Le pont de la rivière Kwaï

Within the Conflict that was World War II, there were many more smaller, more personal conflicts which, when added up, made a significant impact on the outcome of the War; though trying to explain them, or war in general, is like attempting to decipher the indecipherable. In `The Bridge On the River Kwai,' director David Lean takes you deep into the Burmese jungle to examine some of these deeper conflicts, and the effects of extraordinary circumstances on some ordinary men: British Colonel Nicholson (Alec Guinness) is a man of rigid principles and ideals, to whom acquiescence in any quarter is not an option; Japanese Colonel Saito (Sessue Hayakawa) lives by an inflexible code of conduct and is adamant in his adherence to it, through which he maintains his dignity and honor; American Navy Commander Shears (William Holden) just wants to make it through the war alive and get back home.

As an integral part of their war effort, the Japanese have ordered a strategic bridge to be built across the Kwai River to facilitate the transport of troops and equipment. This monumental task has been given to Saito, the commandant of an allied prisoners-of-war camp; and not only must he build it, it must be completed by a specific date. And time is short. Toward that end, Saito has pressed into service every prisoner, including officers, whom according to the Geneva Convention of 1864 (which established rules for the humane treatment of prisoners of war), are to be excluded from any manual labor. When a fresh contingent of British prisoners arrives to bolster his complement of workers, Saito finds himself up against a formidable opponent, Nicholson, who immediately informs Saito that his officers will not work, in accordance with the rules of the Geneva Convention. And it's the beginning of another war-- a war of wills-- between two men determined to win at any cost. To Saito, this is more than just another assignment, it's an obligation, and failure is not an option. If he does not succeed in having the bridge built-- and on time-- he will be forced to take his own life, in accordance with his own moral code. Nicholson, on the other hand, is unyielding to the point of madness, and will die before he accedes to Saito's demands.

Meanwhile Shears has managed by some miracle to escape and has made his way back to Ceylon. And he's home free-- after some recuperation time at Mount Lavinia Hospital, he'll be on his way back to the states. Or so he thinks. But unbeknownst to him, the British are aware of the bridge being built on the Kwai, and are planning a commando raid to destroy it. And Shears has something they need: First hand knowledge of the precise location, and of the jungle through which he made his miraculous escape. Subsequently, the Navy agrees to `loan' Shears to the British, to aid them with their mission. So instead of a ticket home, Shears is faced with another arduous trek through an uncompromising jungle, all for a mission of which the odds against success are nearly incalculable.

From the beginning of the film to it's spectacular climax, Lean builds and maintains a subtle tension that underscores the drama, which makes this a compelling, unforgettable motion picture. Lean is the Master of epic films such as this, filling them with sweeping visuals while integrating them with the emotional involvement of his characters perfectly. Lean knows what he wants and how to get it, and he takes a terrific story (and this definitely is one) and tells it by using every bit of space--visually and audibly-- at this disposal. And most importantly, he knows how to get the kind of performances from his actors to put it all across so convincingly and believably.

Alec Guinness deservedly received the Oscar for Best Actor for his role of Nicholson, whom he embodies from the inside out, disappearing so utterly into the character that the actor is forgotten, leaving nothing but the real man in his stead. It's a superlative piece of acting from one of the truly great actors of all times. Holden, as well, delivers an outstanding performance as Shears, capturing that somewhat embittered, off-handed sarcasm and resignation of a man trapped by circumstances beyond his control, who nevertheless does what he can to make the most of it, while awaiting the first opportunity for escape that affords itself. Holden's work here is Award-worthy, as well, but was destined to forever remain in the shadows of what is probably the definitive Guinness performance. And what a rare treat, having two performances of this caliber in a single film.

Other notable performances include Hayakawa, entirely convincing as the tormented Saito, and Jack Hawkins, as demolition expert Major Warden, the absolute personification of the undaunted British stiff-upper-lip.

The supporting cast includes James Donald (Clipton), Geoffrey Horne (Joyce), Percy Herbert (Grogan), Ann Sears (Nurse) and Andre Morell (Green). Beautifully filmed and expertly crafted and delivered, `The Bridge On the River Kwai' is one of David Lean's masterpieces. It's an emotionally involving, dramatic action/adventure that offers some real insight into the determination and tenacity of the human spirit. This film (especially the ending) is one you will never forget; a classic in every sense of the word, it exemplifies the magic of the movies. I rate this one 10/10.

I heard a film critic once say that there really aren't "war movies"; there are only "anti-war" movies. I'm still not sure what I think of that claim, but having seen - The Bridge on the River Kwai- enough times in the past several years, I think I'm persuaded that it's at least half right. -Kwai-, I believe, is both a "war" and "anti-war" movie, and, in my view, it succeeds admirably at both.

