The Black Scorpion

A volcano erupts and spits up these scorpions that are huge and prehistoric. This is the premise for The Black Scorpion, a 50's sci-fi/giant bug film. As cheesy 50's films go, this one is entertaining, if not a little slow in places. The Mexican landscape looks authentic and the scorpions themselves are pretty good when left in the hands of Willis O'Brien. But the close-ups of the creatures are a bit overused, almost to the point of becoming annoying. The scorpions kill each other off until one giant one is left to wreak his vengeance(and whet his appetite) in Mexico City. The best scene is the one when scientist Richard Denning(and his incredibly boring assistant Carlos Rivas, and annoying stow-a-way Juanito) are lowered into a giant cavern and the realm of Willis O'Brien's wonderful stop-motion animation. The rest of the film is rather predictable but still entertaining, and Mara Corday is at least pleasant to the eye as she must have had her clothing painted onto her.

This little gem from Warner Brothers is actually a pretty good movie for it's time and genre. The basis of the story is that 2 scientists, one American, one Mexican, head to Mexico to study an erupting volcano. What they find however, is nest underground of huge scorpions that are terrorizing Mexico City. The special effects are good for the era, the scorpion drools and makes scary sounds. The acting is so-so, Richard Denning overacts at times, and the relationship with the ever lovely and B movie horror queen Mara Corday, is not well developed, and the little Mexican boy "Juanito" is nothing short of annoying. But overall the story works helped by the great special effects and the good storyline. A fun movie to watch on a rainy Saturday night.

Way above average giant insect thriller, mainly due to the awesome special effects of Willis O'Brien ("King Kong" - 1933). Three set-pieces are superb: the first appearance, rather unexpectedly, of heroine Mara Corday talking to telephone linemen, who soon are under attack, then the train wreck which is terrifying and bizarre, and the final confrontation in the stadium, featuring grand editing and surprising touches. Mexico setting works well, music and sound effects are exemplary, sub-Earth sequence featuring more creatures is eerie. Title refers to the largest creature in the climax, budgetary limitations revealing a black traveling matte, still mystical, with fascinating zoom-in camera shots. Some have faulted the scorpion's "drooling" close-ups, but I find them bone-chilling. Even the main titles are innovative - alternating flashing white/black letters on white/black backgrounds, set to gripping soundtrack. Defects: some poorly-executed process shots, and the leading actors, Corday, Richard Denning, and Carlos Rivas, are hammy and unsubtle and a Corday-Denning romance occurs too late in the script, especially after all the mayhem.

Another stop motion classic from the atomic age. Giant scorpions awakened by volcanoes menace Mexico. You think a swarm of giant scorpions is bad, wait until you see the biggest and baddest of the bunch...The Black Scorpion!!

Willis O'Brien (the effects genius from King Kong) gets more than alittle help from Pete Peterson animating these arachnid monstrosities in all their stop-motion glory.

The effects were very well done, but unfortunately the transparent matte shots of the Black Scorpion entering Mexico City are terrible. Almost to the point where it ruins the movie. As is the constant (once or twice would be enough) close up of the scorpions face (which is a drooling animated prop). It would have been wonderful to see the Black Scorpion trashing buildings and attacking people in the city rather than a poor matte shot of the scorpion running through the streets.

Still overall a very enjoyable flick. The acting was actually pretty good compared to most of the genre films from the time.

The best scene from this film (hands down) was the descent into the underground lair of the scorpions, which also features not only a giant freaky worm, but a huge freaky looking trapdoor spider as well! The spider and worm prop were from the famous deleted "bottom of the ravine" scene from King Kong. So this is as close as you're going to get to reliving that infamous lost scene. Other great sequences include two scorpions battling the giant worm in a fight to the death, the scorpions swarming over and attacking a train at night, the Black Scorpion slaughtering the smaller scorpions, and the climatic fight between the Black Scorpion and the Mexican military in a soccer stadium.

I miss these kind of movies!

One of the better Fifties science fiction entries is The Black Scorpion or scorpions to be precise. These creatures got released during a volcanic eruption and started wreaking havoc in the area around Mexico City.

Of all the monsters created by the special effects guys including the great Ray Harryhausen, the ugliest, meanest, nastiest creatures ever brought to the screen were these scorpions. They are ugly as sin, emit an obnoxious drool when on the prowl and make a noise guaranteed to scare any kid or kid at heart out of his comfortable movie seat. And they are one of the few creatures which are not either from outer space or caused by radioactivity.

When the scorpions start doing their thing, scientists Richard Denning and Carlos Rivas are in the area as is ranch owner Mara Corday. In between trying to figure out how to combat the scorpions, a little romance gets going between Denning and Corday. And there's a cute little kid around played by Mario Navarro who gets in all kinds of trouble tagging along with the scientists.

But you can mute the romance and get into the action. I guarantee you will like the scene inside the volcano where Denning, Rivas, and little Mario have to deal not only with the scorpions, but with giant earthworms and spiders. And the final battle in the Mexico City soccer stadium between the scorpion and the scientists and Mexican army is a tingler.