Stu Bailey et Jeff Spencer sont les héros détectives privés farfelus et coureurs de jupons qui travaillent dans un bureau situé au 77 Sunset Strip à Los Angeles, juste à côté d'un restaurant... Tout lireStu Bailey et Jeff Spencer sont les héros détectives privés farfelus et coureurs de jupons qui travaillent dans un bureau situé au 77 Sunset Strip à Los Angeles, juste à côté d'un restaurant chic où Kookie travaille comme voiturier.Stu Bailey et Jeff Spencer sont les héros détectives privés farfelus et coureurs de jupons qui travaillent dans un bureau situé au 77 Sunset Strip à Los Angeles, juste à côté d'un restaurant chic où Kookie travaille comme voiturier.
- Création originale
- Vedettes
- Nommé pour 2 prix Primetime Emmy
- 2 victoires et 2 nominations au total
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Release it on DVD
Several episodes of 77 Sunset Strip and Hawiian Eye were shown late at night/early morning on channel 9 in Australia several years ago, and they was fantastic. It appeared briefly on cable TV but is this is only geared for the post 1970 generation they did not last long and were taken off. Gee cable is rubbish. I use to watch 77 Sunset Strip and its clones regularly in the late 50's & 60's. 77 Sunset Strip still stands up today even though or because it is black and white. I cannot understand why Warners don't release these old shows on double sided DVD's and sell them as boxed sets at a reasonable price like several companies have done with old black & white movies. 77 Sunset Strip & its pilot "Girl on the Run" would fit onto 10 or 11 double sided DVD's. There would be some money it for Warners, and if they wait too long people like me won't be around to buy and appreciate these shows. Also what about CHEYENNE, Surfside Six, Bronco, Adventures in Pardise, Sugarfoot etc. Maybe the independents could bring out the old westerns and cop & private eye shows right back to the beginning of the 50's.
The Perry Mason of Private Eye shows
This is another of the shows that I remembered enjoying as a kid, yet it was so long ago I couldn't remember the episodes or exactly why I liked it.
Then a few years ago American Life TV ran it for a while, and my wife and I viewed it religiously during the time it aired.
We enjoyed it every bit as much, actually more, than most current TV shows. The stories were crisp and made sense. The characters were personable, and the acting quite competent.
It made me wish that Roger Smith had not retired his own acting career to act as agent for his wife, Ann Margret.
If you see the series, watch for the episode written and directed by Roger Smith that has no dialog for the entire hour. So often he is 'about' to finally speak, keeping you on the edge of your chair with anticipation, then something happens that distracts him. LOL Brilliant and courageous episode for TV in ANY era.
Then a few years ago American Life TV ran it for a while, and my wife and I viewed it religiously during the time it aired.
We enjoyed it every bit as much, actually more, than most current TV shows. The stories were crisp and made sense. The characters were personable, and the acting quite competent.
It made me wish that Roger Smith had not retired his own acting career to act as agent for his wife, Ann Margret.
If you see the series, watch for the episode written and directed by Roger Smith that has no dialog for the entire hour. So often he is 'about' to finally speak, keeping you on the edge of your chair with anticipation, then something happens that distracts him. LOL Brilliant and courageous episode for TV in ANY era.
A Couple of Hip Private Eyes
Although at the time it was on the air 77 Sunset Strip was primarily known as the vehicle that launched Edd Byrnes into short lived teen idol stardom. Looking back however 77 Sunset Strip set a pattern of Warner Brothers television detectives, it spun so many copycat shows.
At 77 Sunset Boulevard was quartered the private detective firm of Bailey and Spencer. Stu Bailey and Jeff Spencer were played by Efrem Zimbalist, Jr. and Roger Smith. These two guys did not take their detectives cues from rumpled private eyes like Sam Spade and Philip Marlowe. With their stylish clothes and hipster rat pack style dialog, Zimbalist and Smith were the new style private eyes for the Fifties.
These guys were good, but what really made the show a success was the presence of Edd Byrnes playing one Gerald Lloyd Kookson, III AKA Kookie. Second to Elvis Presley, Byrnes was the first teen idol I was cognizant of in my youth. He talked as hip as Zimbalist and Smith and he had the most carefully groomed hair on television. Kookie was never without his comb and in fact he and the comb spawned a hit record of the time, Kookie, Kookie, Lend Me Your Comb. In fact his character name became a slang term for strange, still used among folks in my age bracket. Byrnes was a parking lot attendant and he was always getting vehicles for the stars.
Eventually the guys actually made Kookie a detective in the firm and a new teen idol Robert Logan was hired as J.R. Logan however never took off the way Kookie did.
There is one constant in show business. If something succeeds, copy it to death. Warner Brothers put out Surfside Six, Hawaiian Eye, Bourbon Street Beat and a few others as did other producers trying to imitate them. During the late Eisenhower and Kennedy years, television was inundated with hip private eyes. None of them had the success of the original. Zimbalist and Smith guest starred on some of these other shows and they in turn had visiting detectives as well. In fact Richard Long who co-starred in Bourbon Street Beat after that show was canceled, Long and his character Rex Randolph moved from New Orleans to Los Angeles to get taken into the Bailey-Spencer firm.
After five seasons ABC canceled 77 Sunset Strip. Roger Smith was developing the health problems that forced him to leave acting and CBS picked up the show and promptly fired everyone else, except Zimbalist. From the hip Stu Bailey, Zimbalist became Stu the cynic. He was now an international secret agent and man of mystery.
