ÉVALUATION IMDb
6,5/10
1,8 k
MA NOTE
Ajouter une intrigue dans votre langueDuring WWII, unmarried New Zealand women meet and marry American soldiers who are fighting in the Pacific theater.During WWII, unmarried New Zealand women meet and marry American soldiers who are fighting in the Pacific theater.During WWII, unmarried New Zealand women meet and marry American soldiers who are fighting in the Pacific theater.
- Prix
- 1 victoire au total
Patrick Macnee
- Pvt. Duff
- (scenes deleted)
Mary Ellen Batten
- Brunette
- (uncredited)
Nicky Blair
- US Marine
- (uncredited)
William Boyett
- US Marine
- (uncredited)
Roy Clark
- Marine at Dance
- (uncredited)
Avis en vedette
War starts, the New Zealand men go off to fight, and four sisters are left to cope with that- and the arrival of the American fleet! It sounds like a recipe for the most hackneyed sort of wartime romance weepie, but this film is certainly not that.
First, this is an ensemble movie, where no one 'star' dominates. From Paul Newman (probably the best-remembered name now) on, we are given a whole clutch of accomplished and finely nuanced performances.
The cinematography is superbly judged: this is one of those lovingly observed pictures where a shot of 'two people talking' is rarely just that; the backgrounds and choice of shots are a delight. This must be viewed in the original format, not 'scanned'!
The script is intelligent and daring. Sexual topics such as promiscuity and having children outside marriage are dealt with in a surprisingly straightforward and sophisticated manner for a 1950s movie. And, it must be said, they are dealt with in a human and sympathetic fashion. There is no hint of the lurid sensationalism nor of the tight-arsed repressiveness that films of this era often display when dealing with such subject matter.
In a situation where the old well-patterned expectations have gone by the board, the sisters attempt to keep track of their universe with a wall-map of the world on which they plot where their men are now. The scope of this exercise is enlarged to include the dead, and then American 'friends'. Ultimately, the map is screwed up and thrown on the fire as the old world- including the old moral universe- goes up in smoke.
The only jarring note is the plot device allowing the film to open and close with a murder trial. One of the sisters has married a 'local'- clearly marked as unsuitable by his working class tones and chest hair! The relationship ends in worse than tears. This element of the film has all the sophistication of an Enid Blyton 'Famous Five' childrens book, and sits uneasily in such an- otherwise- intelligent performance!
First, this is an ensemble movie, where no one 'star' dominates. From Paul Newman (probably the best-remembered name now) on, we are given a whole clutch of accomplished and finely nuanced performances.
The cinematography is superbly judged: this is one of those lovingly observed pictures where a shot of 'two people talking' is rarely just that; the backgrounds and choice of shots are a delight. This must be viewed in the original format, not 'scanned'!
The script is intelligent and daring. Sexual topics such as promiscuity and having children outside marriage are dealt with in a surprisingly straightforward and sophisticated manner for a 1950s movie. And, it must be said, they are dealt with in a human and sympathetic fashion. There is no hint of the lurid sensationalism nor of the tight-arsed repressiveness that films of this era often display when dealing with such subject matter.
In a situation where the old well-patterned expectations have gone by the board, the sisters attempt to keep track of their universe with a wall-map of the world on which they plot where their men are now. The scope of this exercise is enlarged to include the dead, and then American 'friends'. Ultimately, the map is screwed up and thrown on the fire as the old world- including the old moral universe- goes up in smoke.
The only jarring note is the plot device allowing the film to open and close with a murder trial. One of the sisters has married a 'local'- clearly marked as unsuitable by his working class tones and chest hair! The relationship ends in worse than tears. This element of the film has all the sophistication of an Enid Blyton 'Famous Five' childrens book, and sits uneasily in such an- otherwise- intelligent performance!
This film was written by famous writer James Michener and also a very famous director Robert Wise along with a great cast of actors who made this into a great 1957 Classic to view and enjoy. The story revolves around sister's who live in New Zealand during the war and most of the men have gone into the service of their country and left a small town without any men and strictly women. As the war continues, these women seek men and when the United States troops arrive in New Zealand many women want to get married, some have babies out of wedlock and the war upsets the morals of all men and women in this small town. Jean Simmons, (Barbara Leslie Forbes); Joan Fontaine Anne Leslie and Sandra Dee, (Evelyn Leslie) are all sisters, some married and some simply living with one man after another. Sanda Dee plays the role of the baby sister in her teens who also begins to fall in love. Paul Newman, (Capt. Richard Bates) has a great interest in Barbara Leslie after her husband is killed, but he will not commit himself to her and is really afraid to start a relationship because he has to fight in the Pacific against the Japanese Government. This is a very emotional film and shows the horrors of war and the suffering it causes men and women. Enjoy.
