it could have been a lot, lot worse.

'The Long Ships' was made at the tail end of the historical togas and sandals epics of the fifties and early sixties, and it doesn't take itself anywhere near as seriously as 'Ben Hur', 'El Cid' or 'The Egyptian'. It's basically a good old adventure yarn, and it's still actually a load of fun, even if it gets a bit bogged down in the middle.

Richard Widmark is a Viking (only slightly more ridiculously than his nemesis Sidney Poitier as a Moor) who is shipwrecked and thinks he has found the location of the fabled 'Mother of Voices' - a gigantic golden bell as tall as 'three tall men', made by monks somewhereorother. In his efforts to capture it he and his crew constantly run up against Poitier who has similar designs. All of this leads to some rather improbably rapid voyages from one end of Europe to the other, apparently accomplished overnight - but the film makers obviously didn't give a lot of priority to plausibility, and neither should the viewer.

Widmark plays his hero more like Indiana Jones than Ben Hur. There is a good deal of comedy, and a couple of scenes even feel like they belong in a 'Carry On' movie (particularly the scene where the Vikings bust into the Harem, which might have been offensive if it wasn't so deliberately slapstick).

Sure, it's an adventure drama, but if you're expecting the sort of grave, Biblical epic which had been popular for most of the previous decade, look somewhere else. 'The Long Ships' is a good old-fashioned adventure yarn, and as such is still pretty good fun; at least as much as modern equivalents like 'The Mummy'. I'm giving it a strong 6.0.

Considering Kirk Douglas, only five years before, has made of his 'The Vikings' the definitive viking epic, not so bad we could be entertained with a lighthearted version of the norwegian warriors. Sort of a 'comic relief' after the bloody, harsh, moody Douglas unsurpassed masterpiece.

Not to be taken seriously, this one. Directed by Jack Cardiff ('The Vikings' cinematographer), it offers fun, adventure, and a semi-Monty Python approach at times. The plot is the silliest ever, acting is hammy to the best, but what the hell?

The Othelo-tailored moor, cortesy of Sidney Poitier, is straight. The nice Russ Tamblyn makes his best. Rossana Schiaffino is traffic-stopper, jawbreaker, but this is a Richard Widmark's movie from the beginning to the end, because he is the only one who clearly got the point across: he is taken nothing, absolutely nothing, too seriously! He is clearly blinking an eye to all off us viewers all the time, saying: "Relax, folks, it's only a movie! Let's have fun!"

Somewhere in this very picture a given viking sighs: 'there's no real vikings anymore, like in the old times!" Man, they stayed all in the Kirk Douglas' movie, you bet! In this one, just tongue-in-cheek slapstick. Where's my popcorn pack?

The film starts telling the following legend :¨And so, by the storm's fury he lost all he loved most in this world, his ship and his shipmates. But he was ashore alone , the only survivor. Monks found him and took him to their monastery where they tenderly nursed him never asking his name of his country.And gradually he grew stronger, as he slowly recovered, he saw that the holy men collected tiny colored stones. And with great patience and loving skill made pictures from them to decorate their chapel. And the pictures told a story. A story of a mighty bell made of solid gold. For days without number the holy men labored to make this mighty bell, They made ready a great cauldron and under it fire burned day at night. They came of gold. Gold idols, golden rings taken from the harems, from wives, from princesses, from courtesans. Gold money, gold from ships, mines and caravans, from mosques , palaces and sacred cities. Gold stolen by robbers from from the tombs of pharaohs , golden cups, golden plate. Treasure won by conquering armies, And from its hiding place came the fabulous chain of Nimrud of the 10.ooo golden links. A last the huge cauldron was so filled with molten gold that no more could be added. Then I was poured into a gigantic clay mold. For days it stood cooling until the hour struck when the clay was torn away . And so the great golden bell came shinning into the world. They smoothed it, they polished it. Then they called on it to speak, And they ran back in terror and in awe. And covered their ears. For this was the mother of voices¨.

