La momia azteca

While giving a speech at a conference "Dr. Eduardo Almada" (Ramon Gay) is greeted with skepticism concerning his work with using hypnosis to facilitate the possibility of reincarnation. To help prove his point his fiancé, "Flor Sepulveda" (Rosa Arenas) agrees to undergo an experiment which results in her remembering a past life in which she was a virgin by the name of Xochi being prepared for sacrifice to the Aztec god Tezkatlipoka. She further recalled that an Aztec warrior by the name of "Popoca" (Angel Di Stefani) was madly in love with her and wanted her to run away with him. Unfortunately, both Xochi and Popoca were caught in a forbidden embrace and apprehended. He was then cursed by the high priest to remain in the burial chamber for eternity while Xochi was subsequently sacrificed. It is at this time that Flor is awakened and although she is badly shaken up Dr. Almada refuses to listen to her plea not to venture into the Aztec pyramid to retrieve the breastplate that Xochi was wearing when she died. Not only is he ambivalent to a curse placed upon anybody who retrieves it but he is also unaware that a mysterious burglar by the name of "the Bat" has been listening in to this entire conversation and plans on stealing it once Dr. Almada obtains it. But "the Bat" isn't the only thing that Dr. Almada needs to worry about. Now, rather than disclose any more of this film and possibly ruin it for those who haven't seen it I will just say that this was a decent clone to similar movies on this topic made in the past. Additionally, while the movie I saw was recorded in Spanish with English subtitles I still found it to be a fairly entertaining grade-B movie. I rate it as about average.

When I first saw this I was 6 years old and it scared the hell out of me! Even though the trilogy ended a few months later (in 1958) I remember I was disappointed with the "human robot" ending of the Aztec mummy trilogy. I still think that this mummy could have been better exploited in films, but I guess that even for the producers it was such a discovery that when they realized what they had in hand, they had already blown it apart, with the lowest budgets and the retelling with minimum variations of the same story in parts 2 and 3 ("The Curse of the Aztec Mummy", and the awful "The Aztec Mummy Against the Humanoid Robot"). Maybe the reason is that its main writer, Alfredo Salazar (brother of producer-actor Abel Salazar, the man behind Fernando Méndez' 1957 classic "The Vampire") was marginally interested in horror films. Even if he also has to his credited the original script for Benito Alazraki's "Devil Doll Men" (1961), most of the movies Alfredo wrote were about wrestling stars, fighting the occasional monster. As frequent in Mexican horror films, there is also a mystery here: nobody seems to know the name of the little girl who played Dr. Almada's daughter.

Momia Azteca, La (1957)

** 1/2 (out of 4)

Mexican horror film about a scientist (Raymond Gay) who uses hypnosis to look into people's past lives. He experiments on his girlfriend and learns she was a sacrificed princess who was buried with a golden breastplate. The scientist decides to go looking for it and eventually runs into the title character as well as a master thief known as The Bat. Here's a good idea to all future filmmakers if you're going to make a movie called The Aztec Mummy. Make sure the mummy is in the picture for more than three minutes. Technically speaking this is a fairly well made film but one can't help but be letdown since the title character hardly gets any screen time.

This is the find of the year (2006), a film that was on EVERYBODY'S lost list. One story even had Jerry Warren hacking up the original negative for one of his edit bay epics. Now you can buy it for bargain prices. THE AZTEC MUMMY looks really great on the new three disc set THE AZTEC MUMMY COLLECTION (BCI),and the remastering is nearly perfect. The exterior parts with the mummy are done on real Mexican ruins and look sensational. You get a feel for the SIZE of the buildings, their age. The flashbacks star a native dance troupe, and the way that THEY recreated their heritage as of the 50's. Some of them are so proud to be in a REAL MOVIE that they grin right into the camera. I like that.

Tastes have moved on since then, and what they regarded as totally authentic seem dated now, but don't be too fast to throw it over. The group worked long and hard to get the routines down, and are on par with a lot of the dance troupes that you see on Ed Sullivan reruns. This is also how Mexicans saw their own culture, and as such should not be taken too lightly. And the background instrumental grows on you in a world music sort of way. The plot has something to do with returning a beautiful lady (Rosita Arenas) by hypnosis to her past to locate an Aztec breastplate proving the existence of previous lives. There's a masked super villain who wants the breastplate for his own nefarious ends, a cowardly second banana, car chases, gun battles, you know: something for the whole family. You also get the essential plot of Apocalypto stripped down to less then one reel and without the blood and guts that would give the kiddies nightmares..and APOCALYPTO doesn't have an evil masked doctor in it, or policemen with machine guns. When the Aztec Mummy finally decides to get up and get moving, the scenes are on par with anything Universal came up with in later Mummy movies. Very effective. A lost movie saved from the ashes

The plot of this vintage Mexican horror film revolves around a scientist who develops a technique to help people recall their past lives.

Using his daughter as a guinea pig to test his hypothesis, he undertakes the procedure, and she recalls being an Aztec woman who get's sacrificed to the Gods, for having an illicit affair with a warrior.

Not only is she killed- wearing a golden bracelet and breastplate- he is sentenced to be buried alive alongside her, to protect the secrets that surround their ritual deaths.

In order to prove to his theory to his peers, the scientist follows his daughter's directions, to retrieve the golden breastplate, which he plans to use as evidence that his claims are sound.

But, upon doing so, he awakens the mummy sworn to protect it...and initiated it's curse.

A subplot, meanwhile, plays out alongside this, concerning a local villain named the bat, who follows the scientist's every move, with plans to use him to track down a lost Aztec treasure...so he can steal it.

But it plays out rather awkwardly...and seems almost unnecessary...other than to lengthen the runtime a bit.

That aside, it's a pretty decent film, with a message similar to that of The Vampire Bat, which clearly had an influence on this film.

Hence The Bat character as a representation of the Bat God of the Aztecs (itself derived from the Mayan God of the Popul Vuh).

The film conveys a very similar message- as does that film- spun together with the story about Tutankhamun's curse.

The most standout portion of this film, is definitely the great scenery.

Having been shot on location at temples in Mexico City.

And the mummy is pretty cool, as well..with a demeanour similar to that of the monsters from the Blind Dead series.

In the end, it's actually a pretty decent little film, even if it does repackage and repurpose previously established storylines.

And it would go on to spawn it's own trilogy...though...the latter films did not garner the same praise as this one did.

4 out of 10.