The Big Land

The Big Land is a western that has Alan Ladd as a war weary Civil War veteran who wants to go into the cattle business. He's had enough of killing over five years, but in the end Ladd has to let his skill with a gun settle the usual problems of the frontier.

Anthony Caruso, a good friend of Ladd's in real life, has control of the rail shipping head where the Texas cattle arrive to be sent to the slaughterhouses in the east and he's not letting go. Of course the thing to do would be to just have it out right then and there with Caruso. But Ladd's had enough of killing from the Civil War and besides there would be no picture.

He persuades a group of settlers to found an incorporate a town where the railroad will eventually be coming to. Designing and planning the town is a dissolute architect played by Edmond O'Brien. O'Brien's got a pretty sister in Virginia Mayo which is another reason Ladd stays interested and around.

The thing I most remember about The Big Land is that constant repetition of the phrase, "the east needs beef." It's the reason Ladd, O'Brien, Mayo, are doing all that they are and enduring all the hardships. It's almost like no one will have a protein component in their diet unless Alan Ladd accomplishes what he sets out to do. It seemed to be a bit silly at times.

There's enough action though for any good western fan to overcome a rather trite story. American viewers would soon be seeing all about cattle drives in the western television series Rawhide. And on the silver screen, cattle drives were the background for much better films like John Wayne's Red River.

When Alan Ladd and his partners bring their cattle from Texas to Missouri, local cattle buyer Anthony Caruso cheats the men and treats them like he's doing them a favor in the process! Ladd, however, doesn't fight--having a live and let live attitude.

Ladd travels to a nearby town and is treated pretty poorly by the locals since he's a Southerner and the Civil War just ended. However, he stumbles into a relationship with Edmond O'Brien--an alcoholic who has a long history of screwing up his life. Ladd is able to help this new friend find a sense of direction and clean up his life, as they both hit on a scheme to build a town in Kansas that will make cattle drives closer AND they won't need to deal with Caruso. Of course, Caruso made it a habit of playing evil jerks in Westerns during the 50s, so it's pretty certain that he won't just sit back and watch as this new cattle town is created. And when he does behave in a naughty fashion, guess who's the guy to bring justice to this new town?

The film is helped by two excellent leads--Ladd and O'Brien. While story elements are often quite familiar here (the tough boss, the hero that is slow to act, John Qualen with his Swede routine, etc.), the film is handled well and is enjoyable throughout.

It's interesting that in this film O'Brien plays an alcoholic (a pretty familiar role for him actually, as he played this type character in several films) but in reality Alan Ladd was destroying himself with alcohol. He looks pretty lean in the film, but in subsequent films he became puffy and sometimes slurred his lines. It's really sad to see when you are a fan--fortunately, there isn't much evidence of this decline in THE BIG LAND.

I remind this Gordon Douglas' western not because of Alan Ladd's presence - the good guy, as usual - but because of the villain character, which is also here as usual Anthony Caruso - nearly a cliché.... But I love this kind of role, as was Jack Palance in SHANE vs the same Alan Ladd. No real surprise here, despite the Gordon Douglas's flawless directing. The latest was a true professional anyway...Useless to say that I highly prefered Alan Ladd in ONE FOOT IN HEL, where his charater was so complex and ambivalent.... So, this western deserves to be seen, especially if you are a western buff, you can't miss it; I only gave my opinion, tha's all.

The Civil War has ended, but residual hatred remains. Texas cattlemen are driving their herds towards Missouri. Chad Morgan (Alan Ladd) is a former Confederate officer leading a cattle drive. Cattle baron Brog cheats him out of a fair price. He is forced to back down and his men blame him for it. He befriends local drunk Joe Jagger (Edmond O'Brien). As he heads home, he encounters farmers who can't get their grain to market and comes up with a mutually beneficial idea.

This sets up an interesting conflict at the beginning. Almost as quickly, the movie drops this idea and moves away. Morgan needs to stay in that town and fight back against Brog. The good early tension is lost and it never truly recovers. The Billy Tyler character is idiotic and he flips so quickly. Alan Ladd is a low energy lead. The story is a lot of little jumps and it feels jumpy. The story is too long and the slow pacing feels the length. Brog is a fine villain, but the other cattle buyers should be more hardened. It's not their first time tangling with Brog. The climatic gunfight is so short that it feels anti-climatic. This western story is too big for its own good.

When Chad Morgan (Alan Ladd) rides home to Texas after the Civil War, he finds another enemy to battle: Brog, a corrupt cattle buyer who forces honest ranchers into financial ruin. Morgan thinks he can thwart Brog by building a town at a new rail spur where cattlemen can safely bring their herds to market. But Brog and his henchmen set out to destroy the town and it may take a gun-blazing showdown to vanquish him.

Familiar yet well-made western with some good characterisations that stars Alan Ladd and Edmond O'Brien, who does some scene chewing as Edmond O'Brien as an alcoholic architect with the know-how to construct the town. Virginia plays his sister who is engaged to another man but falls for Ladd. A unique feature is the town construction element, which isn't covered much in westerns. Can be a bit slow in spots, a bit talky, however it's pleasant viewing and ends with an exciting cattle stampede sequence.