The first five shows were appropriately entitled Five. It was possibly the first mini-series ever. Some 25 guest stars appeared in a five part show that was not bad in and of itself, but it certainly shocked those who expected what they were used to. 77 Sunset Strip didn't last long after that and Efrem Zimbalist, Jr. joined The FBI next season.
Still as a pioneering show of sorts, 77 Sunset Strip has an honored place in TV Land memories.
By the way, the end of that Kookie song had Byrnes telling some girl she was the 'ginchiest'. To this day I don't know what that means.
At 77 Sunset Boulevard was quartered the private detective firm of Bailey and Spencer. Stu Bailey and Jeff Spencer were played by Efrem Zimbalist, Jr. and Roger Smith. These two guys did not take their detectives cues from rumpled private eyes like Sam Spade and Philip Marlowe. With their stylish clothes and hipster rat pack style dialog, Zimbalist and Smith were the new style private eyes for the Fifties.
These guys were good, but what really made the show a success was the presence of Edd Byrnes playing one Gerald Lloyd Kookson, III AKA Kookie. Second to Elvis Presley, Byrnes was the first teen idol I was cognizant of in my youth. He talked as hip as Zimbalist and Smith and he had the most carefully groomed hair on television. Kookie was never without his comb and in fact he and the comb spawned a hit record of the time, Kookie, Kookie, Lend Me Your Comb. In fact his character name became a slang term for strange, still used among folks in my age bracket. Byrnes was a parking lot attendant and he was always getting vehicles for the stars.
Eventually the guys actually made Kookie a detective in the firm and a new teen idol Robert Logan was hired as J.R. Logan however never took off the way Kookie did.
There is one constant in show business. If something succeeds, copy it to death. Warner Brothers put out Surfside Six, Hawaiian Eye, Bourbon Street Beat and a few others as did other producers trying to imitate them. During the late Eisenhower and Kennedy years, television was inundated with hip private eyes. None of them had the success of the original. Zimbalist and Smith guest starred on some of these other shows and they in turn had visiting detectives as well. In fact Richard Long who co-starred in Bourbon Street Beat after that show was canceled, Long and his character Rex Randolph moved from New Orleans to Los Angeles to get taken into the Bailey-Spencer firm.
After five seasons ABC canceled 77 Sunset Strip. Roger Smith was developing the health problems that forced him to leave acting and CBS picked up the show and promptly fired everyone else, except Zimbalist. From the hip Stu Bailey, Zimbalist became Stu the cynic. He was now an international secret agent and man of mystery.
The first five shows were appropriately entitled Five. It was possibly the first mini-series ever. Some 25 guest stars appeared in a five part show that was not bad in and of itself, but it certainly shocked those who expected what they were used to. 77 Sunset Strip didn't last long after that and Efrem Zimbalist, Jr. joined The FBI next season.
Still as a pioneering show of sorts, 77 Sunset Strip has an honored place in TV Land memories.
By the way, the end of that Kookie song had Byrnes telling some girl she was the 'ginchiest'. To this day I don't know what that means.
It influenced my life!
As an English prepubescent girl in the early 1960s I loved all American TV series and my favourite was 77 Sunset Strip. Unlike my friends who swooned over Edd Byrnes I loved the suave Roger Smith with the lovely smile. He has made a lasting impression on my life. If I remember correctly, in the series he used to wear his watch with the face on the inside of his wrist. I adopted this curious habit and have worn my watch this way ever since. I would love to see the series again. Sadly, I read recently that Roger Smith is suffering from a disabling disease and is looked after by his wife Ann Margaret.
Quality TV to grow up on
The transition for large screen to small was still unlearned when "77" was released. Playhouse 90, Live From Carnegie Hall and network sponsored orchestras were still in vogue - serious TV with a performing arts feel. Note the cinema feel to this series. It was filmed, not video taped.
I enjoyed this show as a child as it was intelligent mystery/drama. It was done before secret agents. It required the private investigators to be resourceful. They were alway honest. Just the stuff a boy scout like me needed to round out his masculinity. Stuart Bailey was the smart guy. Older and no-nonsense. Jeff Spencer was the cute guy. And Kookie, well, the only thing good about Kookie were the cars he drove.
Good stuff.
I enjoyed this show as a child as it was intelligent mystery/drama. It was done before secret agents. It required the private investigators to be resourceful. They were alway honest. Just the stuff a boy scout like me needed to round out his masculinity. Stuart Bailey was the smart guy. Older and no-nonsense. Jeff Spencer was the cute guy. And Kookie, well, the only thing good about Kookie were the cars he drove.
Good stuff.
Le saviez-vous
- AnecdotesEven though Dino's Lodge is shown in every episode, Dean Martin, who owned the lodge, was never on the show, nor even mentioned.
- ConnexionsFeatured in Ça: Part 1 (1990)
- Bandes originales77 Sunset Strip
Written by Mack David and Jerry Livingston
Theme song; short instrumental version played during opening credits; full vocal version performed during closing credits
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Sunset 77
- Lieux de tournage
- Dino's Lodge, 8524 Sunset Boulevard, West Hollywood, Californie, États-Unis(Opening Credits- Dean Martin's Club)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h(60 min)
- Couleur
- Rapport de forme
- 1.33 : 1
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