Doubles masques et agents doubles

There is some terrific writing in the script. The politics is sophisticated, and all these years later illuminating. The number of twists will keep you guessing. Hawkins is wonderful. All the British actors are.

However. Robertson is boring, not charismatic, not sexy, not funny . In the hands of a more appropriate actor this movie really could've been something.

From the film summary, you might be expecting more of a Ransom of Red Chief -type story , but it is not that . It is all about the adults and their shenanigans.

Good story marred by poor choice of lead actor and sluggish pacing, possibly the editor's fault.

Still, worth a watch.

"Masquerade" stars Cliff Robertson, Jack Hawkins, Charles Gray and several other excellent actors. With this cast, the film can't help be good....if it had a good script. Sadly, it doesn't have a decent script and characters simply defy beliavability.

Robertson plays David Frazer, an American who is somehow convinced to work for the British government. His job will be to keep watch over an obnoxious young man to is about to become the leader of his North African country. Why does the British government care? Well, they want a British company to secure the rights to the oil from this guy's nation.

While this plot doesn't sound bad at all, it is problematic because again and again and again, bad guys become good guys and vice-versa...to the point of absurdity. And all this plotting and scheming becomes tedious after a while and there really isn't any sort of a payoff by the end of the film. A big misfire.

I watched it to see Robertson, Hawkins and Mell in a thriller, directed by Basil Dearden, and was very disappointed.

The story gets confused, you don't understand what is going on, on which side everyone is.

The kid is a bloody pain in the arse, an arrogant brat who thinks he owns everybody. I would give him a jolly good spanking.

Spain is portrayed as a third world country.

The baddies are a bunch of weirdos; what is a dwarf doing there?

A total misfire. It's hard to believe that this was made by the same man who directed "Victim", presenting gays as normal human beings in a time when homosexuality was a crime.

There's an assassination and a change of power in a Middle East country. Suddenly the British oil rights are at risk. So they get Jack Hawkins to kidnap the prince, and he hires old WWII associate Cliff Robertson to help him out. As usually happens in these caper movies, things don't go according to plan.

Robertson was born in 1923, so he certainly was of an age to serve in the Second World War. He also looks far too young for the role, in his early 30s at the latest. Still, he does a good job, as does everyone, even though this busted caper movie is not terribly engrossing. The satirical edge is a little weak.

I suspect the story got a bit muddled. It was originally intended for Rex Harrison, but he was busy, so they got in Hawkins, and decided they needed an American. Sometimes a lot of rewrites polish a script. Sometimes it makes it worse.

I love this film. It was sold as yet another Bond-spoof (like Bond NEEDED spoofing) but was so much more.

In addition to more location work than was usual at the time, it boasted a roster of stars that was incredible.

Cliff Robertson was young then and had STYLE, Marisa Mell was all leggy and gorgeous, Jack Hawkins was in his element, Michel Piccoli was bizarrely menacing, Bill Fraser was normally associated with British sitcoms, but excelled here in a dramatic role. Then you had British stalwarts Charles Gray, John Le Mesurier, Felix Aylmer and Ernest Clark, all topped off with Tutte Lemkow.

Philip Green's music was fantastic and Basil Dearden's direction quirky and atmospheric.

The film takes a whole reel to lift off, but when it does, it's a classic.

But since seeing it at the cinema and couple of times on the telly in the Seventies, this minor epic has VANISHED. And to add salt to the wound, there are other, LESSER films with the same title (which is annoying if your satellite listings magazine only lists films' TITLES).

So where the hell IS IT??? I can find no trace of a DVD - or even a VHS. There is scant mention of it anywhere and even THIS esteemed service has little additional info.

Is it a "lost film"? Anyone?