Slattery's People

By the mid-'60s I was a young "political junkie," so SLATTERY'S PEOPLE appealed to me. The grandeur of it all, you know.

Slattery was a legislative minority leader in an un-named state, and his "people" were the various sorts such a man would encounter, including -- a precocious note -- his girlfriend, a TV anchorwoman. There was nothing spectacular about this series, nor could any of its characters achieve a "following," all of which no doubt contributed to its quiet demise. To be fair, however, every episode involved a bona fide public issue important then and even now. One story was about wiretapping, another was cancellation of commuter train service.

In an interview a few years later, Crenna opined that SLATTERY'S may have been ahead of its time. Things would have to wait until the late 1960s and the blooming of "social conscience" and "getting involved." The fate of this programme probably influenced another proposal's stillbirth, I believe called THE POWER. Raymond Burr was to be a state governor, but he soon found gainful employment regardless.

In its humble way, SLATTERY'S PEOPLE foreshadowed the much celebrated WEST WING: Important people with the subliminal civics lesson. It is too bad the viewing audience was not ready for some low-key political drama.

"Slattery's People" (originally called "The Lawmaker") was a big critical success, but it never got good ratings.

Richard Crenna received two Emmy nominations as well as a Golden Globe nomination for playing Francis James Slattery, the minority leader of a state legislature. "Slattery's People" also received an Emmy nomination as Best Dramatic Series of 1965-66. One episode called "Rally 'Round Your Own Flag, Mister" was nominated for an Emmy as best single dramatic show of 1965-66. Lloyd Nolan and Warren Oates guest starred in that episode.

"Slattery's People" (1964-65) was a 60-minute dramatic series about state level politics, and was a forerunner of "The Senator" (1970-71) with Hal Holbrook and "The West Wing" (1999-2006). Each episode explored a contemporary social issue such as abortion, electronic surveillance of citizens and the trashing of political candidates' reputations. The show was distinguished each week by fine writing and fine acting by Crenna and the guest stars. Some of the guest stars included Claude Akins, Barbara Eden, Arthur Hill, Martin Milner, Paul Burke, Robert Lansing, Robert Blake, Madlyn Rhue, Ossie Davis, Larry Blyden, Sally Kellerman and Vera Miles. Virtually every episode was worthwhile. This was my favorite show when it was on.

"Slattery's People" was produced by Bing Crosby Productions, the same company that made "Ben Casey". Some of the very smart people making "Ben Casey" moved over to "Slattery's People" to make an even finer dramatic series. Directors included Lamont Johnson, Mark Rydell and Sydney Pollack. Writers included Dean Riesner ("Rich Man, Poor Man") and David Rintels ("Day One"). James Moser ("Dragnet", "Medic", "Ben Casey", "O'Hara, U. S. Treasury") was the creator and executive producer. Matthew Rapf ("Kojak") produced the twenty-six episodes of the first season, and Irving Elman ("The Eleventh Hour", 'The High Chaparral") produced the ten episodes of the truncated second season. The executive story editor was Fred Freiberger, who performed the same function on "The Senator".

Richard Crenna was 37 when he started playing Slattery in 1964. Up to this point, Crenna was only known for situation comedies: four years on "Our Miss Brooks" (1952-56) followed by six years on "The Real McCoys" (1957-63). Richard Crenna used "Slattery's People" to brilliantly reinvent himself as a serious dramatic actor. It was really stunning how fine he was when all you knew about him was his sitcom work. TV Guide critic Cleveland Amory was a big supporter of this show. Amory said Richard Crenna was so good that he belonged in the big leagues with David Janssen, Robert Lansing and Vic Morrow.

For the second season, the producers tried to sex up the show a bit and make it little more viewer friendly. We finally found out that Slattery's first name was Jim. The theme music was jazzier. Slattery's middle-aged secretary B. J. (Maxine Stuart) was replaced by voluptuous young Francine York. Sexy Alejandro Rey became Slattery's legislative assistant. Slattery even got a girl friend (lovely Kathie Browne as a reporter.) I thought the changes were all fine, and the show remained first rate in its second season. But "Slattery" got killed in the ratings by "The Man From UNCLE" and was off the air before December.

Maybe as a last ditch effort to save the show, Slattery could have been defeated for reelection and gone back home to be a defense lawyer. With this creative team they probably could have made a compelling lawyer show. But as it was, "Slattery's People" was a noble and unique achievement.

Richard Crenna was anything but lazy. After ten seasons of combined series work on "Our Miss Brooks" and "The Real McCoys", you would think he might want to take a rest. But in the 1963-64 season, the season after "McCoys" ended, Crenna directed four series pilots, two of which sold: "No Time For Sergeants" with Sammy Jackson and "Wendy and Me" with George Burns, Connie Stevens and Ron Harper. Crenna also directed two episodes of "The Andy Griffith Show". (Crenna had directed every episode of "The Real McCoys" in its final season.) Crenna also took on a challenging character role on a "Kraft Suspense Theater" episode called "The Long, Lost Life of Edward Smalley" (Crenna was Smalley). And he made the pilot for "Slattery's People". Crenna also starred that year as John Goldfarb in the movie "John Goldfarb, Please Come Home" with Shirley MacLaine and Peter Ustinov. Crenna got "Goldfarb" and a movie contract because the film's producers were extremely impressed with Crenna's performance in the "Slattery's People" pilot. They thought it was sure to make him a big star.

Like gmr-4, I too remember "Slattery's People." Being interested in politics, it was, and still is, one of my favorite television shows. I am glad to know at least one other person remembers it.

I recall one show in particular. It involved a person who wanted to build a house in a style which violated local design restrictions or what his neighbors wanted. It was a battle between an individual's right to build the house he wanted and government rules and regulations/neighbors. While I do not remember how the show turned out (though I think the individual was able to build what he wanted), the memory of that show has made me skeptical of unnecessary rules on house design, etc.

I doubt there is any way of getting any copies of old shows, but it there is, I would love to know about it.

If my memory serves--I was 12 at the time--the show opened with a voice over, maybe Crenna's, saying something to the effect that democracy was a terrible form of government: messy, wasteful, etc. BUT, all other forms of government were so much worse. As a callow, Beatle-crazed teen, this was the first time that I recall understanding irony.

I remember that my father watched the show religiously every week. I'm still grateful that he did. I think "Slattery's People" helped to develop my political conscience.

Why aren't these kinds of shows released to DVD?

Why are there 14,000 episodes of "Friends"?

One of the first political dramas on television that I recall is Slattery's People. The only other show I recall with a political tint to it was The People's Choice and that was anything, but serious.

Though it only lasted for a season Slattery's People attracted quite a cult following, unfortunately not big enough of a cult to keep it on the air or develop a cottage industry like Star Trek.

Previous to this show Richard Crenna had done nothing but comedy in Our Miss Brooks and The Real McCoy. I'm told Crenna embraced this show as his big attempt to have him be taken as a serious actor. Even though the show didn't last Crenna was never forced to play squeaky voiced adolescents or country bumpkins ever again. You have to credit the man with destroying his typecasting.

Bing Crosby produced this show and it is set in the state legislature of an unnamed state where Richard Crenna functions as the minority leader of an unnamed party. That Republicans and Democrats aren't used is not completely off base, a small group of states do have nonpartisan legislatures.

Crenna was an honest crusader and he was aided and abetted by Alejandro Rey as his Mexican-American administrative assistant. It was the first time that a Latino was cast in a serious role in a prime time drama.

Hopefully these shows will see the light of day again.