The Pied Piper of Hamelin

You know, I was a child when this came out. It was both dark and enchanting at the same time, and speaking of time it was quite a good production for 1957. I am tired of all the over-reviewing done to movies at this site and movies being picked to death. This provided wonderful entertainment on the early TV medium and I for one am glad to own a copy of this for my niece and nephews, who love it TODAY!

I saw this movie on TV when it first came on (I was about 5) and it ranked right up there with Cole Porter's ALADDIN as an immediate favorite. I remember having the record album (which had expanded versions of some of the Grieg songs, including the WEDDING DAY AT TROLDHAUGEN, a wonderful piano piece adapted for the mounting of the gold chimes that the corrupt mayor - Claude Rains - had fashioned by melting down the guilders in the town treasury!) When I was in high school I saw this film again and tracked down the Grieg selections which are not just from the Peer Gynt Suites as another commenter wrote but spanned the Piano Concerto - which became one of my favorites as a result - the above mentioned "WEDDING DAY", and many of the sections of the Peer Gynt Suites as well.

While today I see the tremendous limitations of this film and would not expect today's children to suspend their belief and enter this world like I did when I first saw it, it had a real effect on me and I'm glad to be able to see it again from time to time. I don't see Kay Starr's lament to the tune of Ase's Death as a "torch song" as suggested by an earlier commenter...I remember seeing this again, as a young teenager in the mid-60's and being very moved by that song, sung after the piper lured the children into the mountain. (I also remember how MAD I was once when it was shown on New York local TV and the song - and ONLY that song - was CUT).

Now, I see the complete lack of credibility of the ending - not only did the children come home, but the corrupt mayor was deposed in favor of the forthright school master, played in a double role by Van Johnson who also was the Piper - and then joined in the resultant gaiety by playing a tune from the Piper's flute instead of being hauled off in CHAINS like one would expect...oh well.

Perhaps there is one five, six or seven-year-old who will see and hear this and it will spark his curiosity and interest as it did mine. Given the jaded nature of today's youth, mixed with the decidedly dated nature of this as a movie and a musical, I'm not holding my breath. Still, it joins "THE MUSIC MAN" (the ORIGINAL with Robert Preston) and the Alastair Sim "CHRISTMAS CAROL" as one of my three childhood favorite movies.

"The Pied Piper of Hamlin" was one of the earliest musicals made for TV. It was a big success for NBC when broadcast over the Thanksgiving weekend in 1957. It became a TV holiday favorite after that for several years. No doubt, the film was much more highly regarded in its day than in modern times. Yet, it remains a good production, an interesting version of a famous tale and a fair musical.

This film is unusual in a number of ways. First, it's a film based on an ancient legend that became most famous with an 1842 poem of the same title, by Robert Browning. Second, its screenplay uses dialog of rhyme along the lines of that written by Browning in his poem. Third, it has a cast with some prominent actors of the day, most of whom had not made a musical before or who were little known for singing. For these reasons alone, this film has some historical significance.

The film would probably be better known and highly regarded in the 21st century if there had been prominent singing actors in the lead roles. And, the musical score, while fairly good, could have been much better. As it is, most of the songs are in a general range of the speaking voice set to music. They do have melody - more than the spoken range set to music that was Rex Harrison's singing in "My Fair Lady."

Still, it's back to the unusual that adds some value to the film. Van Johnson has the double lead of playing the Pied Piper and Truson. Johnson got his stage start with musicals, and has a good voice. This is his only film in which he has a solidly singling role. And he carries half of the film himself. Claude Rains is superb in the role of the Mayor of Hamelin, and shows that he could at least belt out a tune in harmony. This is the only musical of any sort that Rains ever made. One can only imagine that it was the idea of the type of production and the character he could play that appealed to Rains. This very gifted actor received four Academy Award nominations but never won an Oscar.

Jim Backus is the King's Emissary, and this is the only role I can think of in which his part resembled singing. Lori Nelson as Mara, and Kay Starr as John's Mother, carry the female portions of song. Stanley Adams and Doodles Weaver add some comedy to the story in their silly antics as counselors to the mayor.

With its color and colorful presentation, I think this film would still be of interest to children in modern times. And, the moral of the story should still ring true to we older children as to the young audience.

Here are some favorite lines from the film. For more dialog, see the Quotes section under this IMDb Web page of the film.

Pied Piper, "A man can strive for riches, a natural desire; but he mustn't overlook a greater goal. Or what will he profit by something he'll acquire, if in finding what he gains he lose his soul?"

Pied Piper, "A man who's unwise only sees things with his eyes."

Mayor of Hamelin, "Stop squealing and squeaking as though you were rats. Remember that you're bureaucrats."

I just wanted to correct the last reviewer. There were indeed color Televisions in 1957. In fact RCA introduced color TVs for the home in 1954. This TV movie was filmed in Technicolor and shown originally on NBC, a network that pioneered color (remember the Peacock?). It was made with every intent of its being seen in COLOR. Though I'm sure the producers wanted it to look good in b&w as well, it was a color film. And the colors in The Pied Piper '57 are no more garish than many other lesser-known Technicolor "extravaganzas." If producers back in those days were gonna pay for color, we by gum they was gonna use the hell out of it! Anyway, this is one weird ass film! Catch this and the Wizard of Oz double feature from Something Weird, and you've got some goooood Kid movie watchin'!

Do not believe bad reviews of this movie! I have loved it for as long as I remember. The symphonic music that the last review stupidly criticized is lovely pieces by genius composer Edvard Grieg. I still get chills when Van Johnson sings a song boasting of his accomplishments, with the Grieg piece Anitra's dance as the melody. Plus Claude Rains sings! This movie has great songs, great sets, great costumes, and is fun for everybody. I would recommend this movie to anyone who likes the story of the pied piper, or those who like musicals. It is a gorgeous movie. It has a perfect cast. I rate this a 10.

Geoffrey K.