Rolf (Richard Widmark) as leader of a band of Norsemen along with his brother Orn (Russ Tamblyn) stealing a ship sets sail for the unknown land in search of a missing solid-gold bell . Meanwhile they kidnap a Viking princess (Beba Loncar) and hold her for security. Widmark heading off a mysterious place, defending his people and battling for his survival against mutinous crew , evil oppressors(Clifford Evans) and especially fighting Moorish prince named El Mansuh(Sidney Poitier) There're also some gorgeous babes ( Rosanna Schiaffino, Beba Loncar) around to offer us certain comfort .

This enjoyable picture packs adventures, thrills, good action scenes and is very amusing. Great location footage of booth Yugoslavia and Great Britain. Shimmer and glimmer cinematography by Christopher Challis. Spectacular and evocative musical score by Dugan Radic. The picture is well directed by Jack Cardiff (Dark of the sun, The girl on the motorcycle, My Geisha).

This basic costume epic belongs to Viking genre such as : The classic ¨The Vikings(1958)¨ by Richard Fleischer with Kirk Douglas and Tony Curtis, ¨The Norseman(1978) ¨ by Charles B Pierce with Cornel Wilde and Mel Ferrer ; ¨The Viking queen(1967)¨ by Don Chaffey with Don Murray and Andrew Keir; ¨The Viking sagas(1995)¨ by Michael Chapman with Ralph Moeller , among others.

The entertaining if somewhat protracted interest in spectacular pseudo- and quasi-classical myths, legends, histories and fantasies has been a healthy undercurrent in popular film from right around the time when Jack Cardiff's The Long Ships was released. While more of a Viking romp set in 'ye olden tymes' than a grand classical spectacle like Jason and Argonauts, The Long Ships has just enough class to keep you entertained and just enough spoof to make you chuckle. Forget history, ignore reality, and enjoy.

Richard Widmark, surprisingly, makes for a convincing Viking adventurer. Rolfe (Widmark) is an extremely ambiguous character around which the entire story revolves. Is he a pathological liar, a loyal son, a dreamer, or a visionary? Perhaps he is all of the above. Rolfe loses his ship and crew in a maelstrom somewhere in the lands of the Moors. He tells stories for spare change in a Moorish market and catches the ear of one of the local ruler's guards when he tells a story concerning a solid gold bell the size of three tall men.

The ruler - Aly Mansur - is played by the always excellent Sidney Poitier. Mansur is obsessed with the symbols of wealth and power and has been seeking this very same bell for years. His wife, played by the beautiful and talented Rosanna Schiaffino, is his more rational half. She plays an important role in the development of all three of the central characters. Claiming that he was just telling a story, Rolfe finally escapes Mansur's torture by making a spectacular dive from the ruler's prison tower into the sea. Apparently, he then swims home to Scandinavia, arriving at his home town only to find that his father has been made destitute by the king's wheeling and dealing.

So he makes his pitch and recruits the aid of his naive younger brother, a new crew, and a hostage (the king's maiden daughter) to steal the king's best ship and pursue the mythical bell. For the sake of brevity, I'll stop my description of the plot here, though I could easily go on for several pages without a spoiler. A lot happens.

Director Cardiff was well known for his cinematography (winning several awards, including a pair of Oscars). Although The Long Ships was not one of his more memorable efforts, the camera work is solid. The special effects, even for its time, however, are nothing special. Some of the maritime scenes are, frankly, not very good. And unfortunately, the editor chose to use the same scenes twice in order to save a few pennies.

Widmark shows his versatility nicely here. While playing shady characters is no stretch for this great actor, he manages to play up the comedic elements of the story - which are plenty - without losing Rolfe's dangerous ambiguity, upon which the entire story turns. The supporting cast is generally very good. And the stunt team should be legendary. The Long Ships incorporates a surprising amount of wild slapstick silliness into its highly choreographed fight scenes. I imagine that the film resulted in many bruised backs, sore shins and twisted ankles.

Although replete with violence, most of the gore remains implied, and The Long Ships succeeds as a goofy adventure primarily for young and young-old boys.