Le masque de la mort rouge

Once again scripted by Charles Beaumont and produced/directed by Roger Corman, Masque of the Red Death is a much-beloved horror film from a lost era. Movies will never again be made quite like this. It's filled with the same mad characters, gorgeous sets, and colorful dream sequences we're used to seeing from Corman. Vincent Price, however hammy he may be, is perfect as the Satan-worshiping Prince Prospero. This very well could be the most evil I have ever seen Price. The cast is fine but Patrick Magee is definitely worth mentioning. He is delightfully wicked. And the character of the Red Death itself is cryptic and cool. This is one of the most colorful horror pictures ever made. The sets are grand, the story is marvelous, and the ending is brilliant. Masque of the Red Death is perhaps the most expensive Poe production, but it's still not Corman's best. I leave that honor to The Pit and the Pendulum.

Possibly the best of the Roger Corman-Vincent Price series of film adaptations of the stories of Edgar Allen Poe, 'The Masque of the Red Death' is a chilling and malevolent tale of decadent devil-worshippers holed up in a castle while the Red Death claims its victims in the village outside.

Vincent Price was a gloriously hammy actor who played horror roles with the utmost seriousness. His characterization of Prince Prospero in this movie is brilliant - a man without a soul or heart who is only conquered when a girl of equal faith enters his castle (the wooden Jane Asher as Francesca). In support Hazel Court as the would-be Bride of Satan Juliana, and Patrick Magee as the corrupt Alfredo are particularly worthy of note.

The dwarf's revenge on Alfredo during the masque is as chilling as anything which came before in films such as 1932's 'Freaks'; while the film shimmers with beautiful cinematography (especially the coloured rooms) and simmers with corruption. The combined effect is superb and makes the film a memorable experience.

The evil Prince Prospero (Vincent Price) is riding through the Catania village when he sees that the peasants are dying of Red Death plague. Prospero asks to burn down the village and he is offended by the villagers Gino (David Weston) and his father-in-law Ludovico (Nigel Green). He decides to kill them, but Gino's wife, the young and beautiful Francesca (Jane Asher), begs for the lives of her husband and her father and Prospero brings them alive to his castle expecting to corrupt Francesca. Propero worships Satan and invites his noble friends to stay in his castle that is a shelter of depravity against the plague. When Prospero invites his guests to attend a masked ball, he sees a red hooded stranger and he believes that Satan himself has attended his party. But soon he learns who his mysterious guest is.

"The Masque of the Red Death" is a stylish movie directed by Roger Corman, with wonderful cinematography by Nicolas Roeg and based on a story by Edgar Allan Poe. Vincent Price has a great performance in the role of an evil Prince that worships Satan and learns that Death has no master and that each man makes his own Heaven and his own Hell. The Death is very similar to the character dressed in black of Ingmar Bergman's "Det sjunde inseglet" (a.k.a. "the Seventh Seal"). My vote is seven.

Title (Brazil): "A Orgia da Morte" ("The Orgy of the Dearh")

No need to go into storyline details after so many reviews. Looks like Corman's movie is Bergmann for the rest of us. The screenplay's heavy with philosophical themes about God, evil, and death. However, except for the themes and some of the imagery, the movie's a stylistic opposite of the grim Swedish filmmaker's Seventh Seal (1956). Here candy box colors are lavishly piled on top of one another. No shades of gray or bleak shorelines to depress viewers. Instead, it's manic gaiety interspersed with diabolical games of death and corruption. Looks to me like meaningful horror can be done even with a vivid color scheme, contrary to what some b&w purists have held. Then too, the movie shows that Price is quite capable of giving a non-hammy performance as his icily heartless Prospero proves in a tailor-made performance.

For a minute, however, I thought Hollywood might actually carry through with a tough- minded existential theme (a morally indifferent world) that is suggested by such remarks as our making our own heaven and hell or death being the only overarching reality. But no. Even death, it seems, has a soft spot for love and lovers. So at the last minute Hollywood sneaks in, after all. Nonetheless, the movie's easily the best of Corman's adaptations of Poe, echoes of Bergmann or no.

"The Masque of the Red Death" is another in the series of Edgar Allan Poe adaptations from Producer/Director Roger Corman. It has been compared in style to the films of Ingmar Bergman (particularly in the dream and masquerade sequences) and is one of Corman's personal favorites from the series.

The evil Prince Prospero (Vincent Price) discovers the "Red Death" in a tenant farmer village and burns it down. He takes protesters Juliana (Jane Asher), her father (Nigel Green) and her lover Gino (David Weston) to his castle, imprisoning the men and taking Juliana into his household. There she meets Prospero's mistress Juliana (Hazel Court) who becomes jealous of her.

On hearing mysterious noises one night, Francesca wanders through the cavernous castle and discovers that Prospero and Juliana are satanists and have plans to bring her into the "fold". Prospero believes that his "master" will protect all who are within his walls from the "Red Death". He arranges to have all of his so-called friends brought into the castle where they are entertained by their host. He announces that the evening will climax with a midnight masquerade ball. But an uninvited guest crashes the party.

Vincent Price is really nasty in the lead and gives one of his better performances. Jane Asher is appealing as the young Francesca and the lovely Hazel Court makes a beautiful bride of satan. This film is aided by the fact that it was filmed in England and was able to employ many gifted English character players in the supporting roles. In addition to those mentioned, there is Patrick Magee as Alfredo, who is equally as evil as Prospero, Skip Martin as the dwarf Hop Toad, little Verina Greenlaw as the dancer Esmeralda and Robert Brown as a prison guard.

This movie has to be viewed in wide screen in order to appreciate the panoramic shots within the castle, the beautiful color photography and the eerie shadows of the night.

Useless Trivia Dept.

1. Jane Asher is the sister of Peter Asher of Peter and Gordon pop music fame;

2. She was also linked romantically with Beatle Paul Macartney at the time this film was made;

3. Nigel Green would achieve greater fame as Inpector Nayland Smith in the Fu Manchu series with Christopher Lee; 4. Although I can't confirm this, I swear that that is Christopher Lee's voice coming from the red cloaked figure.