There is almost no element of -Kwai- that is not praise-worthy. David Lean's direction is tight and evocative. The cinematography is great (even though the color seems increasingly drained in film versions that I have seen). The acting is top-notch. I honestly believe that this is Alec Guiness's best performance, and Sessue Hayakawa is also highly sympathetic and believable. William Holden and Jack Hawkins round out the cast nicely.

The musical score is also right on. Simply put, -Kwai- is an excellently constructed film made by people who obviously cared a great deal about it. As a result, the viewer comes to care a great deal about it as well.

Clearly -Kwai- is an anti-war film. There is no glorification here. War is brutal, period. It's brutality is not captured here in terms of gory carnage or senseless battles. Instead, the psychological dimension of brutality comes across clearly. Yet, -Kwai- also shows the resilience of the human spirit as well as its complexity. One is left wondering if participation in World War II not only psychologically brutalized the characters played by Guiness, Hayakawa, and Holden but also if it simultaneously uplifted them. The paradox is striking to me each time I view this film. War can act both as a positive and negative catalyst, and it can do both of these things at the same instant.

So, is -The Bridge on the River Kwai- a war movie or an anti-war movie? I think Lean clearly preferred the latter, but the subject matter and his approach to it may have landed somewhere in between.

Regardless, -Kwai- is a fantastic film experience and is not to be missed. It is, simply put, my very favorite film--bar none.

I have watched this movie several times and it is just getting better and better all the time. Why? Because this movie actually has a message built-in, this isn't a violent story, like "Saving Private Ryan" - also a good movie with a message - but it is still not a slow story.

When I last saw it, I realised that there was something in the movie that I had never understood, this isn't a movie about war, torture or how it was to be a prisoner of war; this is a movie about madness and pride. The pride shows both in Saiko and Colonel Nicholson, they are so full of it that it is almost impossible for them to come to a civil-conclusion with the problems they have with each other. The madness is shown in Colonel Nicholson and Holden's character - here they are, two prisoners of war and they don't want to help each other out, instead they try to reach separate goals, and they are both willing to die for it.

After you have watched this movie one is amazed by the performances made by Alec Guinness and William Holden and I must say that this is therefore one of the best War/Drama movies ever made My vote? 9 out of 10 naturally.

About as Oscar-worthy as any film made in the '50s is David Lean's gripping BRIDGE ON THE RIVER KWAI. Based loosely on a real-life incident, it tells the story of an imprisoned British officer (Alec Guinness) who loses sight of his mission when forced to build a bridge for the Japanese that will enable the enemy to carry supplies by train through the jungle during World War II. Guinness plays the crisp British officer to perfection, brilliant in all of his scenes but especially in his confrontations with Sessue Hayakawa. William Holden has a pivotal role as one of the prisoners who escapes and enjoys his freedom for awhile before being asked to return with a small squadron to destroy the bridge. Jack Hawkins and Geoffrey Horne have colorful roles too and all are superb under David Lean's direction.

The jungle settings filmed in Ceylon add the necessary realism to the project and there is never a suspension of interest although the story runs well over two-and-a-half hours. The film builds to a tense and magnificent climax with an ending that seems to be deliberately ambiguous and thought provoking. Well worth watching, especially if shown in the restored letterbox version now being shown on TCM.

Some of the best lines go to William Holden and he makes the most of a complex role--a mixture of cynicism and heroism in a character that ranks with his best anti-hero roles in films of the '50s. He brings as much conviction to his role as Alec Guinness does and deserved a Best Actor nomination that he did not get.

"The Bridge on the River Kwai" is a prinoner-of-war drama at its best, masterfully directed by David Lean.

Amazing direction, and the whole approach to making this film is timeless - a study in being ahead of its time. Stunning set pieces and production design - such and effort was put into this. Fantastic cinematography, filled to the brim with pitch-perfect pans, wide-shots, and tracking-shots. Intense and dramatic score, deservedly receiving one of the total of seven Academy Awards. Brilliant cast and in particular Alec Guinness, who perfectly portrays a man of honour.

What is a big shame is the way Colonel Philip Toosey - the original colonel, portrayed through Nicholson - was misrepresented, in that he actually acted very differently and much more courageously than in the film.

Nonetheless, as a look into the historic event that took place in 1943 Burma, it is absolutely brilliant, and although the film does not carry loads of emotional moments, it is technically excellent, and greatly entertaining.

Highly recommended.