To start with this is a film about New Zealand women but NOT a New Zealand film.Some viewers are not aware that the N.Z.
backdrops are actually filmed by the second unit while the close-ups and interiors were filmed in the M.G.M.studio.I was 11
when this film was released here and already obsessed with films and film stars.I later understood why my parents steered
me away from "Until They Sail" not only because of the adult content but also because it was only about 12 years after WW11
and even adults refrained from discussing the American "contribution" to our society.Many of my generation were adopted
out and did not discover until years later that they their fathers were actually visiting American servicemen.
Back to the film itself while it's not totally convincing to us Kiwis it is a worthy effort in it's own right.The acting is impressive
particularly from the underrated Jean Simmons who is absolutely drop-dead gorgeous and teams superbly with Paul Newman.
As I wrote in the summary, this is NOT your typical war movie full of action and battles with fire-arms scenes; so, if you want to see something similar to THE LONGEST DAY or BATTLE OF BRITAIN, this movie it's not for you!
Now I am not saying that UNTIL THEY SAIL it's bad. I am saying that this movie, instead of focusing on the war actions, it focuses on the women left behind waiting their husbands from the war and their woes and all the differences between them. And, even though it's not a must-see movie, it's actually pretty good.
Visually, this movie is beautifully shot, and the locations (in New Zealand) are simply a delight to watch; the soundtrack, even though it's not outstanding, it's also pretty good. And the pace, although it dragged half-way, it's measured.
The performances are all good: Paul Newman (in one of his first movies) it's charismatic and cool as always; Joan Fontaine, Piper Laurie and Sandra Dee are credible and give heart-felt performances, and Jean Simmons, like Newman, gives a deep and touching performance. And it's directed by Robert Wise, another great director of the 1950s-1960s.
The story is very realistic and never gets over the top despite the setting and subject explored. In substance, even with a few flaws, it's well done and worth-watching.
Now I am not saying that UNTIL THEY SAIL it's bad. I am saying that this movie, instead of focusing on the war actions, it focuses on the women left behind waiting their husbands from the war and their woes and all the differences between them. And, even though it's not a must-see movie, it's actually pretty good.
Visually, this movie is beautifully shot, and the locations (in New Zealand) are simply a delight to watch; the soundtrack, even though it's not outstanding, it's also pretty good. And the pace, although it dragged half-way, it's measured.
The performances are all good: Paul Newman (in one of his first movies) it's charismatic and cool as always; Joan Fontaine, Piper Laurie and Sandra Dee are credible and give heart-felt performances, and Jean Simmons, like Newman, gives a deep and touching performance. And it's directed by Robert Wise, another great director of the 1950s-1960s.
The story is very realistic and never gets over the top despite the setting and subject explored. In substance, even with a few flaws, it's well done and worth-watching.
This movie is wonderful. It's romantic, truthful and perfectly cast. It shows how lonely women can be without the love of a man in their life, and how wounds take so long to heal, and how easily they can be made. Jean Simmons is beautiful and sensitive in her portrayal of a New Zealand lass trying to remain decent and understanding emotional pain and restriction in a time of war. Paul Newman is positively gorgeous and plays his role as a cynical soldier so well i could seriously believe him really being one. The ending of the movie, although somewhat predictable, is lovely and suitable. I recommend this film to all lovers of Jean Simmons, Paul Newman and the classically romantic dramas of the 50's.
Le saviez-vous
- AnecdotesSandra Dee's debut ("Evelyn Leslie") But, the 1957 Soviet animated feature Snezhnaya koroleva (1957) is often listed as Dee's first film credit, because she and other Hollywood stars did the voices for the English-language version, but that English-language audio was not actually made until 1959.
- GaffesAt the start of the film, set in 1939, the four sisters put up a map of the world to keep track of the soldiers' locations, but the map is contemporary from the year the film was made (1957), showing numerous nations that did not exist in 1939, for example: Laos, Cambodia and Vietnam (which would have been French Indochina in 1939), Indonesia (formerly the Dutch East Indies), Thailand (called Siam in 1939), and Pakistan (which was part of British India), among other countries.
- Citations
Barbara Leslie Forbes: [Last lines] If my father could read the history of his daughters...
Capt. Jack Harding: He'd understand.
Barbara Leslie Forbes: As they say, to understand is to forgive. Or is it, to understand is not to forgive? I can never remember.
- ConnexionsReferences Les Révoltés du Bounty (1935)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Femmes coupables
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 841 000 $ US (estimation)
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Until They Sail (1957) officially released in India in English?
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